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― Virginia Woolf, A Writer's Diary

[ text ID: Yes, I deserve a spring–I owe nobody nothing. ]

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rozieramati

tiktoks-for-dead-pope

the-evil-clergyman

Illustrations from Goethe's Faust by Harry Clarke (1927)

art-nouveau-art-history

When We Get Old painted by Theophile Steinlen (1859 - 1923)

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mererecorder

Art Nouveau knife

thelonerforlife

Shinji Ihara

dozydawn

Bride’s Magazine, 1983.

Model: Lisan van der Zalm.

justanotherbadseed

Mystical interior antique shop “Grimoire” in Tokyo.

snaxle-deactivated20260531

big enjoyer of shitty media that i would never recommend to people ever in my life

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kafkasapartment

Haircutting in front of general store, Marcella Plantation, Mileston, Mississippi, 1939. Marion Post Wolcott. Gelatin silver print.

lavandula

françoise hardy, mon amie la rose, 1965

flowerytale

William-Adolphe Bouguereau (1825–1905), Woman with Iris (detail)

kirakira-hikaru

Jean Simmons(1929-2010) as Ophelia in "Hamlet" 1948

disease

EDEN MAGAZINE [FALL 1965]

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phantomladyoverparis

Double Labyrinthe (1976), dir. Maria Klonaris & Katerina Thomadaki

mrsclarkkent

“The more familiar two people become, the more the language they speak together departs from that of the ordinary, dictionary-defined discourse. Familiarity creates a new language, an in-house language of intimacy that carries reference to the story the two lovers are weaving together and that cannot be readily understood by others.”

— Alain de Botton, On Love

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