a pretty private telling of johnny sawyer, unfortunately written by scout.
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@dogsm4w
a pretty private telling of johnny sawyer, unfortunately written by scout.

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How to Make an American Quilt (1995) dir. Jocelyn Moorhouse
modern johnny with a kind of looking all james dean walking out of the past shouldn't be in the era that he is but makes it work really well. when it's like he could blend in as just a guy and he does, but he really doesn't at the same time. and maybe that's his aura and his nature and just the vibe he has to him. johnny's really good at making people that don't know better think that he's just some good looking charming dude in any verse and i think that translates over into modern too, it's just... it's different in the way that he kind of sticks out. very tired, can't word. brain goes brrr with thoughts tho
vamp fatale song giving me Insane johnny muse? somehow not surprising
hmmm the duality of torn up jeans, torn up dirt streaked cut off tanks, scuffed to hell boots rural texas boy but alsooooo... skin tight leather pants and gaudy af red snake leather boots and a leather jacket unzipped to There. johnathan things. tbh the latter definitely more so a modern alias thing but a look he would gravitate to for it and rock
and then ofc the actual blue collar cowboy look with is obscenely easy to imagine on him bc well, look at him

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modern johnny with a cellphone would be disgusting. i would elaborate but i dont think i need to...
normalize being an awful person who kills people and likes it. normalize being an abhorrent piece of shit who lies cheats and steals.
@dogsm4w said: "say it again, like you believe the shit comin' outta your mouth," johnny says, amusement caught in his lazy drawl. it's too early still to make any sort of move that matters. hours until the sun goes down. hours until the sun has faded leaving only warm pavement behind. hours he gets to leisurely spend with leland until he cuts him loose to find a mark of his own. leland, who he has perched in his lap all pretty right now, johnny's attention doesn't divert much from the curve of his jaw or the look in his eyes. even when the air conditioner to their left hums in mild protest to the heat in the room. stained curtains catch in the try hard rush of air and from just outside, he can hear laughter. other tenants of this particular motel. the hole in the wall sort that truckers utilize straight off the road. the kind you bring side pieces to so they can add to the collection of stains on the rough sheets and dented beds. two rooms down, he swears there's a drug deal in the works. no one cares. no one lingers here long enough to make an impact. a sea of faces that come and go in a little dirt-filled town off the main highway. a feeding ground. a hunter's paradise. the place he's brought leland. tonight, someone else will lay sprawled out on the bed. and if leland makes him proud, they'll be bleeding out before midnight even hits. johnny continues, his thumb stroking a deliberate gentle line across leland's adam's apple and up below his chin. he tilts his head up, directs him to look at him. "guy asks you what you're doin' in a place like this." the dive bar just a hop, skip, jump away from this motel. like the owners knew what kind of bargain they'd get setting up shop near the flickering neon reds where people chase all sorts of highs. johnny leans in, tip of his nose grazing the apple of leland's cheek. his free hand seeks anchor at leland's hip, fingers pressing in an echoing mirror to the bruises he knows rest just beneath the fabric of his clothes. mine. mine. mine. "deep breath, keep your cool," he instructs. "what're you gonna say to him? he's needy 'n hungry 'n can't keep his hands off you. keep him interested. keep him talkin'."
he’d argue it's pretty hard to concentrate, when there's a thumb pressed close to his pulse. a warm palm that rests comfortably against the side of his neck — not aggressively, but present. a reminder, and a promise. it makes leland’s brain feel fuzzy on the edges. it's always kind of intense, when he watches him like this. johnny can probably feel every subtle hitch in his breath, and leland focuses on the weight of his hands. in a weird way, they steady him, when his thoughts threaten to spin out in a panic again.
lips part with the beginnings of a protest — and then purse. instead, leland sighs a little impatiently. throat humming against johnny's palm. ❝ it works on them. ❞ he retorts, with a small roll of his eyes. another test. tonight will be a test, too.
all things considered, this isn't the worst motel room they've stayed in. it’s a million times better than the shack. but they all feel like a shade of the same thing. sweat and skin, stained sheets, slightly yellow wallpaper. he perches in johnny’s lap on the room’s uncomfortable bed, and in the dull lamplight, he thinks he hears a fly zap itself on the bulb. again and again, zzt, zzt, zzt. in the sticky afternoon, the drone of the air conditioner threatens to lull him into a vague trance, and he thinks of the hundreds of nameless people that must have passed through here before them.
leland imagines they’re the same transient types he’s seen at the dusty bars and near-dead truck stops around here. part of him liked to wonder where they were headed, after they left this speck on the map in the rearview. if maybe at the end of their long travel through the silent nothingness, there's home. if maybe there's someone waiting for them, where the road gets eaten up by the horizon. for leland, it's been getting harder and harder to imagine much beyond all of this. the rigid borders he sees everywhere, encircling him on all sides. he knows he can’t ever go where they go — there's probably a million places he'll never get to see, now. and he couldn’t go home, even if he was free to. that was the bad choice he made, in a long line of bad choices. and he was bad, too. bad like the man staring back at him in the dim, sickly orange light.
but anyway. it's not the worst motel room. he's at least pretty sure no one's died in it, yet. that was going to change, if johnny had anything to say about it.
leland huffs softly, eyes still low where fingertips trace a scar on johnny’s collarbone. a pause; ❝ ... you’re not gonna leave me alone again, right? ❞ he accuses, trying not to sound like he’s whining. because — he should be able to handle it, right? he shouldn't need johnny to rescue him. leland frowns a little at himself, knuckles curling anxiously against johnny’s chest ❝ what if i can't do it? what if i mess up... ❞ he murmurs, worry bleeding through despite his best effort. really, he doesn’t want to do any of this. he never wants to do this, he wants to stay here — but it’s not like he has a choice.
he doesn't want to mess up again. like that first time.
of course, he hadn't been prepared for it, when the burly trucker type of all people scooted a seat closer to him at the bar. must have thought he was easy prey or something, looking out of place and nervous like he did. leaned in even closer and slurred drunkly that he was pretty, like a girl. leland didn’t know what to say to that — everything he’d rehearsed had flitted completely out of his brain. but he remembers the man's mouth tasted like cheap beer when they kissed in the hallway, the man crowding him into a wall, pushy and overwhelming. gross breath hot against his cheek, and leland trying desperately to remember what he was supposed to do. it felt dirty. the man’s hands were blue-collar calloused, and he wasn't as nice to leland when they were alone.
it didn’t go like it was supposed to. it's practically ingrained in his skull — how the man pushed him down to his knees hard on the sticky bathroom tile, before leland could even remember to go for the switchblade in his pocket. suddenly he could barely react, suddenly he wanted to disappear into the floor. wanted johnny to come save him. but he was nowhere. it was worse, knowing he wasn’t strong anymore — not like he was all those months ago. muscle worn down a bit from weeks wasting away in a damp basement. and it came as a cold reminder, when the man caught his wrists easily, as he tried to scramble away from him — and leland could swear he'd started crying, at that point. could swear he was about to throw up from being so scared. so wildly out of his depth in a situation johnny insisted he was ready for. he wasn't ready. he's not ready now. if he thinks about it too long, he'll be fucking sick.
that guy was his first real mark. that guy ended up dead in a blood-spattered bathroom stall. because johnny was late. and leland had to sink or swim.
maybe it's bad to say, but — it was probably better guys like that died, though— instead of the girls johnny liked to point out at the start of the night. the ones he urged him to go up to. said they would be easier. leland knew what he meant by that, and hated it. hated him. it wasn't supposed to be easy. any of it. so leland doesn't ever think about choosing girls, when johnny forces him to choose. tells himself what he does to cruel men is somehow less horrible. like ones leland could tell wanted to shove into him with their hands and hurt him. after all, what did it matter to them? they were only passing through, right?
they usually reminded him of johnny. rough like him. mean like him.
for once, knelt over the body he'd riddled in panicked stab wounds on the bathroom floor, he felt wildly, sharply, in control of something. like some sick part of him was exactly what johnny wanted him to be, in that moment. was there any way to admit that somewhere past the numbness, and past the cold horror — it had felt kind of good? without sounding fucking insane? that it felt good when johnny kissed the blood off his mouth and praised him for what he’d done? no — he thinks. no amount of trying to justify it made any of what they’re doing here more right. even if his targets are lowlife nobody scumbags. even if men like that hurt people, too.
truth is — he's still the way worse monster, here. closer to the kind johnny is than any of these men could ever be. and that’s why he deserves this.
johnny’s hand on his hip squeezes like a prompt, and leland's focus narrows to where fingers press to tender bruise. a familiar blooming ache. leland’s still quiet for a stubborn moment, before his lips press into a thin line of irritation. ❝ fine, ❞ he relents, exasperated, lowering his eyes. shifts uncomfortably, feeling his cheeks burn as he hesitates to find the right story to string together. tries to make himself someone a little more convincing than his plain old self.
❝ i'm, uh... ❞ his mouth feels dry, his face hot under johnny’s relentless attention. deep breath. he tries to release the tight feeling in his chest, and ends up just feeling a little nauseous. leland tries to soften his gaze, trailing a slow deliberate look along the sharp cut of johnny’s jaw, up to meet his eyes. ❝ ... not really from around here. ❞ leland tilts his head, and what he hopes is an easy smile curls on his lips. don't try too hard. don’t overthink it. ❝ ’m trying to get to california, actually. looking for a ride. ❞ he drapes his arms around johnny's neck lightly, wiggling just a little more flush. fingers playing with the hair at johnny's nape. this kind of thing usually works on him. leland’s eyes narrow slightly, going for playful; ❝ why? do i look out of place? ❞
such a stupid fucking question. everything about him looks out of place. even when he's been caught in the tidepool of johnny's shadow for enough time that people know he's his. that he's his counterpart. his other half. he looks out of place. a flower that was plucked right before it could really bloom and has been transplanted into soil it doesn't belong. nursed and fostered and turned into something else. a desert rose of sorts. johnny's little wild rose. does he look out of place? he wants to laugh, but leland's eyes are soft and doe-like and it makes the pit of johnny's stomach flutter with insatiable desire. he wants to laugh, but he doesn't. he plays along.
"i told you, m'not lettin' anythin' happen to you. you ain't gonna mess up," threat. "that's why we're doin' this right now. c'mon, you gotta sell this shit to me," he backtracks, fingers digging gently once more in leland's hip and slipping up beneath the fabric of his shirt. it's warm. too warm in the hotel. maybe at this point their little air conditioner has given up and is just pushing out warm air. it hums on regardless. leland's skin is warm. warm, like it's looking to be touched and tasted. warm, like it's looking for johnny's skin to press against it. johnny doesn't ask for permission, though he's deliberate and almost careful in the way he reaches to pull at leland's shirt. a few seconds is the only wiggle room he allows for protest. then he moves to pull it until it's up over his head and the soft curling ends of his hair can tickle against leland's collarbone. immediately, he discards it, throwing it behind leland. it catches on the very edge of the bed before slipping in slow increments into a pile on the floor. buttons caught on johnny's boot. leland's boots just beside his. a picture of domesticity. they could be a couple traveling through. they could be a married man and his pretty little something extra. they could be anyone, no one would know. no one would give a shit. johnny's jeans shift in protest to the warmth, to the friction, to the way he draws leland flush against him so air kisses his skin but the soft torn fabric of johnny's shirt rubs against him too.
"... you do, though, yeh," he finally answers, pretending to be someone he's not. pretending to be someone who just wants to take what he wants and leave for the night. pretending, because johnny doesn't want to leave. not at the moment.
he clears his throat, pulling up a facade of this character. some rough trucker. some mean son of a bitch. some hungry low life. hell, he's likely got a wife and a kid or two waiting back at home clear across the country, but he's a man with needs and the roads are long and lonely. no one has to know he wants to get off to another man. men like that are like roaches here, slithering in and out of the shadows, waiting to pounce. his grin skews to one side and he's thumbing across a scar on leland's arm before slinging that arm low around his waist. his hips roll up, jean snagging jean as he groans, desperate to chase the sensation it strokes to life, but withholding.
"california, huh? what's in california for a guy like you? fame? future? don't tell me you're one of those soft, limp wrist band boys or some shit." johnny's nose trails along leland's jawline, but he dips, dragging it along his throat. playing a part. he's playing a part. his words teeter on the edge of dismissive. but he knows these men that leland sets himself up against. the sort that don't care what's coming out of his mouth if his mouth can be put to better use. the sort of men that have only one thing on their mind when they're this far from home, caught in a town that barely exists, with a boy as pretty as a girl. aggravation ignites like a brutal windchill beneath his skin. who the fuck are they to think they can lay claim on what's his?
johnny grunts. johnny, not the man he's pretending to be, and he nips at leland's collarbone. licks impatiently along the line of an already healed scar he has there. one johnny gave him, forever ago. when leland was stronger and thought this wasn't where he was meant to be. when leland wasn't his. he's his.
you're mine, he reminds him, even as he pretends.
he smells like that flowery shit he insisted on being allowed to get. that shit that leaves johnny's clothes and skin smelling like that and him too. sometimes, it's so noticeable it makes him feeling nauseated. and sometimes, he relishes in them smelling the same.
"i could give ya a ride," john doe says. johnny's voice pitching lower, like he's really trying to woo this boy. this stranger that isn't his. this fun little game. "but you'd have to give me somethin' for it. maybe you can sing me a song?"
three seconds is all it takes for johnny to utilize the leverage of his arm around leland's waist and leland's arms draped over his shoulders and around his neck for him to lift up and roll, pinning leland beneath him. he doesn't settle his weight atop him just yet, but instead wedges his knee between leland's legs and hovers above him. the chainlinks of the necklace he wears dips. the metal is warm, having been against his own skin beneath his shirt, but it dips now to graze leland's chest. "i like how you look like this." is he johnny, is he a mark.
a truth, all the same.
he hikes his knee higher, settling his weight better with a hand resting just above leland's head. "won't someone be lookin' for you here? surely you got someone that would come out to find ya if you took off to caleee-for-nya." his pupils blow wide, dark eyes darker now. hair that's usually slicked back slipping from its place to drape across his brow. if this weren't an important lesson, he'd be kissing him. kissing him and making him make all those sounds he's capable of winding up johnny with. not yet, though. they have time. they have time and leland folding first is always worth the wait.
"outta place and you look like trouble, too," he tacks on, lip curling in tepid amusement. what this imaginary man doesn't know is that johnny's watching, lurking in the shadows. watching as he uses his free hand to slide up leland's side, to graze back and forth over one of his nipples, to dip down again and thumb over his belly button. johnny's watching, watching himself do this and feeling murderous as he does. a break in character, johnny's eyes focused back in on leland, his hands stilling, stopping all movement. all touches. all momentum. johnny licks his lips. "what do you say, when he wants to back out 'cause you seem a li'l too fuckin' good to be true? tell me."
just got voted as time’s most problematic and toxic bisexual representation
love to sit and think about the complexities of the nancy dynamic with johnny. and how a lot of how he understands love comes from her and the family. she killed for him before he was even old enough to comprehend what was happening to him and his birth mother. she scarred him for life literally when he confronted her about not being her blood son (thanks hitch) and theres soooo much weaving of violence being an extension of love that gets laid into his logic and wiring. which is interesting when you consider how often he kills without second thought or consideration to the victim. so where is the line drawn between acts of violence out of "love" or just impulsive acts of violence to sate a need he has? the lines blur so much when it comes to him and he does a lot of twisting his reasons to suit his needs and benefit him in a moment.
there is a verse that exists where he kills her. and across the board in all verses, he hates her. but its absolutely that sort of hate that wraps around to love. she's his mother. he's loyal to her. but he'll also stand up against her too. again, when it benefits him.
johnnys dynamics with all the family are interesting to me tbh. they're all so nuanced and they have this awful thread of familial love and loyalty tying them together in some form or fashion. johnny can't stand cook but cook also was the one who raised him pmuch. johnny just doesn't do well with expectations placed on him and responsibilities he doesn't want and nancy let's him get away with so much more than drayton ever does.
him and sissy bicker like siblings and she doesn't respect him at all (good for her tbh) but i stand by the fact that she would rush week au hunt ppl down to keep his ass out of prison. i do think he's envious of the fact sissy can take off for long periods of time and she isn't tethered in the same way he is. and that comes out in the way he treats her.
hitch annoys the hell out of him but in the way brothers would bicker. he doesn't mind hitch hovering around and being weird until he does and then he's telling him to fuck off.
he is very fond of bubba and calls him big guy / big boy. and if he's "soft" with anyone, it's bubba. though i think he'd also throw bubba under the bus to save his own skin if the situation called for it in a heartbeat.
i genuinely don't think johnny gives much of a shit about bones and i think his and nancy's weird whatever they have grosses him out. that's when he really does turn into little kid that's like ew stop, not in front of me. even though, in turn, johnny would have no issue parading around someone he's fucking in front of his mom and even showcasing he cares about someone more than her. but yeah, bones is someone that he talks to when he has to. when taking remains to the graveyard to dispose of is a thing. when he shows up for family dinners or cookouts or something. but he doesn't think about him much otherwise.
hands is a weird one because ik the gun lore involved and it just feels sooooo haphazardly thrown in and half-assed that i don't know if i really like too much of it. but i do think that johnny as a teen following around a super giant violent guy checks out. but i don't think he really looks at him as role model in any lasting sort of way. it was more than he made an impact on him when he was in those teenage years of being a sponge that was soaking in everything around him and shaping him and the mindset he was growing into and the habits and the way that violence is just another language to the sawyers.
me, word vomiting, more likely than u think

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red beneath his fingernails, red caught between his teeth,
random thoughts at this hour: johnnys boots tend to look a little more work oriented and have a rounded toe box, probably steel toe sometimes. but the way i think he rocks a normal looking cowboy boot often and then i also think about the way he probably looooves to kick people with the more pointed/typical looking boots and i just!!! image of him chasing / hunting someone down and pulling them from their hiding space only to land a nasty kick to their ribs or their back with a more pointed worn out boot,
i think the normal amount about him and his stupid attire. like the gloves just being a work thing and not bc any particular need or reason behind them, but there's something to getting to treat people like the animals that end up processed at the slaughterhouse that just gives him a sick little thrill. or him hauling hay bales into the back of his truck with the same movement and strength that he hauls a body.
i also think about his stupid torn sleeve shirts and i dont think he goes around ripping the sleeves off to make a tank on purpose initially. its more like he wears the absolute fuck out of these thin material shirts and once one sleeve ends up tattered or useless, then he takes it and the other one off. definitely think the material is threadbare and barely hanging on for a lot of his shirts. that aren't the fancier ones like the church / mother's day one or his fancy red suit fit. those are definitely crisp and stiff bc they dont end up on the usual wear rotation.
genuinely dont think he cares much about having band shirts or button up shirts or anything with much personality to it. and we been knew he tends to run around shirtless too. i think he has the faintest tan line at his shoulder area from tanks / wife beaters, but its soooooo faint bc he's just as likely to throw his shirt off entirely on a blistering hot day. and yeah, i Do think he only owns 2 pairs of jeans and he doesn't care how dirty they get
love to think about johnnys influence on an environment or group of people (negative) and the way it doesn't always have to be direct or hands on. how he has this way about him that you don't necessarily want to confront but moreso i was thinking about the haunted woods paranormal show and how johnny is kind of the dark energy in the woods you don't want to meet. and he's human! he's not some cryptid or entity. bet wildlife and weird sounds have started popping up around areas he frequents more than others and there's this very like... idk. he drains the energy and the life and leaves an imprint. smth smth his ability to ruin and alter and maim and to him it's fun and games (for the most part)
it's soooooooo....
@lifesver says: smoke is adrift from johnny’s lit cigarette, dissipating up into the cabin rafters. there's remnants shared between their lips when leland, resting against johnny's chest, wiggles to chase another lazy kiss. the moment moves molasses-slow. hazy around the edges — like being suspended in their own bubble. their own world. dawn peeks in through the gingham curtains, stripes across the wood. they have nowhere to be. it’s nice; warm under the quilts where they’re skin to skin and tangled limbs. johnny looks a little different in the softer light, and leland traces fingertips along the healed scar on his chest. of course, none of this is real, though. and none of it lasts past this moment, right here. but that’s fine. he’s used to it. getting what he gets, and all. in a couple days, they’ll go home to the shack, and that’ll be that. nothing will really change. it’s fine. leland tries not to think about the people who used to live here. johnny never bothered to take down their photos. their faces caught in the middle of laughter, memorialized in every corner of this place. there’s a layer of dust in their absence. they should be here, but they're not. johnny doesn’t say it outright — but leland can guess how he came upon this cabin, and what happened to that couple. knows he should feel worse that they’re in their bed, right now. in reality, it’s just another crime he’s been made guilty accomplice to. it’s bad — but, the only thing that really matters to him right now, is that johnny hasn’t gotten up from bed and left him. hasn’t fucked off to smoke or drink or do whatever he usually does. this is about as close as they’ve gotten to affection after sex, and it’s embarrassing how starved he’s been for it. how he’d do almost anything johnny asked right now, if he let them stay like this for a little longer. head lolls, cheek resting on forearms as he peers up at johnny. “ … what if it was always like this? ” he asks, suddenly, voice still a little coarse. this — it’s almost too risky to put a name to, because it’s so fragile — the uneasy-ease that exists between them, here. in another state. another world. almost another johnny, when he’s away from the property and the rest of them. no expectations, no responsibility. it’s a weird, kaleidoscopic glimpse of who johnny might be, without all of it. still bad. still mean. but better. kind of. god, the bar really is low for you now, huh? he dismisses the thought. well, anyway. he’s not out-of-his-mind enough to believe that the peace will last — johnny never lets it. like some kind of restless animal that tears everything apart at the first inconvenience. leland’s used to that, too; it’s just another volatile high in a series of suffocating lows. but it’s not so horrible of him to pretend for a little while, right? — to pretend that they’re normal, for once. that they’re a couple, even. that this is their little cottage and their little forest town, where the people don’t know them, and they could be anyone. start over. where he can daydream about freedom, but never dare take it. even if he never found the strength to try to run again — he could be happy enough, here, maybe. at least, a version of this hell that doesn’t end with him dead, would be nice. he parks his chin on his arms, looking at johnny more closely. tentative and soft-eyed when he continues; “ — i mean. what if we just stayed here? or… went somewhere new? would that be so bad? ” it’s probably dumb to ask, but he can’t help it — he’s thought about it since the first time johnny brought him here. their place, away from everything. here, it's easier to imagine a better reality than the one he lives in. here, he daydreams he’s a ghost, moving from state to state. going wherever johnny wanted. but he knows it’ll never happen. they both do, when they talk about running away. he’s more likely to end up buried in these woods. still, leland fixes johnny with an earnest look that begs him to entertain it anyway.
it isn't a thought he's had for the first time. it isn't a thought he'll stop having anytime soon either, when he's got him like this. wrapped around his finger and caught in the undertow of sex. see, he's a pretty little thing when he's thoroughly fucked out and feeling good, feeling loose, feeling lazy. leland's disgustingly pretty to begin with, but it's amplified when his voice is hoarse because of johnny. when his hair's a soft messy disaster. eyes wet, lips swollen. tangled as their limbs are right now, they're both covered in a comfortable sheen of exertion, cooling in the cabin's morning air when it touches the skin not covered in the warmth of their blankets. johnny could dip in right now and lick along leland's collarbone and taste salt and himself there. and here. and there. and dabble some more blossoms of purple, blue, and green amongst the canvas that he's made of leland's body. through teeth and nail. the bruising along his thighs has already started to fade. he meant to fix that, but got distracted by leland's mouth instead.
fuck, it's a tempting thought.
idly, he rakes a handful of leland's soft hair into his fist and tugs just enough to hold leland's head right there. so the kiss leland chases comes with the cost of another one johnny takes for himself. teeth dragging against his tender lip, not enough to draw blood, but enough that his gut stirs once more and his groan is a deep-throated quiet grumble. smoke swirls from the cigarette left in the ashtray, framing the sharp line of leland's jaw. johnny kisses there, too.
he'd give anything to sink his teeth into him.
fucking him into the mattress again to avoid the whimsical what if conversation delicately posed into the morning light is always the better option, but johnny's feeling too good, too relaxed, too content. he can allow the conversation. it'd be a lie to say he hadn't considered the thought himself. to stay here, in this little sleepy town. people go missing in the woods all the damn time. it's not like he couldn't find a way to bait and lure people here. sissy sets off doing whatever the fuck she wants. why couldn't he? no one's thought twice about this vacation home collecting dust. no one's thought twice when the lights turn on so very scarcely these days. no one's come knocking on the door.
no one's coming looking when johnny has leland riled up and loud.
out from beneath the shadow of nancy's blind but watchful eye. out from beneath drayton's caterwauling and constant nagging. the possibilities seem a little too endless. they could do it. get caught in the drifting current of their own desire and johnny's free will. go where they please. do whatever they wanted. leland's pliant and willing and johnny's stopped catching the twinkle of hope as bright in those eyes of his.
he wouldn't leave him. leland couldn't leave him. he's made sure of it.
maybe he doesn't even want that anymore at this point. and isn't that a thought deserving of some of johnny's attention and appreciation?
breaking him down has been a tedious fucking process. and johnny smiles to himself when he thinks about how murderous the hate had been in leland's eyes at the graveyard. how much he fought while in the basement. look at him now.
his little monster, his little shadow. eating out of the palm of his hand. bending over when johnny wants him to. dropping to his knees without even needing to be asked.
he's got him wanting to run away with him.
yeah, he could get used to a life like that. away from the family. away from texas.
just them.
he grunts, reaching beneath the quilt and between their bodies so he can palm and adjust himself. adjust himself, but also manhandle leland into better position atop him. shifting up only enough to rest his head against the oak headboard and afford himself a better view of his pretty boy. "hn," he offers at first, non-committal in sound, like he's considering not entertaining the bullshit that comes from those pouty lips. callused fingertips find the divots of leland's spine and he traces and lightly rakes his nails along the notches.
"you wanna play my little housewife out here in the woods, too, baby?" razorsharp as his teasing can be, there's no cut to the blade this time. it's dull. playful, even. he can indulge the conversation long enough to warrant making leland do whatever he wants later. a decent trade off, he thinks. charming words that will catch no friction in offer for a very real, very tangible shot of bliss. "we stay here, what's the first thing you wanna do?" he poses the question, letting it linger like he has more to say. he does.
beneath leland's fingertips, where the healed scar rests, johnny feels the snagged weight of something heavy. something unfamiliar and uncomfortable. he hates this feeling. hates when leland causes it to spread and ooze like warmth along his ribcage. it has his lip curling in a silent snarl, but he focuses once more on tracing leland's spine, of the weight of his body resting against his own. it subdues it for now. his fingers press a little harder against leland's back. "say we set up house here. you get me all to yourself. then what? you think we're gonna live happily ever after, bambi?"
johnny diverts the cruelty he wants to lay in on by demanding another kiss from leland. a slow, wet one. he smiles when he draws back, saliva caught between their mouths. what would the elderly couple that lived here and loved in this bed think about what's happening here now? johnny's mood lifts even more, dark eyes bright as he holds focus on leland's softer brown ones. "could be romantic."

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johnny is extremely reckless impulsive and acts on animal instinct a lot. i've said it before, i don't think he's a mastermind who can evil scheme and he'd be a pretty awful supervillain or something bc he lacks direction that isn't following his own desires and whimsy. but. but but but. saying all this, i do think he's scary good at making shit up on the fly and his ability to on the spot logic through manipulation to spin... awful. he doesn't think about the future much and lives in the present, but when he's patient or when he has an endgame in mind, he Can play the long game when he wants to. he can make something you thought he forgot about show up again and be used against you months later
the essay (more like a dissertation for a phd) i could write about johnny's view on masculinity and how he portrays that without even actually fully understanding what stereotypes he's exhibiting (nor does he care about them, even if he did know). the concept of what being a man means to him and what it looks like to him. what he was taught manhood is, but also what he's just carved out what that means to him personally, fuck morality about it. and the way he's absolutely got internalized homophobia despite fucking around with men and enjoying it. but also there's a whole can of worms to be opened with the way he views men and the way he views women. the way he treats both. the blatant and suffocating misogyny he has. the hypersexuality. the big man in the 70s coding. how he handles himself in regards to killing either gender. what he's like when men are as masculine as he is (in his eyes) and what he's like with men who exhibit gentler and more traditional feminine qualities or even appearances. it's just... there's soo so sosososososooo much i've thought about in regards to all of this but to put it into cohesive words, well.