anyone got a copy of the hardcover version of You Look Like Death who would be willing to share the "Letters to Athena" short story at the end? 🙏 even just photos of the pages would be great
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@disappointment-comics
anyone got a copy of the hardcover version of You Look Like Death who would be willing to share the "Letters to Athena" short story at the end? 🙏 even just photos of the pages would be great

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the thing about morrison’s damian is that it’s the same thing as madoka magica and umbrella academy tv and all sorts of things i hold very close to my heart: that it tries very very hard to convince me that some children are born wrong and evil and don’t deserve to live. that some children’s lives are worth sacrificing for others. that there could ever be such thing as a kid who deserved it. and for all that the creators of these things try to make me believe it, i never will. and so my view on these works that mean a great deal to me is fundamentally at odds with their intended view. well. i was raised catholic. i promise you i am used to loving and living unlovable lives. it’s not hard to view things differently at all.
drawing practice featuring an assortment of batman characters
there’s a muppets x marvel crossover coming and it beamed this into my head
Ultimate Queer Character: Round Two Match Fourteen of Sixteen
Rachel Summers (Askani/Phoenix)
Selina Kyle (Catwoman)

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I don’t mean to be rude; but I don’t think I’ve ever seen this, does anyone have any examples?
Supernatural
Doctor Who (Steven Moffat specifically)
Sherlock (Steven Moffat specifically)
Actually Steven Moffat is basically just this sentiment given human form.
A version of this happened with The Magicians, tbh. Though instead of expectation: men, reality: women it was expectation: smug nihilists, reality: mentally ill queer folks.
Arguably Game of Thrones.
If we broaden it outside of television…I think Star Wars falls into this, at least the sequel trilogy. Maybe the MCU as well. And I can’t help but think of every band that’s ever complained that their fanbase is mostly women. 5 Seconds of Summer comes immediately to mind.
In general, most white male creators seem to have this massively entitled mindset where they want–and think they deserve–the time, attention, and enthusiasm that creative fandom (i.e. the side of fandom more dominated by women) is known for.
They want our eyes for ratings, our word-of-mouth for free publicity, our metas for social media buzz, and our spending power for merch and cons. But they don’t want us. And they don’t really want the responsibility of telling a story to a thoughtful, engaged audience, regardless of that audience’s demographic makeup. They just want to be praised for whatever schlock they cough up.
And like any other spoiled brat, they will break their toys before they share them.
It goes all the way to the top for kids shows. Toy sales will crash a show. Makes sense, but if those toys are gendered for boys instead of the female viewers, they won’t usually switch up the marketing and move them to the girl aisle. They cancel the show outright.
Mind you it is perfectly possible to make the switch in marketing, but execs would rather throw it all out than have something that doesn’t perform well with male viewers. For example the Rey merch was not expected to be popular, for some reason, there had to be public outcry to get merch of one of the main 3 protagonists. A PROTAGONIST. The fact that she wasn’t a huge part of the 1st launch says a lot already.
And what happened when female fans got too invested in the Sequel Trilogy? The entire writers room didn’t necessarily lash out, but they sure forgot how to behave.
Young Justice
Paul Dini: Superhero cartoon execs don’t want largely female audiences
#WhereIsRey (initial)
#WhereIsRey (ongoing)
The older, male generation of 'Star Wars' fans may be losing interest in the franchise, but female fans are stepping up.
Star Wars: The Rise of Skywalker was designed to be the opposite of The Last Jedi
You’re all sitting on the hot take of the decade tbh
And yet when they fond out that boys were watching MLP:FIM in droves, they had NO PROBLEM with it.
#SONS OF ANARCHY!!!!!!!!!!!!!#LITERALLY SONS OF ANARCHY IS THE BIGGEST EXAMPLE OF THIS LIKE EVER#kurt sutter wrote that show for MEN and ended up with an overwhelmingly female audience#because he’s actually a good writer and knows how to develop characters well and wrote excellent female characters#but once he realized that his audience was almost entirely women he literally took it out on tara and gemma in the show#but like tara specifically#he resented her character for being a huge draw for female viewers so he tore her development to shreds and killed her#in the most brutal gut wrenching way possible#kurt sutter you will pay for your crimes#i actually wrote a manifesto about this on one of my old blogs i should try to find it sldkjsldfjsdljf#long post (via@m-oonknight)
OMG YES. I LOVED Sons of Anarchy, especially the women and then I got to season 6 and it was like - everything was just tossed in the trash? And like, why did Sutter hate that Tara drew tons of attention? That should have been a good thing! He should have been like “Hey folks, this girl’s getting us more viewers, let’s put her in more scenes!” It just doesn’t make sense to me. MEN don’t make sense to me.
The 100 too. I’ll never forget how Jason Rothenberg would attacked female fans on Twitter and mock them in interviews, and then post links to male fan discussions on Reddit to praise and thank them. In his goodbye letter to the show he SPECIFICALLY thanked Reddit and it was so disgusting.
Star Trek from TNG on was also a boy’s club, even though the TOS fans were mostly women. Women, in fact, who literally created modern fandom with their zines. But after TNG it was all, “Women don’t understand Star Trek, only smart men hur dur.”
I think it would be harder for us to find examples of when this DIDNT happen than when it did. It happens all the time.
Doesn’t stop it from boggling the mind
(though it could probably start to make some sense if you follow the money past audience bases to maybe a couple of investors or like a rich patron … 🤔)
Stooooop I just wrote a masters thesis on this shit. Media creation and distribution is a means by which dominant power structures consolidate their hegemony. Dominantly situated creators get upset when the audience they attract isn’t the audience they wanted, because they view the whole creation and sharing of the fiction as an exercise to sustain kyriarchal conditions that benefit themselves. When the audience is Other, they see it as a failure of those efforts and lash out.
Simply, they’re trying to assert a particular worldview via fiction, and upon getting confronted with something else, begin foot stamping. It’s not just men wanting male attention and gatekeeping. It’s that the fiction in the first place was an attempt to curate dominance and whoopsie! they miscalculated.
(anyway if anyone wants to read 35k words of philosophy about this, hmu)
Hey folks, for anyone that was interested in the thesis (firstly thank you so much for reaching out I really appreciate the interest) the following is an open access link to download it. Please let me know if it doesn’t work for some reason. Comments are now restricted so can’t put it there, but I hope you see this if you were interested!
I’d also love to hear your thoughts, as I literally wrote it for communities like ours to read, so, thanks.
Fictions are a cornerstone of human cultures: they are created, shared, discussed, modified, and valued. Yet, philosophical accounts which p
Ultimate Queer Character: Round Two Match Five of Sixteen
Gwen Poole (Gwenpool)
Renee Montoya (The Question)
the thing about DCeased is that it isn’t very good but i think about it sooo often. steph and damian and the spectre of grief and legacies nobody wanted them to have. talia and steph being unlikely allies in the aftermath of the world. ivy and the task of rebuilding a world she spent so many years trying to destroy. the speedsters and the knowledge that they could infect the whole world in seconds. the ways zombie media often unintentionally coincides with covid and the things nobody wants to think too hard about. the unkillables being the cockroaches of the world. the way it unabashedly can do what serialized mainline comics cannot: kill and grieve and grow without takebacks. all that just to be written by tom taylor. sure.
she should have been at the club

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shaking violently: yeah okay whatever no it’s fine it’s just some panels
Putting the term "Catholic guilt" on a high shelf where fandom can't reach it until everyone learns how to identify characters who are very very clearly coded as Protestant.
polaris big curly hair was the greatest.. bring her back 💚
free my girl she did all that and that’s what makes her such a compellingly complex character. that’s her essence
no it's just how are you gonna be repressed looking butchy as fuck thats what im trying to figure out

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sometimes being a fan of something means not wanting them to make any more of it
fic writers not having personal experience with drugs is fine but i would just like to state for the record that if someone has been an alcohol, xanax, or klonopin addict for a very long time, withdrawl can be FATAL and they cannot quit cold turkey. opioid withdrawl is also generally miserable and runs a high risk of dehydration and other fever things. and pretty much all withdrawl can come with depressive episodes and stuff which obviously has risks.
as much as we may enjoy a big sudden recovery turning point narrative, you may be lowkey killing ur characters. there are clinics that can help someone safely quit and there are drugs that curb withdrawl like methadone.
also while i’m at it, there are other quitting programs that aren’t AA/NA 12 steps. not all characters would be able to handle 12 steps. (think of it like therapy, there are many different kinds and different kinds and what’s helpful for some are sometimes extremely detrimental to others). some recovery doesn’t involve quitting at all, but rather reducing intake, switching methods or drugs, and practicing safer, more sterile habits