â EMMA
    Theyâve had many arguments, Emma and Dominic, so many towards the end of their friendship that it perhaps couldnât be called a friendship at all. In retrospect, it had been a grim foreshadowing of what was to come. However, in all that time, in so many occurrences where she had called him a coward, an idiot, a pushover with the wrong priorities, she had never felt so lost talking to him. Heâd been her best friend once upon a time, and even if he made decisions sheâd never understand, sheâd always known who he was. Right now, any step he made or word he said would come as a surprise to her. She doesnât like not knowing whatâs going on. Hates it, in fact. Hates this.Â
    Itâs only when his eyes change focus, if only for a moment, to focus on the ground beneath them. This is something she can reconcile with- for lack of a better word- her Dominic. The unwillingness to raise to a fight, the part of him that, no matter what she said to him, about him, would never retaliate with the same viciousness, if at all. Then, in a moment, the part she recognises is gone. Heâs so much taller than her, somehow even taller now than they were when they last saw each other. âYes, you do.â She feels steel in her spine as she raises her chin to meet his direct gaze. No part of her wants to back down from this. When she was a teenager, Emma had made an art out of uncertainty; she had pulled boys closer to her and pushed them away again like a child with a yoyo, always knowing exactly where she wanted them to stand. As seems to be a reoccurring theme in this interaction, she doesnât know if she wants Dominic closer or at the other side of the park.Â
    He goes to turn away from her and sheâs only just able to stop herself from grabbing his shoulder once more. Sheâs under no illusion that sheâs as calm as she should be, but Emmaâs intimately aware with the type of people Dominic associates with now, and knows that even if he had killed every member of the Collier family by hand, the threats she threw against him would be enough for those types of lawyers to get him off scot-free. So she waits, pocketing the notebook out of personal curiosity rather than professional. Heâll notice, definitely, but she doubts he can risk trying to get it back. Part of her feels bad for using that against him, but a stronger part of her needs to see how his art is manifesting ten years later. A memory surfaces, something that would have been soft yesterday; chasing each other around an empty Ravenclaw common room, a ribbon-bound sketchbook held tightly in her grasp. The label addresses it to her, and sheâs trying to stay out of his reach whilst trying to untie the bow. âI want to see,â her higher-pitched, almost giggling voice calls out. Heâs using his height as an advantage, his much longer legs catching up to her in moments. âItâs not Christmas yet!â He insists, but heâs laughing too. The sound of his laugh echoes in her head, interrupted by the man himself. Sheâs broken from her reverie by his harsh tone and she lets herself ache for a second before refitting her armour.Â
     âThankfully, yes. He woke up this morning. The rest of his family were dead at the scene, including his sixteen year old sister, Jess.â She says the words to get a reaction out of him, all the while fearful that she wonât. Heâs turned back to her now, she knew he would. âIâm not suggesting anything, Dom, I am asking you what you had to do with it. My partner was reading The Prophet, your face bloody front and centre on the front page, and the kid damn near had a panic attack. Heâd remembered nothing up to that point, just kept asking for his Mum.â Emma hadnât meant to reveal that much information, but remembering Tobyâs face filled her with a rage once more. His grip on her hand had been like a vice the moment heâd seen the front cover of The Prophet, repeating the same phrase over and over until her partner had had to fetch a nurse. âWhy did you scare him so much? Just you, no-one else. Explain that to me and Iâll leave you alone.â
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  When she speaks, he feels the ice roll down his back. Heâs frozen, and itâs so easy in this moment to lose himself to the memories of that night - memories that are clear as day, sharp and sudden and ultimately unwanted, because his hands suddenly feel heavy with the blood he knows theyâre stained with. His only comfort is that, against all odds, the spell had worked. Far from being a Healer, heâs shocked that his magic had accomplished its purpose that night - that the blood had stopped flowing, that the coma heâd induced on the poor boy (Tobias, sheâd said, Toby) had granted him enough time for the Mediwizards to save him. The boy lives, but the sister - the sister -
  "Heâs hardly the only person to have lost someone that night,â he snaps. His eyes narrow; St. Mungoâs was busy for weeks afterward, the Healers attempting all manner of experimental magic to save whoever they could. A cloud of mourning had descended over them all, candlelight vigils lighting up the night sky for weeks, and in many parts of Wizarding London, that mourning continued on. âI suppose youâll find some way to tie all their deaths back to my whereabouts that night, too? That Iâm the evil, Iâm the illness in this world that should be locked back up in Azkaban where he belongs?â He doesnât realize that his voice has risen, that heâs speaking loud enough that a passerby could easily hear without even attempting to eavesdrop. His insecurities rise up in his throat and spill over in his words, the wild look in his eyes unmistakable. âNone of this would have happened if - â if I had done my job, if I hadnât been soft, if I had just let him die like I was supposed to â - if his parents had protected him like they should have. We should count our blessings that he still lives and breathes.âÂ
  The words pour forth without his permission. Heâs a cornered animal now, fighting against the look in her eyes - the suspicion, the rage - and he feels it mirrored in himself. He wants to crawl out of his own skin, to disappear, to be anywhere but here, all while he desperately tries to remember why this woman makes the sky feel like itâs crushing him -- âIf you were any good at your job, youâd search elsewhere,â he snarls. âAny child looks at an image plastered over the cover of the Prophet, of course theyâre frightened. I expected better of the illustrious Auror department than to chase any ghost of a lead they can take, and from a child whoâs just awoken no less.â He steps back and looks down at her. His unimpressed sneer twists his features into something unrecognizable. âWhere the hell did they find you anyway? Didnât realize they were getting desperate.â









