New video by The Weeknd .. "The Knowing"
Comparing his turmultous relationship to Hallie Sellassie I and the divide in Ethiopia...f**kin brilliant I say.

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New video by The Weeknd .. "The Knowing"
Comparing his turmultous relationship to Hallie Sellassie I and the divide in Ethiopia...f**kin brilliant I say.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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RIP HEAVY D...probably one of the most genuine cats to ever grace the industry...thanks for reachin out in the summer of 2004...u def touched my life.
I'm on the pursuit of happiness and I know everything that shine ain't always gonna be gold. I'll be fine once I get it.
Kid Cudi
This video is amazing...just stop and marvel at human imagination
The DMC Initiative (DMCI) developed this piece as a response to the 2011 A/NZ PromaxBDA Conference title of Future Proof.Â
"Our approach was to focus not on futuristic notions but to consider that which is timeless. People, the expression of self and the interactions between each other are timeless qualities relevant to creativity, no matter what the future holds.Â
The concept started quite fluidly, by briefing a variety of dancers, with individual performance styles, to develop choreography based on the concepts of growth, sharing, sending and receiving. Directed by Nathan Drabsch, the performances were shot over one day using two RED Epic cameras, capturing the action at high speed. All design, editing and post production was done in-house by The DMCI team. We worked closely with composers and audio designers Mark Brandis & Jeff Black from ism studios, to create a unique score that perfectly compliments the performances. As a whole, the focus is on the dancers as they create and interact with abstract forms in a vast unknown world. Their own movements determine the creation and final destruction of these elements. Their own paths of communication and creative expression have come full circle, and all that remains is the individual. "
Here is a trailer for a new movie titled Chronicle. Looks absolutely awesome, and if you know me...you know that I'm a huge movie buff, so i will be checking this out.
Chronicle is the story of three high school students who make an incredible discovery, leading to their developing uncanny powers beyond their understanding.

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I'm currently cleaning up the pieces of brain and skull fragments caused by a sudden head explosion from watching this music video....WILD
Duck Sauce "Big Bad Wolf"
directed by Keith Schofield
Enjoy the mind melting
New video by Kendrick Lamar... "Rigamortis" off that Section.80 mixtape. Chuuch!
If you saw my previous post...then you already know what it is...here is the official video in full for A.J. Coles & A.P. ft. Leslie Hollis- N.Y.A.M. Directed by Kevin Tarr Â
Here is a sneak peak of NYAM, the title track off the project Not Your Average Mixtape. The song was recorded by A.J. Coles and A.P. The video was directed by Kevin Tarr, shot by Ben Lambeth, and produced by Diamond Touch Films, LLC.
In this video, the artists A.J. Coles and A.P. treat signing a record contract like two hit-men acquiring an assignment...personifying the music industry with an underworld of suited men headed over by a faceless entity that exudes power, mystery and evil. Will they sell their souls? Or will they do things their way?
Think hip-hop crossed with a modern version of "The Spook Who Sat By The Door" (1973 black film that follows a Black CIA agent who learns their tactics to start his own revolution).
Kevin Tarr's excellent directorial debut matches cinematic visuals and storyline with striking lyrics from two fresh emcees. No, this is Not Your Average Mixtape, and its definitely not your average rap video. #COSIGN
Enjoy the sneak peak, and make sure you stay tuned for the full video dropping today.
Open Sesame??? Not in this economy... OCCUPY SESAME STREET!!!
*the count voice* ONE COP....TWO COPS....AH AH AH AHHHHH

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Official video for Drake "Headlines" ... They know...
PressPausePlay is a 90 min documentary about the digital age and its impact on the industry. YOUR WELCOME
"The digital revolution of the last decade has unleashed creativity and talent of people in an unprecedented way, unleashing unlimited creative opportunities. But does democratized culture mean better art, film, music and literature or is true talent instead flooded and drowned in the vast digital ocean of mass culture? Is it cultural democracy or mediocrity? This is the question addressed by PressPausePlay, a documentary film containing interviews with some of the world's most influential creators of the digital era."
VIA NAACP.ORG
In its public order granting a stay of execution to Troy Davis in 2007, the Board of Pardons and Paroles set out a standard for clemency: â[The Board] will not allow an execution to proceed in this State unless and until its members are convinced that there is no doubt as to the guilt of the accused.â
 In the early morning hours of August 19, 1989, several people including Troy Davis and Sylvester âReddâ Coles were hanging out near a Burger King parking lot adjoined to a Greyhound bus station in Savannah, Georgia. Coles started arguing with a homeless man named Larry Young, demanding that Young give him a beer. As Young walked away, he was pistol-whipped in the head. Police officer Mark MacPhail, serving off-duty as a security guard at the bus station, responded to a call for help. As he came running to Youngâs aid he was shot and killed by the same man who had attacked Young. The day after the shooting, Coles went to the police station with his lawyer and said that Troy Davis was the shooter.Â
 1) Witnesses Implicate a Different Man as the Shooter
Since the Board last examined Davisâ case, two additional witnesses have implicated Sylvester Coles. First is Benjamin Gordon, who clearly testified at the 2010 federal evidentiary hearing that he saw Coles shoot Officer MacPhail. Gordon recounted specific details of the shooting that have not been publicized and police reports hours after the shooting put him across the street from the crime scene at the moment of the shooting. Gordon is related to Coles, has known him all his life, has been ostracized by his family for testifying and has said that he kept quiet all these years for fear of Coles retaliating against him.Â
Second is Quiana Glover, who, like Gordon, has no connection to Davis or his family and has known Coles most of her life. She has sworn that she heard a flustered Coles confess in 2009 to the MacPhail murder. Unfortunately, her testimony was excluded at the 2010 evidentiary hearing. Several witnesses have implicated Coles in sworn statements, including two others who stated he confessed to the murder.
2) Investigation Excluded Important Figure as a Suspect
In the investigation, Coles was never treated as a suspect, despite the fact that he indisputably was the one who began the altercation with Young that led to the shooting of Officer MacPhail. Several witnesses indicated that only one person was arguing with Young and this person was also the shooter. Coles admitted at trial that he was arguing with Young. Further, Coles admitted to having had a .38 caliber revolver that night, the exact type of gun used to shoot MacPhail. There was never a search for his gun nor did he ever produce it, claiming it was lost; therefore, it could never be tested.Â
Of the eyewitnesses to the murder, only Coles and Darrell Collins (who tried to recant before and after trial) knew Davis. It is critical to note how most of the eyewitnesses first identified Davis as the shooter. Within a week of the murder, they were gathered together by the police for a reenactment of the crime at the crime scene. By then, witnesses would have likely been exposed to Davisâ image, which was all over the local news and he was in jail as the prime suspect. In a photographic spread of five men, Davis was the only one pictured who had been at the crime scene close to the time of the shooting.  Not only was Coles not pictured, but he was treated as the principle witness, invited to the reenactment, and treated as an innocent bystander standing alongside the other witnesses.
3) Most of Stateâs Witnesses Contradicted Their Testimony
Since trial in 1991, seven of the nine state trial witnesses have contradicted their testimony or admitted their testimony was false. Additionally, several informants who testified at trial also recanted.  All of the state trial witnesses who recanted that are still alive have testified to the Board or the federal district court:
Kevin McQueen told the Board in 2007 that he was a jailhouse snitch and that his testimony that Troy Davis confessed to him was a complete fabrication.
Larry Young told the Board in 2007 that Coles, not Davis, most likely attacked and pistol-whipped him. The record shows that the shooter attacked Young before shooting MacPhail.
Antoine Williams told the Board in 2008 that he had serious doubts about his identification of Davis.  Also, he told the board the shooter was the same man arguing with Young.
Darrell Collins recanted his police statement at trial and at the 2010 federal evidentiary hearing, testifying that the police had threatened him as an accessory if he did not implicate Troy Davis.
Jeffrey Sapp told the Board in 2007 that his trial testimony that Troy Davis confessed to him was a fabrication that was a result of police suggestion and intimidation.
Dorothy Ferrell told the Board in 2008 that she lied at trial when she confidently implicated Davis. The shooterâs light colored skin led her to conclude before trial that Coles was the likely shooter (Colesâ complexion is lighter than Davisâ, hence the nick name âReddâ).  Ferrell testified at trial that she could identify Davis, despite being positioned across a four-lane tree-lined boulevard with poor lighting conditions at 1:00am.
Harriet Murray (died in 2006) signed an affidavit in 2002 reaffirming her initial statements that the shooter was the same person who argued and followed Young.  She could not initially âput a faceâ on anyone in the lot and identified Davis only after the problematic crime reenactment.
Of the two witnesses who have not contradicted their trial testimony, one (Steven Sanders) could only identify Troy Davis at trial, two years after he told police that he âwouldnât know the shooter again if I saw him.â The other is Sylvester Coles, whose recantation would implicate himself.Â
4) New Analysis of Physical Evidence Contradicts the Stateâs Case
In 2008, the State submitted to the Board a report by the Georgia Bureau of Investigation (GBI) that purportedly showed the presence of blood on a pair of shorts recovered from Davisâ home in the days after the murder. Davisâ attorneys were unaware of the existence of this report. Following the Boardâs denial of clemency in 2008, a DNA and serology expert reviewed the full GBI report.  The federal court in 2010, after reviewing the new expert analysis, concluded that âthe shorts in no way linked Mr. Davis to the murder of Officer MacPhail,â and found that âit is not even clear that the substance was blood.â The court concluded that even if the substance was blood, it âcould have belonged to Mr. Davis, Mr. Larry Young, Officer MacPhail, or even [could] have gotten onto the shorts entirely apart from the events of that night.â Therefore, the value of this item as evidence has been thoroughly challenged.
 In 2004, Willie James Hall was granted clemency partly because former jurors said they would have voted for life without parole had it been an option. Davisâ 1991 jury took ample time to deliberate on the sentence and asked the judge whether life without parole was an option, but it was not. In 2007, before Davisâ first execution date, four jurors signed affidavits expressing concerns and a desire that the execution not proceed. Juror Brenda Forest said in a TV interview, âIf I knew then what I know now, Troy Davis would not be on death rowâŚthe verdict would be ânot guilty.âÂ
Because executive clemency exists to provide a final failsafe it is not bound by the same strict rules and procedures as the courts. The Board is able to intervene in cases like Mr. Davisâ where the evidence is circumstantial and contradictory. Davisâ task in federal court was to prove his innocence. While the court felt he did not meet this admittedly âextraordinarily highâ burden, serious and unresolved doubts persist. These doubts put Georgia at risk of an irreversible and monumental mistake which could weaken public confidence in the justice system. By following the âno doubtâ standard made by the Board in 2007 and commuting Davisâ sentence to life imprisonment, todayâs Board could eliminate this risk altogether by choosing to mercifully err on the side of life.
"An ode to New York City starring: Selita Ebanks, Karlie Kloss, Constance Jablonski, Jourdan Dunn, Daphne Groeneveld, Edita Vilkeviciute, Hailey Clauson, Josephine Skriver, Zuzanna Bijoch, Shu Pei, Kristina Salinovic, Martha Streck, Toni Garrn, R'el Dade, Andi Muise, Ataui Deng, Chantal Stafford-Abbot, Kelsey Rogers, Ashton Phillips, Fabiana Mayer, Sabrina Nait, Sydney Edmonds, Claire Collins, Brenda Mutoni, Naoumie Ekiko, Sonia Niekrasz, Paris, Kaitlin, Lina, & Tian."
"On september 13, 2011 its been exacly 15 years since the passing of Tupac Shakur. To memorize the life of this legandary figure, Artist Livingstone paid tribute to Tupac by airbrushing an iconic picture of Tupac on canvas. Early Adopters captured the proces and gives you a look and idea on how it came about. Gone but not forgotten Rest in peace Tupac Shakur."

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âIn the event of my Demise when my heart can beat no more I Hope I Die For A Principle or A Belief that I had Lived 4 I will die Before My Time Because I feel the shadow's Depth so much I wanted 2 accomplish before I reached my Death I have come 2 grips with the possibility and wiped the last tear from My eyes I Loved All who were Positive In the event of my Demise
Tupac Amaru Shakur
âThe Tanning Of America: How the Culture of Hip-Hop Rewrote the Rules of the New Economy. â Steve Stoute takes a closer look at how pop culture transformed a generation of listeners and created a new global marketplace. In the videos, Stoute sits down with Jay-Z, Pharrell Williams, Lady Gaga and Jimmy Iovine to speak about how todayâs generation have rewritten the rules of the new economy.â