Room clutter in studio ghibli films.
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@devilcamethroughere
Room clutter in studio ghibli films.

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˚ . ✧ ˚ . ✧ ˚ . ✧
you deserve the same happiness
that you wish for others
˚ . ✧ ˚ . ✧ ˚ . ✧
Mary Elizabeth Braddon, The Doctor's Wife (1864)
by yasminemei

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Adoraria entender porquê, de tempos em tempos, eu sinto todo o peso do mundo nas minhas costas. Como se cada palavra que saísse da minha boca fosse destruir tudo a qualquer momento; como se eu tivesse a responsabilidade de não deixar nada, absolutamente nada ao meu redor dar errado. E é claro que, humana como sou, sempre deixo algo falhar. Não importa o quanto eu tente fazer tudo perfeito, não importa o esforço que eu coloco, não importa as noites em claro tentando pensar e repensar como posso fazer dar certo. Nada disso importa no final, porque tudo continua dando errado.
mood
Night of blues , Blue Night - Hsin-i Kuo , 1921.
Taiwanese , b. 1974 -
Watercolour , 56 x 113 cm.
Moonlit Night, Jazep Drazdovič

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orchid & lily pngs ! credit not necessary for pngs! like or reblog to use, don't repost as your own please.
Yes, I love to be loved. Not just in a romantic way, but in all ways, by almost anyone. To feel like you are something important for the ones who surrounding you, friends, family, and even those who aren't that close. To be noticed, to be missed. Deep down I just know I came on these earth only to be loved.
The River Poem
Standing by the river, I wonder
Do I need a stone?
No
My heart is heavy enough
It will drag me down for sure
ㅤㅤ
Standing by the river, I smile
Will I miss it all?
No
I'll be glad to leave it behind
And never come back
ㅤㅤㅤ
Standing by the river, I close my eyes
One jump and I'm there
No
Someone jumped after me
He will never be my friend
ㅤㅤㅤ
Standing by the river, I'm thinking
Will I jump again?
No
Behind the closed doors
I have fallen in love with the razor
Standing by the river, I’m thinking Will I jump again?
No...
I'll float like a feather...
Far away from here
Unconventional resin planters
陆弃

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~the moon and the stars~
kirsten dunst for gear magazine (1999)
photographed by jesse frohman