dent "i feel like writing reviews" wyre

i have only played persona 3, 4 and 5. it essentially means "the persona series" to me. from my understanding persona 1 and 2 are more smt than what we know as persona, but i couldn't tell you much about them nor compare them to any of the others, so for any mention of other persona games these do not come into consideration.

i played persona in reverse order, be first 5, then 4 and finally 3. both p5 and p5r, only golden, only reload. i could only wish to have an opinion on these things in a vacuum, but alas it is not possible to do. p5r is also my favorite so take that as you will.

there are some general (important) plot points i already knew before jumping into reload, that may or may not affect the end experience. we can argue about the importance of going into something completely blind without getting spoiled vs simply experiencing the way the story is told, but that is a completely different discussion for another day.

without much further ado, this is persona 3 reload. spoilers will be discussed. otherwise, the tl;dr:

persona 3 reload is my excuse to play persona 3. even if it very clearly reports itself as an older game in the series, it is unlike anything its two subsequent entries in the franchise would end up offering. it's an important game, for atlus, and for videogames. instead of tying it forever to its roots, it brings itself to modern audiences, and does it as it was needed.

i never had much intent to play p3, or p3 fes, or p3p. in fact the more i heard about it the less interested i was. pick your poison: uncontrollable party members, or a top down view of the entire game akin more to a regular visual novel than the persona you know. i do understand the intent behind not controlling your party in the original game, i still don't really care for it, sorry. social links don't really do anything, you can't actually talk to the male party members, and every interaction with a woman is exclusively with the goal of you romancing her. you also need to make sure they don't get jealous with you since that will sever the link and waste your time. hadn't really heard people find tartarus fun either, but i see different takes on it now. add this to the fact there are different versions of persona 3 that add and take different aspects of the game, never really offering you the full package. at some point i decided that, effectively, the only way i would play persona 3 is if it got remade. i try to not go back on promises, so i did play it. they got me.

initially, expectations weren't too high, but as the date got closer i did start thinking "damn so by next week i'm actually gonna be playing persona 3 huh". i'd say the first couple of hours of the game were the most magical part. it did get me on that train of saying "this could just be persona 6 if they wanted it to be", but it is a 100 hour long jrpg so things can change quite easily over time.

how would they not get you excited when you're just starting? the game is fabulous to look at. atlus can't miss with their presentation, as usual. actually playing it isn't much different either. the quality of life improvements are very much welcome here. thank you for adding the shift to the game, i was in need of my dear baton pass. all the animations are stunning, the music is punchy as usual, in addition to what could go up as my favorite (if not second favorite) persona battle theme. not mass destruction, it's going down now. first one would be axe to grind from scramble. only thing is that the game maybe looks a bit too much like Made In Unreal with the motion blur turned on so i chose to turn it off through the game files.

even if the places around iwatodai and tatsumi port island aren't the most visually stunning, they serve their purpose so i can't complain much. their simplicity has a charm to it as well. tartarus itself is the key point in visuals, with every floor having its own style and architecture.

general gripes? i don't really find tartarus that fun to go through after 50 hours of videogame. randomly generated hallways are not my thing there isn't much more i can argue; having 250 floors of that gets tedious after a while. tartarus also can simply end up feeling secondary depending on the way you do things. you don't really have to go as high as it lets you before the next full moon, as far as i understand. you do it because it's your end goal, and also because people go missing and you need to get them before they die. i can commend it for making it a player decision instead of forcing it onto you, i guess. puts you in the shoes of the characters and all that. it just turns out that going there once a month for 4 hours straight until i reach the top isn't the most invigorating activity, personally. the game focusing on tartarus exclusively at night also makes it so most other days are completely devoid of activity. even if this isn't an issue for the entirety of the game, there are some long sections where it becomes very evident that maybe you should space out your tartarus visits throughout the month. my schedule management still wasn't the best anyway, so that's on me.

the game is also seriously easy. playing on merciless could've been a better option, but who knows. i started on normal because if a game says the normal mode is "for experienced players. moderately challenging combat" then i'll take your word. maybe i'm just too much of a grind freak. i just try to defeat as many enemies as possible and if i have too much sp left by the time i'm done, i'll do another go at it to not waste it. otherwise, normal gameplay for someone who has already played a couple of jrpgs.

most "challenging fights" are solved with a single theurgy move, if not two. it got so stupid i decided to change the game to hard halfway through it, but not much changed. i do really like the theurgies, i rather they stayed than have them removed. they're just a bit broken in my opinion. i pretty much fused a black frost as soon as you could and used him for most of my playthrough. seems to have worked.

one of my biggest struggles personally is trying to find a reason to ever change party members. i think a lot of the blame can be put on me, sure. i don't recall one jrpg where i'm actually swapping around members a lot. if you find a party that works, stick with it. then there's also the part i can blame the game for. if i have to go back down and change around my party then i kind of won't ever feel like doing it. huge props to them for adding the level up clock, even if it's limited to 13 levels at once.

you might say "a lot of jrpgs are like that" and you'd be right. the issue to me comes with the way persona works. since you have a limited amount of time in a year, can only rely on the sp your party members have, and they don't really level up when they're not in your party, i'm simply gonna focus on the party i'm already using. p5 maybe solved this by letting them all get xp if you got mishima at a higher level, and you could swap them out whenever you wanted if one of them ran low on stamina (doesn't mean i did, though). then again, i also am the type of guy to hoard all the best items i can "in case i need it" and never use any. you do also have the fragments you can use to get everyone back to full and you find a bunch of those as you keep going. then again, you need them to open chests, if you open chests you get the clock to level them up, so maybe it's better to keep them. feels weird, i can't really ever get to decide on what i want to do. the fact party members also get special characteristics like cost reductions for healing magic and passive 10 sp gain every turn makes it a bit hard to swap them out (because, yeah, my party was yukari, ken and koromaru). either way, it is a fun game to play. maybe repetitive, but i can't entirely say i play jrpgs exclusively for turn based combat. "i hate jrpgs" says the guy playing jrpgs, we keep going.

what i'm mostly interested in is story and characters. things persona has a lot of! i'll go into those in the opposite order as how i listed them, because i like to talk about characters.

i am so sorry for the persona 3 fans because a solid 80% of the social links blow, real bad. the rewards for social links in 4 and 5 are definitely nice. initially, i wondered if the fact you don't get much through them besides a persona would give you another reason to max them out. the train of thought was "well, it should speak for itself if just talking to people is rewarding enough", turns out that for most of them the only goal is the persona at the end. if i didn't like someone, i simply wouldn't talk to them ever again. the ones i wasn't crazy into i simply maxed out because i had nothing else to do, otherwise the list of people i maxed would've been lower. i also don't really like how both p3 and p4 make a bunch of your links part of different clubs inside the school. the times end up messing up each other, it feels weird for you to be hanging out with 5 different clubs while never actually going to most of them for more than a month at a time, and everyone ends up being unavailable anyway when you get close to exams or on holidays. the fact that some of these are exclusively connected to one another, meaning you can't even start them if you haven't gotten another one to a certain level doesn't really make things easier. i want to go through each one of them one by one to get across my feelings in regard to social links.

also, i know i said "rewards for social links in 4" but to be quite frank with you i kind of did not do a single social link in golden that was not in the main gang - besides adachi, marie, nanako and dojima. as far as i'm concerned, the rest of the links could be just as bad as the ones in 3, i simply do not know. what it definitely wins over though, is giving everyone in the team their own social link, apart from the usual rewards for leveling them up. i do like the way they tried to fix this in reload, however.

here is where each social link would get their own banner image. images which i stole entirely from rpgsite.net but made it look slick and easier to follow. my apologies if they all blend together but i hope you remember what each social link looks like.

the magician arcana is occupied by tomochika kenji. what is so magical about him is how quick and easy it is to hate this guy. since he's the first obligatory social link, i did, unfortunately, get him to rank 2. in those two ranks all he could do was talk about miss takeba, pester you constantly on whether the two of you are dating, if you ever get too peep at her since you live in the same dorm, and if you've done anything with her yet. he's also really down bad for his teacher. i don't like him, he's annoying, a creep and keeps insisting he's your friend throughout the entire game even though i never talked to him. he's one of the couple i had to end up watching the full link on youtube because i would never have done it out of my own volition. apparently when you tell him you're into "girls of all ages" he says how "interesting" and "impressive" it is (maybe more on that later). his whole link is him trying to bang his teacher, even though she never really thinks of him that way. he only deludes himself through the entirety of it. he ruins said teachers status since everyone starts thinking she's dating a highschooler, then starts crying when she leaves to kyushu with her husband. nothing of interest happens here.

something i saw someone say is that "everyone knows a guy like kenji". maybe i did? it sure isn't someone i'd ever be friends with though. i don't even particularly think the idea of a highschool kid being into his teacher is terrible, those things happen. it's mostly the fact he is absolutely convinced it's a good idea and wants to dedicate his life to her completely even if he doesn't know the first thing about her or can't really say anything about her that's not the fact that she's extremely hot. she is hot though, so he gets a pass on that. mostly found him insufferable and wanted to bash his head with a rock whenever he started talking to me.

odagiri hidetoshi is part of the emperor arcana, maybe a bit ironic. i initially didn't quite like this guy since he started as a bit of a prick as these people usually do. extremely conceited and aggressive. i respect the dedication but your options end up being "yeah! fuck them all!" or "uh, i think you're going a bit far with this". guess which one he likes to hear you say. a bit further into his link he does realize that there's more important things he could be worrying about, as no one will hear what you have to say if you're this much of an asshole. my problem with his link stems from the fact that he decides to change after trying to defend you, since he trusts you wholly. this would be fair if it wasn't for the fact that you are one of the main people that have been fueling his horrible tendencies up to this point, unless you didn't pick the good dialogue options and instead took longer to do his link. if so, then why does he even like you then? unsure. i believe a better option would be for both of you to get in trouble. then, have you face the actions of your consequences in whatever way imaginable. that way you both grow as people, see the failures of your actions and manage to grow. what if you actually found the student that was smoking and he got expelled? at the start of the link it was only to avoid any further trouble, then it gets more serious. you both understand that kicking him out wasn't the way to do things, and you're directly responsible for it. somehow convince the teachers to give him a second chance, track down the guy and understand where he's coming from. maybe then he can consider his own future as a teacher himself. odagiri is strange because he becomes a lot more genuine towards the end of his link, i can only wish it was done in a different way. he's generally more chill when you get to know him better, so actually being friends with this guy kind of makes sense. maybe he's not the most evocative image of friendship or comradery, but it's something he is trying to figure out himself.

"hierophant" is similar to "elephant" and i think elephants live for long. bunkichi and mitsuko are the first social link i maxed out. they're easy to talk to since they're available all days of the week except for sundays. maybe i should've left them for later into the game but they were the only people i liked talking to so i focused on them at the start of the game. there isn't much deep reflection that comes with their link, but it's nice enough. you're a random kid and they're a random old couple, but you feel for them and they feel for you. what i find strange with them is how little action you actually take into helping them. you're usually just saying "everything will be fine" and "i'll make sure of it" in regards to the tree at the school getting taken down, but, as a member of the student council, you never take any actions regarding the tree. they thank you for helping them out and can say you didn't do anything but they won't believe you. maybe it would be a little bit annoying to actually go out of your way to get people to sign or do stuff outside of the link, but i think it would add a lot to it. you could also just make it part of the link and show a little cutscene of your character doing stuff, who knows. besides, for stuff like elizabeth requests you have to go around the city doing things that don't take your time anyway. they've done it already. imagine if you had to go to a couple of your social links, or talk to the people at sees to sign. all of that for the tree to get taken down anyway, but it's the thought that matters. it's a bittersweet end and i like it for that. it's nice, i only wish you actually had more to do with it than just listening to them progress through it.

miyamoto kazushi is supposed to be the chariot of the track team. instead, he's just the chariot arcana. i only maxed this guy because i had nothing else to do. i don't think i hate him? i simply don't see him as a friend. it strikes me that most of the guys in this game want to hang out with you so bad because they don't actually have any friends. they allude to the fact they do, but clearly they do not. miyamoto is just stupid. he's supposed to be the star of the track team yet you show up one day and sweep all over the guy like it's nothing. he may be the best in your school (before you showed up) but he's not that good in general. the guy is convinced that he has to train as much as he can to win, so he injures his knee. instead of doing what any sane person would do and rest for a month or so, he simply decides to continue to run, further injuring himself. he concludes that the best course of action is to tell you his knee is about to snap and that you NEED to keep it a secret. even if this is bad for you, for him and for everyone involved, he asked you to keep it a secret so there is clearly nothing else can you do. SURELY he has a good reason to keep injuring himself? oh, of course he does! his cousin got into an accident and broke his legs. if he wants to move again, he will need to go to rehab. except he won't go to rehab unless our guy miyamoto becomes the fastest fucking runner in the entirety of japan. it's that simple. so, the only way to do this is to get better now instead of waiting. i don't really think i need to explain how insane this is.

besides the fact that ruining his knee will only make it so he can never run again, thus making his goal impossible, he's not even fucking good at running in the first place? the worst part is that by the end of the game after 3 months of him resting, his knee is completely recovered. so what was even the point of hurting it so much throughout the entire year? as usual the other problem with it is how the best dialogue options you get are "keep going! don't give up!" and "if you stop running you're a pussy!" because it's the short term goals that matter i suppose. i don't even know how you'd improve this link. i think i would scratch most of it completely. what i would like is for him to be in the track team because he likes yuko, and maybe he gets hurt because he's training so hard to impress her. then, he keeps training only because he doesn't have any other excuse to be around her. now, you obviously have to keep it a secret because he doesn't want her to know he likes her. this scenario would consider them being less close than they already are, and would make it kind of high-key fucked up if you ended up dating yuko at the end. i can take that though, it would make for interesting conflict. ideally she would never fall in love with your regardless, as within the canon of the game she seemingly starts a relationship with him if you don't romance her. considering atlus still cannot fathom the idea of a same gender romantic partner, can't imagine they would do that. they did technically do it the other way around with junpei rejecting you in portable, but still.

fushimi chihiro is the face of the justice aracana, perhaps because some justice is needed for this poor girl. i do like chihiro. she's obviously not the most boisterous personality, and she doesn't really need to be for you to like her. at the end of the day, everyone has their type. chihiro is one of the links i do like, or most of it anyway. her insecurities and anxieties towards men come from a very real place, and having the protagonist help her get through it is really nice to see. i didn't actually end up finishing her link because i wasted my time doing other things, but i got halfway through it. the crux of her link had just started when everyone starts blaming her for stealing the club funds and she can't stand for herself. i ended up watching the rest of it on youtube. it's fine. she grows for the better and that's the main thing you need after all. she manages to gather up the words she's been trying to say, thanks to you believing in and helping her out, which is more than most other social links are willing to do. what mostly strikes me as weird is the fact they never address how she actually got the money to buy the manga she wanted. i may have misconstrued the situation, but around rank 6 or so she gets excited to go back to the bookstore and see if anyone bought the manga collection she wanted. i suppose she doesn't explicitly say "i hope no one got it so i can buy it", but i assume that's the reasoning. the thing is that a rank earlier she explicitly says how she'd have to save up an entire year worth of her allowance to get it. so where is this money coming from? i take this as purposely making her seem suspicious so the player has to decide between their intuition and the trust they have over her, which is good. i only say it's weird because she isn't guilty, nor ever was. did she actually get to buy it? how so? this is beyond me, but it's mostly a cool social link all things considered.

maya… maya…. maya…. you should've stayed as a hermit! i genuinely believe maya could be a really great social link if it didn't completely send itself down the drain halfway through it. i find the idea of our main protagonist staying on his dorm all day to play a dead mmorpg really funny. he's playing that thing for like 8 hours straight and then goes back down and someone says "oh, didn't even know you were here". besides that, maya as "maya" herself is a really fun character. the online lingo might've changed since 2008 but it doesn't really come off as unrealistic. most unrealistic part is the fact of all kinds of people in this niche dead game you would find a middle aged woman playing it every day off. there's a lot that the link tries to say in regards to the online spaces, teachers, the school system, social expectations and such. it would come together nicely in the end to have this woman meet someone online that helps her get through her troubles, to then find it was one of her students all along and get really embarrassed about it. the big issue is, clearly, that she goes and says how she's really into you. so, she's not embarrassed about the stuff she said but rather the stuff she said about you, to you. even as the game is about to shut down and she goes "we should tell the developers", it's pretty stupid. besides the fact no group of developers would give a damn about 1 person online telling them this, sending your message logs about how you came out to a guy online as a groomer is kind of insane. she backs down on it not because of that, but because it's pointless to try to do anything about the game. i understand that atlus tries to appeal to different audiences and age groups with these games, but it is a weird thing to have her say. at least she doesn't ask you out at the end of it, maybe persona 5 could learn a thing from that.

fortune is a bit of what hiraga keisuke has. can't really hate the guy for that. i do like hiraga's social link overall, it's pretty nice and round even if it doesn't do any major things. he's a nice kid. most believable of them all to actually be your friend. he's talented and the people around him have expectations on him. his concerns are understandable and being unsure of what you want to do in highschool (or even after) is a regular worry to have. he genuinely enjoys drawing, but he cares for others and wants to help however is possible. i suppose you don't "do" a whole lot for the guy besides being there for him, but you can't really be figuring out his life out as a favor either. you help him when he needs it and chip in when asked about, and that is enough for both of you. he's mostly one of the good ones in my eyes, and the final social link event is also one of the funniest in the entire game. i don't find him trying to run away from home as a good part of the link, but the fact that he keeps bumping into old people that are all about to die and he has to help them out in the moment is absolutely hilarious. at least it's better than maiko in that sense, if only just a little bit.

train those legs! gain some strength! nishiwaki yuko can help you with that! she's fine. i don't really hate her or anything, i just find her a little bit strange. her link surrounds her and some kids she wants to help with training. they're constantly pushing the idea that you're her boyfriend and that's fine, kids can assume those things. you can take the hint and roll with it, or ignore it and stay as friends. neither particularly seems like you actually getting to know her that well, and that's where it ends for me. there isn't much going on with both of you or her entire social link. the kids ask for her help, you aid her, they win against the older kids, you're done. it concludes with her wondering what she wants to do with her future and that's perfectly fine, a bit like hiraga too. she doesn't really decide on what she wants to focus on though. for the most part my thing with yuko was the fact that i always saw her as "the girl miyamoto likes" even if neither of them ever allude to anything of the sort - but she does, canonically, end up with him if you don't. they've known each other for a while and it's clear that the idea is both of them ending up together. unless you interfere, of course. as such, i never felt like getting closer to her had much meaning and i didn't finish her link. i watched it on youtube, though. again, fair enough. don't really have an alternative scenario for her link, sorry. she's fun, i understand why people like her. not that interesting to me.

the hanged man is what i become once i finish maiko's social link, because god. the start of her link is you hearing some girls at school say "hey, did you see that kid at the shrine" and of course the first thought any teenage boy would have in that scenario is "curious. i should go see what that's all about." who the hell is this guy? the kindest soul in iwatodai, i hope. i don't mind the idea of you bumping into a kid that's having trouble at home. he can play with her and waste time to stop her worries. maybe even help her deal with her that and have her learn a thing or two about life. i did laugh my ass off when she started crying about how her parents are getting divorced, but maybe i'm also just evil. maiko is the perfect example of how little input you ever get into these links. i'll go into detail about makoto's character later on, but he is such a brick here. it's either "everything is gonna be fine" or "yeah kid, your parents hate you". she says how her dad just hits her like its nothing and you also have to suggest her staying with her dad when she's given the choice. she tells you to your face how she's running away from home (reminder she's 8 years old) and there is nothing you can do. she simply runs away. right in front of you too. then her parents appear and you're like, "idk, i think i know where she might be though". i don't think i need to explain how bad it is that she promises to marry you when she gets older and there's absolutely no way you can choose to deny it. a lot of missed potential with this one. if it was tuned right it could come out really nicely, but that's not how persona 3 rolls.

tanaka may as well be the incarnation of the devil. a devil i'm a bit iffy about. i think tanaka is a piece of shit, not much to discuss here. he's an asshole, he takes advantage of you and anyone he can. he suffers a bit of odagiri syndrome where everything you say has to be to confirm his own shitty values. the main difference here is that he loves explaining how you are wrong and he is right so most of the time it's actually better to tell the opposite of what he wants to hear, and i find that somewhat more enjoyable. i hate how he got like 40 thousand yen from me and never gave it back, how he doesn't particularly teach you anything at all but pretends he does (and the does game too), and how he seemingly "grows" by talking to you but only because he deludes himself into doing it. it is another odagiri, but less charismatic. it's fine that he hides his true feelings (or at least that's the idea) but nothing about him makes me want to care for the guy. sure, he donated money to charity for one reason or another, but that doesn't wipe the fact that he still casually scams, bullies and mistreats others. the asshole supreme, is what he is. don't think they were going for much more than that. thank you tanaka's amazing commodities, i will continue to buy your products.

temperance is what i need to not kick bebe right on his nuts. hon hon hon how sugoi! french-kun is a weeaboo. he likes japan. he LOVES japan! he can't think about not being in japan. i find his voice and way of speaking extremely jarring and annoying with his japanese voice. in english it's a lot more bearable. his japanese comes off as a racist caricature of what a foreigner would sound like while his voice in english is just a heavy french accent with random japanese words sprinkled around. that's how i see it, at least. i also just find his japanese voice annoying to listen to. i hope for a day where the Weeb Foreigner In Japan character actually has perfect japanese fluency instead of the joke being that he's annoying to understand. now that would be funny. if it was only that then maybe i could put up with it, but he's a really boring character too. it's literally ONLY about him loving japan. his aunt dies and he gets sad because his uncle will get him back to piece of shit france instead of letting him live in beautiful nihon. you talk to him a bunch and he decides to make a kimono to convince his uncle how beautiful japan is. too bad his kimono is horrendous! i don't actually know what he tells to you if you have him maxed by march, or if he's even still around by then. i do not care either. my time was spent on more important people, the french guy was never in my priority. a much more interesting take would be doing the opposite, and having him learn about japan while he misses home. maybe his family moved to japan because they had it rough in france or something. home is where family is, and japan can also be a beautiful place if you know where to look, or something. you could be the one that shows him around and gets him to learn the meaning of home. he can do that ugly ass kimono at the end for all i care, as a token of gratitude to you. i dont know, man, just change the way he talks and maybe he'd be more bearable.

mutatsu has the tower arcana, i'm running out of ideas. he's a sad old drunk man that goes at night and tells teenagers to go pick up girls (fair). i don't really find this man endearing at all considering he's always under the influence but i get his deal. he fucked up and wants to get his wife and son back. the only way he realizes that he should be the one to take the first step is by talking to you. that's kind of it. i respect the advice to use your time wisely, even if the way he does it is hardly what i would consider wise.

the star of the local racing scene is called hayase mamoru, and that he is. i really like this guy. i really like his link. hayase is what i was looking for! thank you hayase! you meet this guy at the track competition when he rolls up to you and goes "hey, nice moves. we should hang out". it definitely comes off as a little weird but hey, he's a sportsman, he knows how to spot a friendly challenger. as opposed to that fraud miyamoto, hayase has his real reasons to run (and is actually good at it!). he does absolutely love it, but, over anything, he doesn't want to be a burden on his family. he is similar to akihiko, losing someone and focusing on himself to take care of his loved ones in whatever way it is possible. since he lost his father, he needs to get a scholarship, as his mother wouldn't be able to pay it. he's a really nice, caring and responsible guy. since he doesn't have many other people he can talk to from the track team, he relies on you to hear him out as well as to train with him. after a while, once his mother collapses from exhaustion, he figures out that he needs to put his family over everything and moves away to work at a factory far away. it's not any big revelation to anyone, but it's simply what was needed from him. he never feels bad about it or gets angry at anyone, he knows what he has to do because it's what he cares about that is at risk. you eventually find out that at the factory he's working the people he hangs out with end up getting into running just like he does, which makes him excited for the future and keeps his passion alive. it's really nice to see. a social link where our protagonist has more than just a passive role, even if not by much, with solid reasons for the link to grow and the character to change.

alone, fat and sad, which the moon watches upon, a constant pain he will be. suemitsu nozomi everyone, the gourmet king. the gourmet king is one of the reasons i'm convinced i don't need to trust persona fans on twitter. i'm pretty sure you have to level up tomochika first before getting to talk to this dude, hence the reason i never even started him. that, and the fact that everyone said he was the worst social link in all of persona. i ended up watching it on youtube and came to the conclusion that the worst social link in persona is still tomochika. maybe not, i just hate the guy. it's probably ohya in p5. either way, the gourmet king surely deserves some criticism, but i'm not sure if it's the social link that's to fault. i do believe that there's a high chance i would've ignored the guy anyway if i had the option to talk to him. he's crass, aggressive and generally unpleasant. all he does is go around giving you orders and pretend that he's better than everyone, to only then try to scam you in the end. however, i find it as one of the most interesting links in the game. the "cult" he starts talking about is heavily relevant to the events that take place by the end of the game. someone as weak as him can be tricked into major delusions. someone that is persecuted by his traumas and the actions of others. he can't face himself nor his problems, so all he does is eat. eat his problems away, puke when he can't take any more and continue eating. no need to worry about your problems, just eat. of course a guy like that wouldn't be the most inviting to talk to. it's uncomfortable, but he needs some help. the fact that his link purposely reverses itself once you go against his own beliefs is excellent. you are the one that makes him realize what his problems are and that he's doing things the wrong way. even if it feels weird to still hang out with the guy after all he's done to you, maybe it shows your belief in others (or the protagonist's). people can grow and change. maybe he is too ugly for you to be interested, maybe it takes a bit for the link to get interesting as well. it's fair, i didn't want to talk to him in the first place either. i wish i could've given him a fair chance as he deserved, instead of treating him the same way everyone else did for a long time. he reminds me a little bit of the drunk man in the little prince; "i drink in order to forget. forget that i am ashamed of drinking".

at last, kamiki akinari, the sun of your sunday mornings. i'd have to agree that akinari is probably the best link in the game, as long as we're ignoring aigis. i found it extremely bizarre when this guy of all people won that one poll months ago for who was the best social link in the series. i still think it's crazy, but at least he's pretty good. he is definitely someone that needs you by his side, and i'm glad for that. he's lonely and he's dying. it runs well with the themes of the game, and you can give it a lot of benefit for that alone. what initially seemed a mindless waste of time to him, only waiting for his demise, turned into a beautiful moment he can enjoy for what little time he has left. the only thing i find extremely weird is the creative liberties with which they took the end of his link, where he randomly disappears in front of you. the wiki says "it implies he already died some time ago and this final meeting was his spirit" which i'm sorry that's just dumb. is there any need to make him a spirit and not just a normal dying guy? what does this add to his character? i forget about this fact anyway so it doesn't really matter to me. i like him a lot. his story is also really cool, inspires me to write more things myself.

you will see people usually default to the "persona 3 has the best story, persona 4 has the best cast, persona 5 has the best gameplay". when we're talking about best and worst there's a lot of factors that can come into play. subjective vs objective analysis and what you generally prioritize in a story or a game or any kind of piece of media. throughout my playthrough there are many things i could've gone on about how one game or the other does better or worse, but i struggle to see the point of this exercise. i absolutely cannot look at persona 3 reload without thinking of the other two games, but i rather focus on the game itself than how i would compare it to the rest. ironically enough, i believe i ended up liking this one more to persona 4.

a lot of my issues stem from our main character. canonically, yuki makoto. it may or may not have been me playing the game around the time i started watching the monogatari series again, while also reading no longer human, but the same idea of an actor trying to fit into society struck me as i thought about the way he acts. whoever thinks that persona protagonists don't have a personality are simply wrong. at times they can do things that may be off character if the player decides to do so. others it can shift slightly depending on dialogue options. for the most part, though, there is a certain kind of person you can draw from their actions and their train of thought.

besides makoto always having a dialogue option that can make him simply go "i don't give a damn", for the most part he is the most neutral kind of guy you can find. for better, or for worse. he is sociable and likeable, but only because he's put in situations where others talk to him and he always puts the other person before himself. a good trait perhaps, but it feels as if it comes from a lack of empathy rather than coming from a place of compassion. it's a game of gaslighting and convincing others. miyamoto should continue doing what he wants, it's his leg. odagiri is doing everything right, he knows what he wants. tanaka is making a living off of this, he probably knows what he's doing. maiko hates her parents, she can run away if she wants to. the only reason it's different with the people on sees is because they are important to the story, so they need him to be there to do things.

you can be best friends with junpei from the very start, always have him in your party and gas him up whenever he's down. he will still get angry at you for being the leader instead of him. yukari can get pissed off at mitsuru for keeping secrets from her and the only reason you will go help her out is because mitsuru suggested you do so. mitsuru does the same with shinjiro and ken when they need some attention. not once is it makoto that thinks he needs to take action for his own teammates.

i'm not asking for multiple diverging paths that depend on what actions you take. it's still a linear story. stuff needs to happen. it simply often clashes directly with the actions you take, or want to take, as a player. ludonarrative dissonance plays a big role in persona 3 reload.

i do find the cast of persona 3 really enjoyable. they aren't the strongest group of people. they have their problems and they obviously don't get along quickly as soon as they meet. the dorm setting confuses me a bit in this scenario, as it's not quite clear to me what the requirements are to be part of the dorm or how this even works at all. in fact, is it even normal to have both boys and girls living in the same place like this? it's more of an apartment complex than a dorm from the looks of it, but persona characters kind of end up being more young adults than teenagers anyway.

yukari is the one i ended up going for the romance route. while i do like her a lot, she's also a really weird character. she's dependable, selfless and caring. she can have quite the short fuse, but it doesn't try to come from a place of genuine malice. try being the key word. the start of her social link has her getting assaulted by a group of men and her reaction is to get pissed at you for helping her out. i fully understand she doesn't want to be treated as if she's weak and unreliable, but we're talking about completely different things here. throughout the entire game she keeps throwing shade at junpei for every single thing he does. even if he does deserve it at times, he also has his stuff going on. the guy had the girl he loved die right in front of her and on christmas eve she goes "i can't imagine that guy going out with a girl". seriously what is her deal? again, story doesn't match with the things we are doing. i understand her complains with mitsuru most of the time, even if she doesn't trust her at the start for reasons that are beyond me. she knows how she is, and she knows that she's trying her best. it is her family that brings most of the problems. while i get that she would get pissed for learning what happened with her father, putting the blame on mitsuru without understanding her own situation is a little bit ignorant. if anything, it helps for later on when they learn they've been getting duped and she learns to open up with the people around her. i do really like yukari, i simply can't say she's fabulously executed in the context of the game.

junpei did come as a big surprise. at the start, he's a bit of a weird guy. he's the bro, the one that wants to pick up chicks and go out and play. even if not the type of guy i'd go out of my way to become friends with, there's a lot to him that you will only learn once you know him well enough. he comes off as a little bit strange at the beginning. he's really adamant on trying to hang out with you, but you have nothing better to do i suppose. he really forces himself into you. maybe yukari is a bit too quick into dumping all her trauma to you as soon as you meet each other, but her reasoning is fair. junpei looks more like he's desperate for friends. can't blame him though, he can be a little bit annoying at times. he's weird, in a charismatic way. i think i often find myself talking the same way he does a lot of times, randomly emphasizing some words just because it's funny, or changing his intonation.

junpei is a bit of an idiot, we all know that, but he never means any wrong. he will be there to help out. he wants to stand out, sure. he wants to be the center of attention, sure. he will complain about it, but he's not your enemy. he starts off as extremely selfish, wanting to feel like the hero, but comes to understand that there are more important things to care about. what i was hoping to be further explored with junpei, is this deeply rooted self esteem issues that aren't completely delved into. it happens multiple times throughout the story where junpei starts getting angry at you or blames you for everything going wrong. he knows this is not right, he understands and apologizes. then, it happens again. i seem to understand that at some point, either in the answer, some other spin off or the femc route in portable, we learn that his father is an alcoholic. unless i missed something along these lines in reload, i don't really think they expand upon it which is a bit of a missed opportunity. more content is good, but i don't think getting precise characterizations and key moments of his past outside of the main story makes things better.

his arc with chidori, though, is probably my favorite in the game. this is when he manages to meet someone he can take care of. someone that makes his life a little bit more interesting. when he's at his lowest, feeling useless and easily replaceable, he has someone by his side he can share time with. at first, she doesn't seem interested in him, but junpei is the reason why chidori opens up and learns what it means to live. to want to live for longer. they both deeply care for each other by the end of november, and sacrificing herself to save his life is all she could ever wish to do for him. on it's own, it's a really strong moment for the story and junpei himself, but by getting some flowers for him to give chidori right before she dies, she can survive and come back later on. now, i feel a little bit weird with the game wanting you to do things you can easily miss to get an extra event that completely changes the story development and junpei's character, but either result can work out in some way. if she doesn't survive, junpei has that moment he will always look back on to make sure it never happens again. live for her sake. if she does survive, that memory is still just as painful, but it comes with a bright light of hope for the future. chidori is back, the pain and suffering wasn't for nothing as he still grew and learned what has to be done, but now it's accompanied by a different future to push towards. her memories are gone, so all they went through is lost for her. at the same time, all the pain she suffered is missing as well. trying to overcome those hardships and staying there by her side is another reason to live and continue, for both of them. it may as well be poignant enough to kill her off and leave it there, but since it's not something the game retcons out of nowhere and does lead you into it way before it actually happens, it feels proper. i also cannot complain about having some nice and happy event in the list of tragedies that keep happening towards the end.

mitsuru seems like a nice lady. extremely responsible and intelligent. she can be cold, but she means well. there's a certain charm to her that stem both from her personality and big sister energy, as well as the ways she often misunderstands others due to her lack of experience with the world and her upbringing. even if not my favorite, mitsuru is someone they all need to have around. her social link in particular comes off as a little weird to me. at the point in the story where you can start talking to her, it doesn't really fit at all. she trusts you wholly so having you around in a moment where she needs it most makes sense. you know, with the whole dead father thing. you go around the town with her as she learns more about what Normal People do. turns out she's getting married off to a guy for the sake of the company. it would be nice and all if you helped her figure out what she wants to do, as the general idea seems to be that the kirijo group is tying her future down. what we're overlooking here is that the world is seemingly going to end in the next month. girl, you don't have a future unless we do something about it. it doesn't matter what you decide now with your fiancé if you don't decide if you even want to remember all of this. it won't matter if you have no plan for how to survive. no one in sees ever looks at this whole deal as a barrier to break through. obviously, it's scary. no one is sure what will happen or how to deal with it. is it better to forget and die in peace? or try your best and fail? on daylight, mitsuru talks to you about takoyaki and how getting married may not be a terrible idea. at night, she wonders if you're all gonna get killed. she even talks to you with the idea of "only having so much time left together" but until graduation, not the end of the world.

specifically with my playthrough, there is a specific dialogue where she says something along the lines of "if i was in love with someone but i knew i can't be with him, would that be wrong?". here you can either tell her that if it's not meant to be then that's it, or that it's up to her. i don't really know about individual opinions but i think that being in love with someone you can't be with isn't quite something you control. i understand the question is probably more suited as a "should i still try or do i give up?" but that's not what she's saying. is it wrong? no? should you do something about it? whatever you think is right. obviously in the context of the game this either means "be with me" or "i'm not interested", so telling her that she should decide for herself indirectly tells her that you like her back. unfortunately, that is not my case! she proceeds to confess to you in front of her annoying fiancé, makes both of you really uncomfortable and she runs away. interpretations may vary but i can't see mitsuru as the type to be into you. just like akihiko, she's close to him as a dear friend. not much more than that. she can absolutely defend your honor and you may mean a lot to her as a friend, but not as a potential lover. though, at the same time, she gets riled up in the moment and isn't quite sure about her own words so it could be fair to say she simply spouts out something that could be taken differently - but she does say "i want to be with him forever" and then confesses to you, so not a lot to misinterpret from that. maybe just a me thing. even then, it still doesn't fit in the slightest with the point we're at in the story, so whatever.

akihiko is definitely the bigger bro. he's always there, he's got your back, you got his, the respect is mutual all the time. akihiko is also autistic as all hell and we love him for that. most of the time he genuinely doesn't know how he's supposed to talk to others, but, over anything, he has one thing he focuses on and devotes his entire life to. to train, to become stronger and to become the best he can be. he sure trains because he genuinely enjoys it, but it also comes from a place of tragedy. a loss he cannot forgive himself for. he doesn't want that to ever happen again, so he knows he needs to improve himself. i absolutely adore the fact he was adopted by a caring family on what i assume was around his early teens. he becomes stronger by the people around him and it takes him a bit to realize it, but he will always have someone taking care of his back. be it family or friends. a guy that knows what he wants and will do anything to achieve it. "but even if that's how i feel, i can't back down now. i'll carry that responsibility, and pay for it the rest of my life if i have to."

before playing the game i was ready to become a devoted fuuka fan. i was a little bit surprised to find out i didn't go that hard, but i sure understand the hype. fuuka seems to be concocted to be the girl your average fan would adore. she's cute, shy, really nice, caring, good with computers, a bit of a nerd, curious about trying new stuff, and is always in need of your help. i do like her a lot. she's a really nice friend, i'm safe to assume most people would be glad to have a friend like fuuka. it's just that.. damn.. i find her social link pretty weak. the majority of it is solely her trying to get better at cooking and you trying out her food. at first, god awful. then, she learns she can make onigiri and it's good. only onigiri, though. it's fine if she wants to get better at a single thing for the sake of everyone, akihiko does do the same after all. akihiko, however, has many reasons to try and get stronger. fuuka wants to get closer to others, i suppose, except she's not particularly closed off from everyone in the group either. if you didn't do anything with her here, she would still improve on her own and grow as a person through normal story means. so at the end of the day she goes through the same arc twice in the game. she has that one moment where she mentions she doesn't like bookstores because she couldn't stand up for herself back when someone accused her of stealing a book or something. a fine example of why she wants to change, but it insists on focusing about cooking instead of having her do anything more active. slowly, she naturally starts wondering why is it that she relies on you so much and you get the option to tell her that she loves you or, actually, you're only really good friends. my guy yuki back at it again gaslighting women. she learns that it's not always about having a list of traits that are useful for others to use, and tones down all the negativity that's been burning her away. there's nothing inherently wrong with the link, she gains confidence in herself and opens up to people. whether through cooking or talking about her problems with her friends, she comes to understand herself. as always, i would wish you had a more active role in these things rather than let everyone passively grow by debating about what they should and shouldn't do against a wall (you). the counter argument is that i do really like fuuka so it gets a pass.

i want to talk about ken and shinjiro at the same time because they end up being intrinsically linked together by the time their arcs peak. for starters, i find ken extremely charming. he's a nice kid, maybe too grown up for his own good but that's what makes him responsible and easy to talk to no matter the age difference. he also tries to act more grown up than he is, insisting that he likes his coffee black, that tokusatsu is actually lame and generally trying to hide what he's thinking or feeling. not entirely dissimilar to shinjiro, the stern looking buff guy with a heart of gold hidden within the trench coat he wears all day every day for the entirety of the year. seriously, it's so hot outside what is your issue.

now i did know that shinjiro died, because, once again, persona 3 fans cannot keep a secret. i saw someone casually mention he dies, then i talked to someone else and explained how "i read about a character dying but i'm not too sure about it". then, they proceeded to say "oh yeah, i know who you're talking about. worst part is that he was the strongest party member so all the levels and armor i put into him were worthless". way to be subtle! regardless, a little bit before the events of october 4th, shinjiro himself reveals to you that he doesn't have much time left in this world. both him and ken have been living in pain for the past 2 years, and this day is where they want to put that to rest. before ken comes out and says he wants to kill shinjiro with his own hands, he does show clear signs of something going on in his head so it doesn't entirely come out of nowhere. same for shinjiro being responsible for the death of his mother as there must have been some reason he quit school and has been loitering for the past year. what i'm not entirely sure i can buy, even now, is the fact that ken, a 10 year old boy, has been actively planning to kill this guy for the past 2 years. not only that, but also planning on killing himself after the fact.

take this as my interpretation of the character, i've discussed this entire thing with someone else at length and couldn't really come to a proper conclusion. ken explicitly says to shinjiro: "i've even though about killing myself", "i vowed to live until i found her killer", and, literally, "i'm gonna kill you". i, personally, take the slightly goofy, responsible type kid that amada is as the type to not conclude that the entire meaning of his life from age 8 onwards, to be the fact that he has to kill a guy and end it all. perhaps the idea was that he initially thought about suicide, later figured that it wasn't the way to go and revenge was the better option - and not, killing shinjiro and then killing himself. unsure. either way, i'm not here to talk about the mental stability of an 8 year old child and child suicide rates. i'm here to talk about ken amada.

the way he throws around "i even thought about killing myself" rings pretty hollow to me. as if killing himself was a phase he had. i fully understand that his mother was the only one he had. she meant the world for him, obviously it would destroy him. is he really that kind of kid though? i always took him as the strong, independent kind. did yukari go "i thought of killing myself" when her father died? did anyone else at sees think of "killing themselves" when they lost someone close to them when they were younger? now don't take me wrong, these are all serious topics and it's evident that different people will take such loss in different ways. i'm only trying to understand how ken would react to it. he's not "weak" for thinking about such dark outcome for himself because he lost someone close to him, it definitely affected him severely and that's all it is. for 2 entire years though? you're telling me he was exclusively thinking about this for 2 years? that as a 10 year old, this was his only goal in life. i just feel like i have to suspend my disbelief a little bit too much for ken amada of all people to say such things.

shinjiro, as valiant as he is, ends up sacrificing himself to save ken. he tells him that he's welcome to kill him, but warns him that it will haunt him for the rest of his life, just like it did for him. definitely where shinjiro's character shines the most. for a moment, ken himself thinks that his revenge is now worthless if he dies through other means, but it's clear that it would be hard to process such an event. the guy that killed your mom just saved your life. how would you feel about this? it's a lot of mixed signals and of course he's confused. so confused to leave sees for like half a week. who knows where to, he is still just a kid. it's beyond me whatever the hell he did on his own for those days, but i digress. at the same time, everyone does kind of forget the fact that ken literally tried to kill shinjiro by his own hands. whether he was successful or not doesn't entirely matter, his plan was to kill.

now this, as i take it, is probably a lapse in judgement from ken. sure, he may have pumped himself for a while to think he had to kill shinjiro. i don't think 2 years makes sense. i think as soon as he found out shinjiro was the one that killed his mom, he started thinking about it and it got to him. when time came to it, i don't believe he would actually be able to kill shinjiro. again, he's not that kind of kid. maybe my own head canon, but words like "i don't have anything else to live for" is a thing he would just say in the moment and not mean with further thought. in my head, it simply works out better as ken living in pain for that long, not being able to move past it entirely, hating the guy and blaming all on him. only then, he finds out who shinjiro is and thinks that killing him is the way to go. this, instead of living for 2 years with the sole goal of killing a guy. once it gets to it, shinjiro saves his life and he realizes how even though his reasons for hating him are fully justified. there's more to the story, more to shinjiro and more things that are worth living for.

shinjiro's death doesn't particularly hit me as hard as something like chidori's, most likely because i already knew it would happen. plus, the fact he does mention he will die regardless, but it's very resonant in it's own way. not because you're gonna die anyway it means your life means any less. i didn't really talk to him much before he passed and never even added him to my party, but you only realize how important the people around you are once they're gone. his death incites hope for the future. he leaves off with a smile and finally atoning for his sins for the last time. death isn't happy, but he makes the most of it by doing what he couldn't do last time. save a life.

koromaru is a dog. he's a good boy.

aigis may have ended up as my favorite character in the game. she's a special one. what was initially a pretty hollow, although goofy robot girl, whose only purpose was to defeat shadows and protect you for reasons neither of you understood, turned into a deeply caring, worrisome character who bears no resemblance to that of a machine. besides looks, that is. i have to commend sakamoto maaya of all people, for the excellent performance behind aigis. sakamoto has always been good at her job, but it was only recently that i've taken notice of how precise her performance can be. how the slight changes in the way she speaks sell a different version of the character, through age, personality, or growth along a span of time. aigis does look like a human and does sound like one, but doesn't talk like one. there's a lot she doesn't understand and a lot she doesn't know. evidently, as you grow and get to understand the world around you, you will clearly become "more human". if it were only in writing you would surely understand how much she learns through time. sakamoto just makes it incredibly grounded. even after aigis is gone for a while and everyone starts mentioning how she seems different, you feel that as well as a player. i can't say anything about the english va, i watched her play the game for a bit and she seems fun. i simply didn't play the game with english voices.

beyond that, aigis becomes an extremely fun character. she grows so much but you grow alongside her. i mean, we're all human (i hope) but how often do you actively think about what it means to be a person? what truly makes you human? she has all the characteristics of a human being, but she comes to the realization that she will never really become one. she's a machine, she can be repaired and come back to life. she will outlive everyone around her and there is nothing she can do about it. what she can do, however, is to keep the memories of everyone important to her. if she will outlive them, the memories of them will do as well. even if it's not for long that you've known her for, she means a lot to you and to everyone. you mean a lot to her, too. caring for others is what makes her human. so even with the body of a machine, one that can be repaired, she cannot be replaced.

with these freaks, you get the cast of persona 3. they're a special bunch. they have their issues, as any group does. as any person does, really. they have an enjoyable chemistry that doesn't explode from nowhere but does bloom as time goes on. not much is forced here, but even if a bit slow it manages to hold itself together nicely. even the casual group events that happen on every game with the beach, ryokan and banquet celebrations are, honestly, better than usual. the beach episode doesn't feel out of character. junpei is always the guy that will try to hit on girls even if he's really bad at it, and he gets made fun of for it instead of making it awkward for everyone involved. akihiko only does it because of a bet, as he would, so it's also fitting enough. with the ryokan they do sort of get into trouble "by accident" and do just want to leave quietly before anything happens. even if it's more because mitsuru would get angry and take their lives if she found out, but still. ryoji is more to blame about this than the rest of the guys, which i haven't talked to about yet.

ryoji is unabashedly himself. he gets little time to do much for him to become, like, a relevant character in my head. i find him really fun, though. he's charming and goofy. he's so clueless about everything that it becomes funny. more than a creep he's curious about others in every shape and form which leads to misunderstandings and questionable behavior, but generally funny nonetheless. i would like for him and his time on earth to have a bigger impact on the protagonist as he's supposed to be part of him after living "inside his body" for the past decade, but that leads into the ending itself.

the big thing goes last. i talk way too much about the characters when compared to the story. i like to think that i'm better at that, hence the priority, but this has been taking so long to write that my thoughts get all scrambled around and i forget half of the things i wanted to say. i started writing these things just so i could set my thoughts on paper before forgetting them! only 8 of these and the length has gone up 10 times, so, there's that. in between beating the game, starting this, adding one more year to my life counter and the moment of writing this sentence, they've announced the answer as the dlc to come out later in the year. i cannot talk about the answer since i haven't played it, obviously, but there are some things i know about it. as far as i'm concerned, the ending of the game is the only thing that matters right now. the answer may as well be the fanfiction epilogue written by someone at atlus, i don't care. i'm sticking to what i've played and what i know.

i've been insisting on how the game often employs the ludonarrative dissonance card throughout it's runtime and characters. this is what strikes me as particularly truthful towards the end.

in december, everyone is told the world will end. there is nothing they can do to stop it. if you decide to forget, everyone dies happy. otherwise, you can try your best and see what happens. january, the background music changes and the entire screen gets a saturation shift for every color to be slightly muted. persona loves to make things clear at times, but this one seems a little bit too on the nose even for persona standards. you know what would be cool? making small changes throughout the month until the fated day. only then, the music would slowly change for all to sound more somber and the entire city to look dead. it comes off as extremely weird because the dorm theme is still the same one, as well as the song that plays for jobs and social link events. i say you either go one way or the other, not both. make it so everything is purposely dark, somber and sad. go all the way with it and have everyone around you react to it. i don't really see the point in doing this change so out of nowhere myself. it feels dumb. it doesn't really fit either. add the fact that half of the month is wasted on nothing because you can't talk to any school related social link until vacations are over, and it feels like a pretty stupid month leading up to the grand finale.

must say, the takaya fight was harder than nyx. not sure why that guy has more health. he also just drains your entire sp like it's nothing - he's crazy. nyx you can kind of beat in 1 or 2 moves for every phase. it's not that interesting of a fight, but i like the design. once you're done with nyx, you get a call from igor about how friendship gives you infinite power to seal nyx forever. "the power of friendship surges within you", since you've supposedly made the necessary bonds to garner a power unlike anything else. strong enough to sustain the heavy blows by this godlike entity, and strong enough to use your final ability "great seal". now, supposedly, since this skill uses up all of your hp no matter your level or items, the idea is that you're effectively using all your life force. had i not looked it up after beating the game i really do not think i would've ever thought about this connection on my own. maybe i'm stupid? i sure didn't read what the skill even did when using it, less so how much hp was necessary to use it. i cannot say with confidence anyone else checks that before hitting the final blow on the last boss of the game. if i understand right, what people infer from this and the events in march is quite simple. guy has no more hp (so literally, his life) -> waits until he could fulfill his promise -> dies. is this what has been getting hyped up since 2006?

genuinely, what are we working with here? i fully support the idea of killing your protagonist. i think that is fabulous. i only struggle to find it appealing in the way it's done here. first off: really? he uses all his hp in battle and dies? we know for a fact battles as shown in game aren't applicable to a real scenario. is the implication that your party members legitimately die and are brought back to life mid battle with a simple item? i do not find the idea of a skill you forcefully have to use to finish the game as a cool "got you". do we, as players, actively decide to sacrifice ourselves for the sake of those we love? does the protagonist do this on his own? if we're talking about a skill used to seal a god you just unlock in this particular scenario, of which you have no further info of, with the supposed strongest persona imaginable, with the help of the bonds you've crafted along the way, i don't buy it one bit. what i see as the weirdest thing in all of this is the fact that he doesn't even die right then and there. he's back up and kicking as soon as the fight is over. it takes a whole month for the guy to die, even though he's supposed to have been completely drained.

everyone forgot about what happened, except for you and aigis. i'm not sure why our main character remembers, but at least the player will obviously do. just when you're supposed to all meet up in the roof as you promised, they finally end up remembering and come running to you. you get this really nice cutscene with everyone running full of joy knowing what they've accomplished and what the future promises for them. you're dead, though. dead corpse in the roof. not that any of this is shown as a tragedy since it's presented as more of a happy moment than anything. the game ends. was this the promise he had to keep? what about ken and fighting him again when he gets stronger? what about whoever you romanced and promising to be by their side? what about aigis saying she wants to be alongside you forever? what about literally anyone you ever talked to expecting you to be by their side lending them a hand when they most need it? i'm really sorry, i just cannot think that this the only thing that mattered before passing away.

as i get it, the argument seems to be how it lines up with the theme of the game and the idea of death. not that death isn't a prominent idea in the game, but i would argue the only reason you are facing death is because you literally are facing Death, not because you get what death is. death isn't nice, it's a tragedy. "facing death" is about accepting that people can pass on and leave things behind, not literally dying and being okay with it. jesus christ, we're talking about a 17 year old highschool student. it doesn't matter if he gets what death means, he hasn't been alive for even half of what the average human lifespan would be. persona 3 is about loneliness. that's the theme. loneliness always comes along with death. the death of our loves ones making us feel alone. loneliness, and finding the people you live to fight that loneliness. the people by our side that will help us get out of our worst moments. the ones that will help us grief and bright our days back up. please, kill the main character - but make it meaningful, not a plot device.

you know how i take this as? making friends kills you. i played the game, i talked to people, i made friends, i made lovers. all of this for them to give me the power to defeat god and for it to kill me. this is the ultimate power you have cultivated. my actions as a player ultimately don't matter because you are there to die at the end of it all. you used a skill in battle and it killed you. sorry!

now, let me backtrack a bit. i knew the main character died at the end of the game way before i played the thing. it's another one of those things people cannot keep to themselves. no matter how slick you think you are by posting the same screenshot every march, i can imagine what is going on here. i had my own theories of how this would happen. clearly, Death had been living inside of you for this long. you are intrinsically tied to the fate of the world. surely, if you kill Death, you kill a part of yourself. maybe nyx had its fate tied to you. maybe it's as easy as a noble sacrifice for the sake of others. it's none of the above, apparently. you finish the fight, a month goes by and you go to the roof. it might've been clear already but i need to be frank, i had to look up what the ending was supposed to mean. rather, what people interpret it as. great seal skill and all.

now, see, had i not read about him dying or other theories, i'm not completely sure if that's what i would've concluded it as. after looking at it in retrospect, yeah, dies. he's extremely tired by march, he needs to close his eyes and rest. rest for how long? you decide. the problem to me is how unclear the reason for all of this seems to be. okay, so he died. let's track down the reason. why did he die? he beat nyx and kept living for another month, so why now? they never said anything about his life being tied to nyx either, so that can't be it. absolutely no idea. okay - so it's because of the stupid skill at the end of the fight. whatever, sure. why didn't he die back then? why did it take an entire month for anything to happen to him? does he just toughen out death for that long? i couldn't tell you. turns out, it's because that's the day they promised to meet up no matter happened. yeah, sure, that makes sense. what about literally every other promise he made the month before and months before that? was that the only thing that ever mattered? to meet up at the roof on graduation day? you know what fucks me up: he doesn't even fucking meet them! he takes his beauty sleep before they even get there! so you couldn't even fucking keep that promise anyway!

you know what doesn't kill you? sleep. actually, that's a lie, you can die on your sleep pretty easily. the way this entire scene is written and shot (or animated, i suppose) does not strike me as anything close to a death. i understand that it is, because aigis is crying, because you don't want to "sleep" but it will happen anyway, because you're literally fading to black, and because the guy just taking a nap may be a little bit boring. i say he could be taking a nap. who gives a damn! the ending is open ended enough for you to bring whatever the hell you want into it. does he wake up shortly after and they celebrate? why not? it makes as much sense as him breaking all those other promises and amassing the power of friendship to kill himself. you'll have a bit of trouble defending your head canon once the answer rolls up, unfortunately. guess he really is dead!

i will sustain that it's left open ended on purpose. it may be a little bit self explanatory, yes, but as long as it's not spelling out anything directly at you, you can take it as you will. the idea of coming up with an epilogue that blatantly details what happened seems off the mark to me, but at the same time i can't criticize a piece of story content i haven't seen, so that's all i can say.

picking out what consists of "my favorite shows of all time" isn't so easy once you've been watching media more seriously after a while, those starting years will definitely shape you up and become a major part of the main stuff you like. even if you fully know it's bad, you hold it close to yourself because it was there at the start, and it's always nice to think back on that. so, it often happens with me where i certainly enjoy something enough to think of it as "this could be a favorite, but does it deserve the spot?". not even sure right now if greenwood deserves it, but i don't know if it matters that much. i decided to make a list of "favorites that aren't favorites" because of greenwood and even if it doesn't stay there and goes up into the list, it sure means something.

ironically, i don't quite think this show came out as a surprise to me as i'd been hyping myself up before even getting into it. it did, though, take turns i wouldn't have seen coming and i'm glad for that. these days i honestly tend to watch anime based on the soundtrack and it's no different here. the soundtrack showed up in online platforms on september of last year, which is around where i found out about it since i already follow nagata shigeru (even if i haven't even seen ocean waves, he just makes good tracks). my first mention of it over discord was me getting mad at my bank while i was dealing with my phone insurance after i tried reading one piece and got my phone stolen 13 pages into the first chapter, but that's a story for another day. i just said "this is the soundtrack of me killing a man" with a link to shun's theme , which is honestly accurate for any man killing activities. in context however, there's a bit more to the story.

this is why, to anyone caring to read, i want to do the longest and probably only essay / analysis / backtrack / retrospective / whatever the hell for "here is greenwood" you will find online. i HAVE to be that guy. otherwise, what have i been obsessing over this thing for around a month? the show has 6 episodes while the manga has 11 volumes (although viz squished it into 9 which is better), so i'll be basing myself on the pacing of the anime in relation to the manga, back and forth between them so the chapters match up. the manga does, however, have more stuff to it throughout half of its runtime so it's gonna be a lot of that i suppose. although, and i'll get into it later, the anime seemingly ends up being the more enjoyable version of the two. otherwise, skip to the tldr in bold letters to avoid reading the long ramblings of a crazy man skimming through a show and manga you probably haven't seen and read.

we begin with the hero of our story. he doesn't really have anything that would actually make him a hero, he's just a teenage boy just starting his first year of highschool at ryokuto academy. his name is hasukawa kazuya and i don't blame people for making him the least popular of the 4 central characters on myanimelist, but he's still technically the main character. our dear boy kazuya is moving into the ryokuto dorms, because it turns out he's kinda the unluckiest guy you'll ever meet. his older brother just married the girl he had a crush on, and since they don't have any parents left, they're all living under the same roof, something he simply can't stand anymore. he took the entrance exam for this prestigious boys only school and managed to get in, but in the process he: almost got ran over by a car while he was visiting the school, barely managed to take the entrance exam since the trains were stopped by a blizzard, had his acceptance letter delayed in the mail, and got an ulcer the day of the entrance ceremony that forced him to stay hospitalized for a month. even if god is against him, he persevered, and finally got in.

kazuya is hot headed (almost literally since he's prone to getting nosebleeds), overly serious yet still a bit of a goofus. he's not particularly smart, but he proves himself with the sheer effort he can put into the things he wants to achieve. he often feels like he needs to be stronger and grow on his own, failing to rely on others, as he doesn't really like getting pampered either.

he is introduced to the dorm head, ikeda mitsuru, and the president of the student council, tezuka shinobu. the two most popular, best looking, and important members of the dorms, currently on their second year of highschool. these two are the ones that will introduce him to "greenwood", as they call the dorms, since the full name is kind of a mouthful.

inside room 210 rests his roommate, which he's quickly informed is, in fact, a girl. according to them, kisaragi shun was born a girl, it's just that her birth certificate and every record lists her gender as male. by this point, 8 minutes into the first episode i'm already clocking out. i understand we're talking about japan here and it's the 1980s (rest assured, this becomes more evident as it goes on), but i have the sneaking suspicion that gender identity can't be this series' forte. from my understanding, hibari-kun does tackle these topics in a proper manner and it was also a manga from the 80s, so perhaps it's not completely unheard of. besides, shoujo manga isn't known to be scared of tackling stuff the rest would never dare, but still. me, the audience, and the guy on screen, kazuya, are being informed that he absolutely must keep this fact a secret from the all the boys at the school. if he does not, there will be consequences. added to the fact this guy is seemingly pissed off at his brother for not being "manly enough" since he "works as a nurse" at this school (and also the fact he got married to the woman he liked, even if she's at least a decade older than him), we're not looking too hot. whatever, i'll give it the benefit of the doubt.

3 days go by for kazuya living with a girl in his room, often going outside to let her change, being uncomfortable at night and trying to ignore people's comments of his situation. he finds out, however, that it was nothing more than a farce. shun isn't a girl, he's just a cute guy with long hair. this dude got tricked into thinking otherwise only so everyone in the dorms could bet on how long it would take him to figure out. "damn! i lost... if only it took one more day..." you hear a guy in the background. greenwood, refers to "a nest for bandits and villains" which is all this place is. as much of a prestigious school as this may be, it doesn't speak for the people actually attending it.

there's the guy that sleeps with his motorcycle, the club used to devote their time to a made up religion, or the duo that rent out their room as an arcade. the main trio that will share their time with kazuya stand out as much as anyone else, if not more, so we should get into them.

shinobu (on the right) is the son of a prestigious family. he's calm and collected, devious and cunning. not a lot seems to change his expression, as he's swift and decisive yet his has his mischievous side as he often enjoys messing with people, and specially his roommate. mitsuru (left), is the handsome, aloof guy that simply loves giving kazuya as hard of a time as he can.

shun, aka the most popular character in the show, is a confident, assertive and strong willed young man. it just so happens he kinda looks like a girl. it is very often played for jokes, but not once does he mind it and finds enjoyment in it himself. he is, in fact, "a guy with a gender", as you could say. he leaves his hair long because he likes it, he dresses up however he feels like and often more feminine because he finds it fun, and he just knows who he is and what he wants to be, which is highly respectable. i was mentioning earlier about his theme and it's honestly pretty fitting for the guy, there's something magical and cheery about it that really sticks out, while having a tone of that seemingly feminine side.

these four are the rag tag greenwood team, getting into trouble, helping others and messing with each other. guys that maybe wouldn't usually be friends with each other, but it's always the time and place that will bring people together.

most of volume 1 isn't too dissimilar from episode 1, they change around the order of some scenes for it to make more sense and remove or add dialogue for it to flow better, but most of the main events stay intact. kazuya's main goal is to stay far from his home to avoid thinking about sumire, the woman he loves and his now sister in law. this is what he's in greenwood for. it's not as simple as "running away" from it and his feelings, but trying to come to terms with it, get distracted, and find himself. the main overarching theme of this series is moving past a love that was not meant to be. whether it's by moving away, making new friends or finding new love, the goal is the same. ironically, the people around him don't really allow him to move past so easily, since his brother is still around all the time, his friends kinda make fun of him for it (because it is funny) and sumire herself is so oblivious to it that it keeps stabbing him in the heart which, yeah, i get it.

not sure if you, dear reader, has had the experience of being in a dorm with other people, or going through a moment of unrequited love, but it doesn't get any realer than this! for one, living with people close to you for a while is just a nice experience. always having people to rely on, to hang out with, to talk to, at any given moment. almost to the point you may start depending on it. as a matter of fact, the room i shared with other people for a bit was 211, the same one mitsuru and shinobu are in! for the other, trying to move past something like that isn't the easiest. in fact, it may just be the aftermath that's the hardest and that takes the longest, that is, finding the same feeling somewhere else. filling that spot with something new, or someone new. cannot really blame a guy for trying so hard to change his life around.

kazuya decides to stay in the dorms for summer vacation, as he insists he does not want to set foot home, and sumire decides to pay him a visit. not only her but his brother kazuhiro also plays fun with him at times simply because he likes to see his reaction. he's kind of a goat, but he does genuinely care for his brother. later he's informed he can't stay in the dorms for winter holidays, which is what forces him to go back home for once.

half of the first volume doesn't get adapted probably to improve the pacing, although the extra chapters also don't feel too substantial to the story overall. in one of them the lights go off at the dorms and a couple of girls get in, which they initially think are ghosts, only to turn out they're not. it's not that exciting of a chapter and the show does a better version of this a bit later on. besides, i believe that not showing as many female characters in the ovas works better for the series, as opposed to the manga which starts doing it more often from here.

after kazuya goes back home for the first time in a while, the boys meet up out in the city. here, they find a strange looking girl being tailed by men in suits. it only turns out this girl is "nitta mieko", an idol that simply wanted to get some free time for herself while her agency wouldn't let her. uh, she becomes a bit of a prominent character throughout the manga, while she doesn't really appear at all in the anime. to the actual plot itself, she doesn't do a whole lot, she just comes and goes from time to time. not much against her, it only feels like she's just there.

for another chapter, they're already on valentine's day, meaning they will get chocolate. shun mentions he's straight and he had a girlfriend already which the rest find strange, i suppose. both mitsuru and shinobu get all the girls from other schools to wait outside and throw chocolates at them, to which they run away from. kazuya has one girl that's a bit obsessed with him, yet he doesn't remember her name nor who she is. she mistakes shun for a girl, so she gives up on him quick, though. i'm a bit iffy with this chapter because even if it is supposed to be a well known fact that mitsuru is constantly getting girls to ask him out (and he's generally also unlucky with said girls) the anime doesn't actually show much of that, unlike the manga. i don't think this is bad though, it's more of a thing they just say but never really show as you're kind of invited to fill in the blanks for yourself. since it is only 6 episodes they obviously skip around a lot of parts of the year, and i don't think it's quite necessary to see everything they do, as getting a glimpse around their life is all you need to understand how they're doing and what a random day in greenwood can be like. the manga almost incessantly needs to show both mitsuru and shinobu as the popular guys and since we're talking about an all boys school, even if they are popular, it doesn't feel like it's something that should happen so often and at such a big scale, in my opinion.

kazuya also simply not knowing who the girl that has a crush on him seems off and a bit too early. i suppose his mind is still focused on sumire, sure. so, he's probably not ready to move on that quick? even then, the situation kind of presents itself in front of him and he simply fumbles it for no major reason, he simply does not know the girl from his previous school.

the final chapter sets up the next volume, where mitsuru gets abducted by none other than shinobu's big sister. the anime does a funny thing here on episode 2 where they kinda tell you "go read the chapter for context" but it doesn't really matter. the episode centers around shinobu's sister, nagisa, kidnapping shun's little brother, reina, who obviously looks like a little girl because feminine looking boys is a staple of the kisaragi household. this is, in turn, a direct sequel to the manga chapter.

nagisa hates her brother because he's kinda just better than her really. she's stuck up, pretentious, demanding and selfish. since they were little she always wanted to be seen as the superior one, and because shinobu doesn't give a damn about anything, he never really cared about whatever she tried doing to him. part of their father's favoritism towards shinobu must certainly come from the fact she's a woman, i will not deny that, and she has the right to be mad. she's still an awful person though and only wants her to be the one to inherit the family business. so, to "take revenge" on him, she decides to kidnap his friend. genius!

part of the volume is dedicated to them finding out it's her and then going to save him. in the process mitsuru tries to escape and makes fun of her. he ends up with only his underwear on to, uh, make it worse for him? i guess? in the process of escaping mitsuru gets his face cut which was supposed to be something they planned on doing to ruin how pretty he was or something, but apparently mitsuru has superpowers so the skin on his face simply fixes itself instantly. now, greenwood isn't scared of the supernatural, weird things will happen. but having his face regenerate is a bit too much in my opinion. i think it would be a really solid joke for him to "suddenly be fine the next page" instead of it actually and legitimately being superhuman. would play on the meta and sell the ridiculousness of it even more. which seems even weirder considering nasu loves to play with meta jokes. she will often draw herself commenting on facts or details that don't really make sense so she can address them herself, or have the characters directly refer to her or the manga as a whole. in this same chapter in fact, she mentions how it doesn't make sense that they're still in their first and second year of highschool if holidays are already over. i think some of these jokes are fine, but nasu loves doing it a little bit too much for my taste.

anyway, what the anime does instead, as i mentioned, is have shun's little brother be the victim. nagisa decided that she won't deal with boys anymore and only cares about girls now, so he picks up reina instead (unbeknownst to her that he's actually a boy). i think this take on it is better, since shinobu ends up knowing what the deal is way faster and manages to figure out a plan for the rest of the boys to follow. reina does, too, mess with her and her agents by asking for food and to take a shower, which gets weirder than it should! these guys kinda get really flustered about the supposed little girl they've kidnapped which is extremely weird (one of them even trying to peep while he's taking a shower!). nagisa is also really weird about it at the start but we know for a fact she's a terrible person so whatever. it tries to follow with the joke that people often mistake the kisaragi boys for girls, but it could've been something else, you know. specially when it's grown ass adults we're talking about, but whatever, it's still a fun episode. all of this ends with shinobu giving his sister a final warning, effectively pointing a gun at her and saying he was gonna take care of her this time for sure. only to turn out it's a toy gun. a little detail that stands out at the end of this episode, in a strange way, is mitsuru making fun of kazuya for developing a crush on igarashi miya, a girl from an all girls highschool that will become relevant later. it's a bit funny because by this point they have never shown the two of them interacting, and the first time that he will see her is later on in the anime. however i think it's mostly working as a little nod of foreshadowing, as the events in the ovas don't really seem to be in chronological order.

what is honestly surprising is the chapter that follows this, still on volume 2. a side story about two guys from the dorms in room 117 ending up as a couple and finding out they're gay. i'd honestly recommend just reading this chapter, as it's surprisingly good and i'm almost left wishing they had adapted it. they sure do the "but it can't be, he's a guy!" / "there's no way i'm a homosexual!" and sure, one of the two guys also does look like a girl, but it's cute and well handled in my opinion. throughout both the show and manga kazuya stays as the guy that like, simply doesn't know gay people exist, i think. he's not inherently homophobic, i'd say. he's always genuinely shocked as if he doesn't know what just happened, almost to the point it's funny. it simply does not process in his mind and he resets.

next chapter is about girls from another school taking pictures of mitsuru with his shirt off because it's too hot? and shinobu has diarrhea. the one after that, the boys go to the pool. everyone there thinks shun is a girl (as usual) so they ask him to go into the women's dressing room, and the lifeguard gets disappointed to find out he's a guy, but their outfits are sick so it's fine.

we continue to see kazuya being the one taking care of dorm head duty since mitsuru is away for the week. reina rolls up to the dorm and he's actually way more of an annoying brat than in the anime. kazuya lowkey bullies the kid and thinks shun should be rougher with him, or something. he still kinda has that thing of being disappointed that his brother isn't tough for whatever reason.

volume 3 starts school sports festival, not a thing we see in the anime. shun is dressed up as a cheerleader, kazuya is the fastest runner alive, shinobu set up bets for each team. typical stuff. later we see a girl show up at the school because her girlfriend was going there to see someone else. every single one of the boys absolutely loses their mind at the sight of a "real lesbian" who they thought was nothing more than a myth, and then it just turns out the her girlfriend saw mitsuru dressed up as a woman as part of the festival event (which they never even showed) and she was interested. rest of the volume is mieko showing up again asking for a favor because someone is trying to assassinate her, the boys celebrating new year's, a kid trying to figure out if shinobu is evil to get into the journalism club, and the motorcycle guy getting a real girlfriend.

a thing the manga definitely does better over the anime is showing the rest of the people in the dorms. although i barely even up remembering their names, they sure are there and have their own things going on. they do become more prevalent and they're part of greenwood as a whole. i just don't particularly feel like they stand out as characters themselves? some of their stories are fine and all but they serve as a bunch of background dudes that chip in at stuff most of the time. while it is cool to see the dorms more lived in, they're also not so important that it makes them feel like they actually matter, if it make sense.

as the manga goes on it starts feeling like a bit of a bottleneck. by no means is it not entertaining, it's simply that it jumps around between stuff that doesn't feel like it amounts to a lot. probably the reason why as i continue explaining things here i go over these chapters with stuff to say about them. next is volume 4 though! so almost halfway through!

this volume shows us the woman that shinobu's older brother (because it seems he has one) was supposed to marry. i believe, she doesn't really amount to much in the story, so i won't even go into detail about her. they go into a flashback with how shinobu and mitsuru met in their first year and fought, to then end up respecting each other. it's cool.

the rest of the volume is half a dragon quest parody and the other half a ghost story. both of these do, in fact, appear in the anime. however, they do so in a different way. in the manga, the fantasy manga parody is really just that, a sort of spin off that goes for a couple chapters. in the ova, the boys at the dorms plan on filming a movie to show at the festival, which is honestly such a cooler idea. they show them going around planning and filming stuff. shinobu and mitsuru even have to go pose for the self insert manga author that uses them as reference for her next manga so they can get the outfits they need. it's a whole process of them showing how they're doing this indie movie at their own school while cutting into the actual scenes of the supposed movie, real neat stuff.

in the other chapters, they go to a hotel shun's family just acquired and stay for the night. it just so turns out it's haunted and a bunch of girls try to get the boys to become ghosts as well so they can be together. mitsuru, however, manages to exorcise them since his family runs a shrine and he simply knows how to do that (?). ironically, he's the one that needs to get an exorcism in the ova.

this episode is one of my favorites by far. the lights go dark in greenwood, just like they did in volume 1 long ago. this time, mitsuru gets haunted by a girl he doesn't know. what's funny about this is that she is just a normal, cute girl and nothing else. she hangs around, talks to them, plays games, etc. fully visible to everyone, you simply can't touch her. mitsuru gets into trouble for bringing a girl into the dorms since he's clearly not allowed to, but it's not like he can do anything about it. he gets really stressed out and consistently asks her to leave him alone (which, wow. rude). i'm almost definitely biased here but this girl is actually voiced by the same woman that does my favorite character in the trails series, so, yeah. she's just really cute and fun and doesn't really hinder his daily activities in the slightest so seeing him get really pissed off about it is entertaining. the way the episode starts is also my current favorite thing ever:

this episode perfectly encapsulates the charm that has me tied to greenwood. the music, the characters, the wacky situations that get oddly real for short spans. by the end of the episode, she reveals that there isn't any major reason for her to be haunting mitsuru besides the fact that he's good looking. she simply hadn't ever kissed anyone before dying, and she wanted to do that. he strictly refuses because he's a little baby bitch and she leaves. instead, a day later, she tricks him by picking up the cat and having him kiss it. except that she's actually not done with him because she still likes him, so she brings a bunch of other ghost girls to mess with them. really funny. again, ironic, how he's the one getting haunted this time and he can't do anything about it.

the two final episodes of the anime are the most relevant arc of the series, which won't happen until much later in the manga. so we keep moving.

volume 5 takes place around the school festival, the one they made a movie for in the ova. kazuya gets tricked into a game of ping pong to see who would get the main role for the play they're doing, while shun does also take part of a different play. basically, we get 3 of the 4 main guys to dress up as women. shun's play is lupin's castle of cagliostro, which did also happen in the anime as an extra special segment at the end of that episode and it's really neat.

the rest of the volume has a new guy show up claiming that kazuhiro isn't worthy enough to be married to sumire. this guy is just her cousin, which is also in love with her, so let's leave it there. at the end they show a flashback into how the two of them met back in college, to then get introduced into the hasukawa household. this flashback is neat overall, it gives further information on how they've been doing as a family of two brothers, and a bit of insight into both kazuhiro and sumire's relationship.

sumire has been with them since kazuya was around 14, while she was in her early 20s, which i suppose isn't too terrible for him to fall in love? it obviously wouldn't work out regardless of the circumstance, but this isn't something they actually ever try to push for or imply it could've happened. not a lot more than teenage love, you know. what is actually fun is getting the news that sumire is pregnant with a boy. it doesn't really shape the story at all, but in the large scheme of things it does try to show the shift between their relationship and kazuya's feelings, which is great to see.

volume 6 has one chapter of shinobu meeting an alien that tells him he has a specimen that looks exactly like him who recently escaped containment. shinobu shoots him and doesn't flinch at the idea of killing someone that looks exactly like him, maybe because he's more of a robot than whatever this alien made could be, but we're still stretching the logic of this manga the more we go.

following chapter is the boys playing baseball against a friend of mitsuru's, fun chapter. the dorms move on to the next year, and they do actually start their second and third year of highschool. kazuya is the one becoming the dorm head this time, either because mitsuru likes to mess with him and / or because he does genuinely respect the guy. kazuya isn't too sure himself, though. some new students show up like the kid from singapore who they keep trying to explain things to as if he's some sort of otherworldly being, and he also shows signs of being completely clueless on how stuff works like not even knowing what a school trip is. i asked someone i know if this is true and they said that people in singapore do know what a school trip is (as i assumed), but sure. the school trip does happen, where they meet mieko once again and she asks mitsuru to do some modelling for a tv ad. this becomes a whole thing with mitsuru not being sure whether or not he wants to do it because like, his brother will think that he's only doing it to attract the attention of his "real parents" because actually he feels that he's not really part of his family since he's adopted? it's weird, the adoptive part will come into place later (although it's not that big either).

in volume 7 kazuya's nephew is born and they need to take care of him because sumire was gonna give them a couple of tickets for the ice ring. in the ice ring, two girls try to trick shinobu and mitsuru into becoming their partners because they need a couple to do competitive ice skating, or something. the conclusion is shinobu saying "why doesn't one of you get a sex change?" and they think it's genius and leave it at that. hooray for surgery. there's another three side stories with an edo era spin off, the boys going into the kisaragi onsen, and the duo in the arcade room getting cursed by an evil videogame you have to beat in one go.

it doesn't end with, but midway through we got the start of the main final arc, the one with igarashi miya. miya is a girl mitsuru used to know back on his previous school, she seems to be a bit of a delinquent that got into trouble with some girls over turf conflicts. she needs a place to stay for the night and tries to get help at greenwood. kazuya insists in helping her and offering his room even if it's strictly forbidden, because he sees something in her eyes. there's a certain sadness and uncertainty he's not sure about, so he wants to know more.

she explains to kazuya about her situation, and it turns out, she's not as tough as she seems. she doesn't like that people see her as a delinquent, she's not strong, she's a bit of a scaredy cat and is always trying to keep herself from crying. in the process of helping her and getting the girls from the other school to stop annoying her, kazuya realizes that, whoops! he kind of likes her! unfortunate for him, she already has a boyfriend. she does really insist that he's a good guy since he's always been there for him. on the other hand, kazuya wonders why was it because of him that she turned into a delinquent, or why doesn't she ever feel loved by him. she feels that he doesn't like her for who she is but rather he believes he likes her because they've always been together. not a lot he can do about it though, as he doesn't really have an excuse to see her again.

the anime doesn't change much here, the episode starts with kazuya already dwelling about her as they usually do with these episodes, starting with the aftermath of the events and recapping on what happened to them. i do like this, i'll say.

volume 8 is the last one before overlapping with the final episode, so it's mostly filled with extra chapters. there's one about a boy not going to class because he hates one of the teachers, another one with mitsuru getting tailed by a girl (again) who loves the made up version of mitsuru she imagined while seeing his commercial, devilwood again with the dragon quest fantasy manga parody, and the sports festival once more. the thing i like about the sequel to the sports festival is how kazuya gets into the track team to distract himself from thinking about miya, which seems to work for a bit. not essential, but realistic.

another one of the chapters is him falling off a ladder and landing in an alternate dimension where everyone is female, which is actually kinda fun, if not a little bit short. they call it "cherrywood" instead of greenwood, and there's actually a version of this they had the voice actors record as part of the drama cds. there are a couple of these mainly for the special chapters like the sports festival and stuff, they're neat. once kazuya comes back to his world the boys in the dorm keep dropping themselves off the ladder to see if they can go there as well so it's pretty funny.

i think the girl that was obsessed with mitsuru is somewhat a different version of the ghost girl from episode 4, although this one gets so mad at so many things he does that he legitimately cannot go around doing anything without having this girl break into tears, so it's funny i'll let it slide. i insist that having mitsuru be overwhelmed by girls all the time doesn't give the vibe of the "all boys dormitory life" that most of the series tries to push forward, but only some of them wouldn't hurt too much, i suppose.

we arrive to the final volume, as well as the last episode. had you been reading and watching these alongside, you would have a decent grasp of all the activities these people have gotten involved with. the thing is that, the 6 ova episodes released some time after the manga was already finished, meaning that it's not like anyone actually expected you to go back and forth between each other. it would be impractical to do so anyway without knowing what actually gets adapted and not. i've seen people mention that the way these episodes are formatted makes it so only a fan of the original manga would be able to enjoy it, with how much time is skipped between each one. i can't really agree with this point, as it is very much structured in the normal episodic anime way, only with some details here and there that probably don't end up being super clear since they weren't addressed but don't actually hinder the overarching narrative or actual character interactions. after all, these dynamics work well enough on their own to be used in whatever situation they get in. it's not that the manga does not do this, but it often feels like they're there to fill time rather than to simply entertain. more often than not, the chapters feel disorganized, same-y and as if they don't have any major purpose to be there than simply "what if x thing happened". it happens, and it's over. probably not inherently a bad thing, i guess it's a matter of presentation after all. ironically, the manga may just feel like more targeted towards fans than the adaptation, as it really takes a long while for these relationships to grow and develop. if i get too many details, it'll get stale and won't feel like i'm really learning much until something major happens. if i just get the core elements, i can build the gaps myself. less can definitely be more. dudes will be dudes, after all.

in that regard, the episode starts with kazuya helping out at mitsuru's house. the place used to be a bigger temple, but over time the land was reduced and the place isn't what it used to be. not a big deal for them though, as they still maintain the place. it's a nice family of 4. mother, father and siblings. sho, mitsuru's younger brother is only a few weeks younger than him, as by the time they found mitsuru outside their house, it had already been a little bit since he was born.

adoption is usually treated as a careful subject matter, but i don't really think it should be. throughout the manga, mitsuru has his moments of doubting himself, his past, where he comes from and his family. he cares about them and they care about him, specially his brother, but there's always a weird air to it. since he is the older son, he would be the one to take over the shrine, which he's not really sure if he wants to do himself. his mother makes sure to tell him that he doesn't need to worry about it, he should just do whatever he wants to do. his brother misses him, but he needs to focus on himself too. sho seems to be angry at him because mitsuru mentions how he is trying to go live on his own as soon as he can. this is where we get a little bit iffy.

from what i am able to gather, mitsuru feels indebted to his family. they aren't blood related, so sure, he loves them but he knows that they had no right to take him in and they did anyway. it's not that they actually show any sign of it being a pain on them or anything, he is just a son to them. i suppose he feels bad for taking his brother's spot for the shrine, but he doesn't even need to take the place if he doesn't want to. so, in the end, "wanting to leave home as soon as possible" is kinda just a normal thing i believe. i mean sure, deep down it's probably because he doesn't want to be more of a burden, and even if he's not he still wants to make their life easier. this is fine. he makes it such a bigger deal than it should ever be, though. his brother gets pissed at him and his response is "i'm not trying to be an outsider, i am an outsider" my guy what are you saying. kazuya goes as far as to ask him if he ever thinks of his blood related parents and he says no, so what is even his deal? mitsuru wonders to himself if you can still be family even if you aren't blood related, kazuya says that it's love that matters. unfortunately this is literally where this ends and it will never be brought up again or be concluded, because miya appears in front of them. it's unfortunate that it doesn't really get any closure, i feel exploring the meaning of family, specially with kazuya's situation being a thing, could be a really cool addition to the series. nevertheless, it doesn't happen. mitsuru just says that, he feels like he has to leave home as soon as he can, his brother doesn't like this mentality, and that is it. not even the manga chooses to explore this further, that's all there is.

they bump miya and his boyfriend tenma on their way back to the dorms, kazuya still sees that expression in her face, as if she's about to cry but she's holding back. now before getting ahead of ourselves this guy isn't abusing her or anything, he is kind of just a dude. not the best dude, but a dude nonetheless. miya has been wanting to say thanks to kazuya for a while, but she never gathered the courage to go visit him and say thanks. she would go nearby the school and then run away, never sure herself of why she was doing that. this time with the opportunity right in front of her, the only thing she manages to say is "i'm sorry". inevitably, this almost kills kazuya and gets him sick for a couple of days.

"sorry" doesn't really cut it. sorry for what? she didn't do anything. kazuya decides to give her a call after his brother convinced him to. his counseling is essentially: "you shouldn't care about the other guy, focus on yourself", which is fair enough i suppose, but i think a situation like this is very much gonna depend on who you're talking about. kazuya doesn't want to ask a girl with a boyfriend out, no one wants to be the guy that steals someone else's girlfriend really. but you know, there's something going on here too, as she doesn't seem particularly happy with him either. i think this brother bonding is a good moment for the two of them, although not the most particularly touching. kazuhiro is a fun guy, he is confident and he would do anything he needs to get the girl he loves (he did, after all, get the girl his own brother loved). it does come off as a little weird piece of advice from his part, but it works in context so that's all he needs to call her. she does, however, say sorry again and hang up instantly.

"i heard hasukawa got rejected by that delinquent girl", no! he hasn't even said anything to her! so the guy decides to wait outside her school to see her. he stays for a week until he finds out she was hospitalized, they find where she's staying and she's already gone. he sends her a letter but tenma grabs it before she can read it. luck is never on his side. persistence, however, never fails. a little bit of a bizarre thing here, tenma explains how "you need a special permission from their parents to date the girls from this school" which i don't - know, if it's a real thing or not in some japanese schools and honestly i don't even feel like looking it up right now. they both leave and run away from kazuya, leaving him alone.

then, on their way home:

which is an excellent moment, although my favorite part of this is how loud the trains are it's so funny to me i can't even begin to explain. tenma is a bit of a self centered prick, he mostly shows off his nice side but he's the guy that wants things to go his way all the time, you know. he didn't particularly do anything wrong, he's just a bit of a toxic influence on miya. he's the reason she became a delinquent so maybe he would care about her more (or get scared and dump her), he's the reason why she doesn't feel loved or particularly pretty, he's the reason why she's so sheltered. having a guy like him that won't let you do the things you want, always holding your hand and trying to keep you "safe" isn't part of a healthy relationship. kazuya is the one that incites her into being herself, opening up, finding her strength and dealing with her weakness. "i'm with you", is what he replies to her once she tells him how he feels. it's about finding that person that will be there for you, the one that will always be around and, most of all, love you unconditionally.

the rest of the manga has a little bit of the aftermath and how the people at greenwood are doing. it, once more, doesn't stand out from the crowd. they're not bad chapters, they're fun. the story is already over, though. the final chapter is actually nasu drawing a bunch of reader requests she never got to do and kazuya inviting some of his friends over to show them around greenwood and work on a project (friends we have never ever seen nor have been mentioned before now, but whatever). here is greenwood in all its glory.

if you didn't care to read all of that, great. this is the tldr; greenwood is about finding that next opportunity. mainly in love, but in most things in life. the anime adaptation takes things in some fresher directions, streamlining the experience and focusing on what is important. in the span of 6 episodes we get to know these guys, what their deal is and how their relationship works and shapes who they are. some more than others, but meeting new people you care about and will be there for you when you need it (for better or for worse) is what makes us human, and what inevitably helps us grow as people. grow out of pains, grow into understanding others and what makes us who we are.

there's something special about the serenity behind it all that i can't quite put into words, hence why i didn't go into much detail. the backgrounds are often soft and share a clean palette with a watercolor texture to it that makes it feel like a never ending dream. compared to the manga in this case, nasu's art is nice and specially with the covers and colored pieces, but it does take a while for characters to particularly pop or look like themselves as they often suffer from the same face syndrome shoujo manga can be known for. color goes a long way into helping battle this. the manga does also often rely on jokes that maybe aren't as funny in the current age, so there's that too.

the music helps sell the impact of it all, with the magical orchestra that follows around the almost play like scenarios that overcome greenwood on a daily basis. as the subtitle reads "under the tree of memories", like looking back on the moments that mattered the most and shaped the future. the theme of greenwood echoing behind this feeling. some of the other songs they made for the show sell the fun of it all as well i'd strike a comparison with ocean waves considering it's the same director and the same guy doing the music, but i haven't actually seen that so there isn't anything i can mention.

in retrospect, 6 episodes isn't really a whole lot. there's 3 of them that center around some plot and then the other 3 are extra content that focus on whatever the hell they felt like. it's obviously not something for everyone, i'm not gonna come out and say this is a must watch or anything like that, only how i feel about things. stuff doesn't need to be deep, it can just be for self fulfillment. it's often the mindless things that get the most enjoyment out of me, being there to have a good time before anything else. exactly what they do here at any moment, picking out a day at random and making the most out of it. a day where any one of these bandits will get into trouble and they'll come out of it with a smile.

i could wish it was a bit longer. maybe add some of the chapters with the other boys at the dorms, add the part with kazuya's nephew and then him entering the track team and idk, maybe the one with mitsuru and his commercial to actually give an ending to his whole adoptive family thing. alas, this is what we get, and i will not complain.

had it been at a different point in my life i watched this, i probably wouldn't care as much. it speaks to a part of me i hadn't learned about years ago, and would probably only look back on fondly into the future. those things that happen and make you rethink stuff for a good while and, in turn, open your horizons. so, feeling identified with media and connecting with stuff is a bit of what we do this for, i think.

i love persona 5 so i can't complain too much about getting more out of it, but it obviously does increasingly feel like they're milking it as much as it can. joke's on me i guess since i'm still buying whatever they release and joke's on me when i play the phantom x if it ever does get translated. such is life.

tactica starts right after the events of royal, meaning the metaverse is supposed to be gone, joker is going back home in a couple of months and everyone's shit has already been dealt with. from the very start there is essentially, nothing to add to what we already know or to the characters we've already spent countless of hours with. i don't want to make this a constant comparison with scramble, but considering that game happened a bit further into the future, we got to see what was going on with their lives, how they're doing after a while of not seeing each other, how things have been treating them and how it feels to reconnect with those you care about (even if it's not like they've lost contact or anything). meeting with friends you haven't seen in a while is already nice as it is. what tactica has to offer is 2 new characters and like, xcom gameplay.

erina (or "elle" i guess but the localization team just picked a better name) is really fun. i like her design, she's a rebel, she's always been fighting for her freedom and you can tell. fiery spirit and forever confident attitude. even if she can get a bit too rash at times, she never means wrong and tries her hardest to help others, even at the cost of her own safety. toshiro while an entertaining character, he doesn't really leave a big impression on me. more often than not he feels like he's a plot device rather than an actual character. damn! it seems like he lost his memories, just like morgana. his rich fiancée is an asshole? haru can surely relate. his father is corrupt and strict; yeah, futaba and yusuke get that. ryuji too while we're at it. this is something i've noticed tactica loves to do. initially it seemed logical to have the phantom thieves share their past grievances with the characters going through the same as they once did. they understand what it's like and they are able to help them out, but as it keeps going it just underestimates what those moments actually mean to them and it mostly starts to seem forced.

however, if we're gonna talk characters, seeing futaba at the peak of her character arc might be one of the stand out points of the game. she gets along with toshiro really well and it's kinda just nice to see. also, lavenza, because since she only shows up nearing the end of p5 always getting to see more of her is cool.

the gameplay itself is fine? i think overall it's not that interesting. the enemies aren't challenging, you have way more options to do things to them than they do to you which always ends up balancing it towards your favor i believe. having 8 characters at your disposal from the start of the game while only being able to select 3 at a time is not something i'm fond of. in the end, i ended up using the same 3 guys throughout the entire game. joker is kinda the dude i'm used to always having so i like having him, erina seems appropriate to have on since she's the new one and most relevant to the plot, and then i just like yusuke so he stays on. the game does reward swapping out characters with extra hp and sp bonuses for the characters you haven't used, but it was never something that would make me feel i should change anyone. maybe if hp and sp were more limited level after level i'd have more of a reason to swap them out? but with the skills you have it's a bit hard to get low on either, and it just resets anyway after the level is over. i'm also not particularly into this kind of games so there's that too, take it as you will.

every character has a gun you can buy or create, every character has a persona you can assign to them and should probably fuse (even though fusion in this game is way less interesting as they can only have 2 skills at a time), every character has their own skill tree to upgrade and unlock stuff. added to the fact the ui feels cluttered and unintuitive, it doesn't really make the experience that much fun. you have a "prep" menu that has an option to select party members, another to change weapons, another to upgrade skills and another to change personas. it also has "quests" which is to view quests, not start them. the "hideout" menu you can replay missions, view a report of your stats or whatever, buy weapons, and, of course, a second quest button for actually starting quests. there also a "v. room" button because velvet room wouldn't fit. inside the v. room you can disassemble weapons and make new ones which you can't do in the same place and you also have to press the button at the top instead of the one at the bottom to disassemble because otherwise you're just gonna equip the weapon. obviously selling the weapons from the shop button wasn't logical, so instead you need to go into the v. room and do it from here every time you buy a weapon.

to add salt to the wound the quests aren't even good. there are really only 3 types of quests which imply killing everyone in one turn, getting to the end of the stage in one turn, or moving an object to the end of the stage. the one turn missions are specially bad because it's a bunch of trial and error until you figure out what the hell they were expecting you to do. some of them are fine to be fair, they need a bit of thinking but it usually takes so long for you to do and you only have one chance anyway that you simply have to think 12 steps ahead. first ever quest was specially bad because i just so happened to buy a skill that made my eiha stronger, thus, more expensive, which meant i simply didn't have enough sp to keep going. i had to leave the quest, go to the skills menu and remove it to then go back into the quest. delightful.

another thing that completely irks me off is the "memo" which you can open at any time just in case you forgot who the characters are. it is blatantly obvious that this is exclusively for the people that have never played persona 5 already so they wouldn't know who these people even are or what they're talking about. i am fully on board with accessibility, but, to me, it feels like they're spitting on my face. more often than not it gives you the sense that they're targeting first timers, rather than people that actually want to experience the story and want something extra from the game they already enjoyed. i'm not that naive i know they rather get more people to buy the game than limit it only to already established fans, but still.

something i must mention is that i do really enjoy the style of the game. the art and character designs are cute and work well in their own right. they don't particularly stand against the full body sprites and models of the regular game, but they manage with what they have. the places, backgrounds and cutscenes look good. the special event art that you get is really nice and i wasn't even expecting to see the animated segments so that's awesome. to my surprise, there's seemingly more blood in this game than in regular p5! i will always love seeing these little guys talk to each other, even if maybe not for long in the case of this game. the scene where joker has to imagine who he would marry is a bliss, and the same goes for later on when they have to disguise themselves as samurai and geisha. if there is something atlus will prove themselves to do well, is to fill these games with a unique style that stands in its own right.

here is where i start getting into spoilers for tactica (and some persona 5 royal later on!). if you haven't played either for whatever reason and happen to read this, no idea what you're doing here so whatever, i have to talk about the plot.

the "kingdoms" in this game happen to be inside of toshiro's head. i suppose everything in p5 always takes place inside someone's head, so not much surprise there. we get to learn that, wow, this guy's life sure sucks, but i don't particularly have a lot to say about the first two. his fiancée is bad, his dad is bad. it was nice getting the backstory with his mom, and again, seeing futaba connect with toshiro over it, getting him back on his feet and getting him out of the toxic mindset he's starting to develop, just how she once did.

the third kingdom is where things actually get going. mind you, this is 80% into the game already. so toshiro used to have a friend in high school, eri natsuhara. with her help, they tried to take down the shady vice principal of their school, way before the phantom thieves were even a thing. it ties well into the same scenario that presented itself into joker, ann and ryuji less than a year ago. however, it didn't turn out as well for them. they exposed his crimes, but then everyone's lives just turned for the worse. eri almost died and everyone blamed toshiro for it. now the thing that gets me about this is 1. she almost died because she got pushed into a moving train by the vice principal, toshiro didn't really have anything to do with it and 2. she didn't even die. i get that they insinuate that the students just latched the blame onto him for how the situation inside the school turned out as his actions did technically lead to it, but it wasn't even just him. he may have led the students to expose the guy, but never really forced anyone did he? in fact they came to them first to talk about it. besides, eri almost dying is surely traumatic, a life changing moment for her; yet she doesn't really regret their actions. all of this added up to him probably just blaming himself for everything more than everyone else did. you know, the mind plays tricks with us and he surely feels like it's his fault more than anything else. she still didn't even die though which like makes it less impactful? she proceeded to tell him he should not regret it and to stay strong. i suppose the fact his memories being hazy in this world means he doesn't recall her words until a bit later, but the fact they present it as such a turning point in his life to only show that she's fine and that nothing really happened after that puts a bitter taste in my mouth.

it would be fine if toshiro himself simply felt bad for it himself, and it meant so much that it changed him as a person. while some of this is true, the issue stems from this entire world being created by a god that really just felt like fucking with him. salmael, the god of stagnation, who was bored on a sunday afternoon and targeted toshiro of all people. i quote "he envisions a world of tranquility and peace for all mankind, but its utter disregard for agency threatens to amputate the possibilities of the human will." why toshiro? if it's supposed to be peace and tranquility for all mankind why is he doing it for this guy alone? even if persona always just needs to make the final boss a god, i like the idea of a god trying to break their will of rebellion, but he just made an entire world to fuck with his mind alone. why are the phantom thieves even here if that's the case? never explained.

as it turns out, erina is the memory that eri natsuhara left in his head all those years ago. which is nice. she also turns into toshiro's persona and now you have an extra party member for the remaining 12 levels of the game. which are really boring, and reuse the 3 bosses you've already fought. having a persona that is also a conscious being is a really neat idea, i dig it. it also does make it sad when she has to go once the battle is over, only leaving her will of rebellion behind. that is cool, i can't hate that.

i don't think there's much else i care about to talk in the main story, so i'm moving into the dlc. those motherfuckers at atlus knew that they could put the two most popular characters behind paid content and people would still buy it, and so i did. however, to be completely honest, the dlc was probably my favorite part of the game. besides the fact the royal trio will always be my favorite thing, it seemed a lot more put together at least.

to get stuff out of the way, i, again, do not enjoy the focus they put into making it as spoiler free as they can. i understand some people still haven't played p5r, but in the year 2023 i think persona fans can just get a game where kasumi is called sumire and akechi is his real self. akechi is a bit more complicated, i'll give them that, considering his ass is dead (duh). sumire i don't find much excuse. i suppose having to fit both them in the dlc asked for a moment in the story where they were both present and could actually fight alongside you, so before sae's palace it is. so pretty much, we have an akechi playing the role of the detective before he betrays you, and a kasumi without any memories of who she is, with her persona already awakened, while having turned down the invitation to join the phantom thieves. a bit of this creates huge plot holes in the story since neither of them knew the other one had a persona and was in the know of what the other one had to do with phantom thieves, but worry not, this is solved by amnesia, as once the dlc ends they simply forget everything. convenient!

another aspect of this that gets really weird is sumire talking about her sister while in this world, because as i mentioned, tactica loves to make the new characters relate to the ones we already know in one way or another. i believe you would know she used to have a sister by this point in the story? but not the details about it and having her reflect over it like that gets iffy within the timeline of the game, but i digress.

either way, the plot here isn't anything that exciting. you get transported into a different world; you need to help this girl fix her sister. what's fun about this is how there's actually some tactics involved into the stages (no way!). they apparently saw splatoon has been doing well and decided that's what should go for this mode as well, but it works surprisingly well. you shoot enemies and cover the zone in paint, if they're in your color you can hit them and get an extra turn, if they do it to you, they get an extra turn. there's no more covering here, just focus on where you stand and how you get the enemies in your paint. the fact you also can't even do anything while you're on enemy paint also adds an interesting factor to it. it's a lot more challenging and positioning actually matters here, so props to them for that. at the same time, you only have 3 characters to use which now makes complete sense, you don't need to buy to make any weapons as they simply give them to you, you only change personas you get from battles and you level up faster and can unlock skills much faster. the dlc is considerably shorter so it makes sense, but it at least makes everything way more straightforward and enjoyable.

the boss sucked though; it was not fun. as i was getting close to the end i thought to myself, "watch how they're gonna reveal this parrot is actually an evil god" and akechi says "don't tell me you're some kind of god?" and it was really funny. i also want to note that fairouz ai doing both sisters in the dlc is really fun, good for her.

let it be known #akechibouldering

in the end, persona 5 tactica is less than i expected it to be. not a cash grab, although it is $80 with the dlc you're simply gonna have to buy if you like these guys. i hope this marks the end of persona 5 spin offs, as much as i love the characters and i would play anything else they release (looking at you the phantom x), things have to stop at some point. even if this may not be the best ending, it may just be better than nothing. that, or just play persona 5 scramble for an actually fun experience.

undertale yellow isn't as much of a "what if?" scenario, as it is the undertale prequel we never got, except it’s made by fans. it feels canon, yet it’s not. throughout its entirety you need to remind yourself, "wait, right, this is a fan game" and it's not something many pieces of fan media can accomplish. we know undertale already, know its canon, characters, world, systems. how do we improve this? well, we can expand the world, add new characters, give a spin on the things we know, improve the systems, create more battle scenarios, etc. and etc. that or, you know, play deltarune i suppose.

i adore deltarune, do not misunderstand anything i'm about to say, but in its current state it's completely unclear on what it even is. it's made by toby fox, it shares characters and a lot of similar aspects, but it's not quite a sequel, is it? as of now deltarune feels like a fan au made game. i love this aspect of the game too, not everything needs a sequel to continue, specially when you've already made such an interesting world you can use. which is where tracking steps back and going into a prequel makes the most sense.

in all the years me thinking about undertale and reading up on theories i never actually thought about the timeline of events. 6 humans fell down, now they need a 7th soul. how long ago have these monsters even been trapped in the underground? what are the humans even doing right now? how big is the underground even? it's not that undertale yellow answers these questions, and frankly it doesn’t need to, but it stirs them up in a really interesting way i haven’t thought of before.

you play as clover, the 6th human soul. yellow. already giving a name and motive to the human may seem weird for undertale standards, but i believe it's one of the game's strongest points. you can distance yourself from clover. he's not you. sure, you control the guy, though not all the time. he has his things to say, he moves around on his own and has his own thoughts. he's way less of a vessel than frisk is. while distancing yourself may sound like a negative, the issue at hand is that we know for a fact clover died in some way or another. you can't exactly change the canon, what you can choose is the path you will take for this to happen.

for most undertale fans, going pacifist is the way, as i did for my first run. i certainly remember watching the demo for yellow back in the day, however it's been so long it might as well be a dream i had once. what did forever stick with me was dalv's battle theme, forlorn. at the time, probably my favorite fan song. ironically, dalv ends up being arguably the most irrelevant character in the game, and his song, probably not the best, although still good. i like dalv though. the new ruins definitely have an older feeling to them, they are the one part of the game that's been around the longest and still works well enough as undertale's ruins did. compared to toriel, a nice and warm character that wants you to avoid battle, dalv is the cold and antisocial guy that wants you gone. he's been wronged, he has his hopes but it's hard to stay positive when your worries are always crawling on your back. i kind of wish he had a more active role in the story, but i digress.

snowdin is where things take a turn. we already know snowdin, but we're in new grounds. it's good to know that there's more to the underground than just the 5 places we see in undertale. each area has so much more to explore, of which we (supposedly) don't really get to see in undertale. there's no sans and papyrus here (they probably wouldn't have been around by that time anyway i assume), no grillby's, no librarby. instead, we get martlet, a new royal guard recruit. martlet works well as both the papyrus and sans of this game (more on that later). she's lovable, she's clumsy, but she's determined. i would say she's something of a coward, but she knows she needs to stand up for others when it's necessary. her naiveté works against her in this regard, though, putting her entire trust in anyone and everything, going as far as to help you get back home. still, snowdin is a wonderful place to walk around. the music is beautiful, the slight hue change is a really nice tone and getting to see a different side of the place we already know is generally great to do.

the dunes are a nice change of pace. not sure how going from the snow to a desert works in the underground, but it fits the cowboy hat, so it was a must. the dunes is where the game starts to show its strength. for starters, i absolutely adore the battle theme shifts for every zone, the dunes being my favorite one. it adds so much character to the encounters, along all the creative bullet patterns, character designs and animations. which is perfectly exemplified with the feisty four (the j is silent). they are as pure of a version of toby fox's comedy as you can get. the entire "training" process is the goofiest thing imaginable, they're really likeable (my favorite was moray if you care to know) and go to show that monsters don't want anything more than to be happy. starlo, or north star, is a great character. here we have a clumsy, delusional farmer wanting to play cowboy for everyone to enjoy. he shows off as upbeat and confident, although clouded through his way of treating life as a game. he eventually learns people care about him for who he is, and that he doesn't need to do everything for the rest, showing off another, kinder, side of him. by the way, his fight with the soul being tied by the lasso is genius work.

here is also where ceroba gets introduced, the kitsune that has more to show than it would initially seem. his husband is apparently dead and his daughter in serious condition. you travel with her through steamworks learn about her, her husband and a bit of the conditions of the underground. while i'm gonna be avoiding questioning the idea of corporations in the underground, other robots besides mettaton being designed for different tasks and, specifically, dealing with humans, is great. i don't have a lot to say about steamworks besides the fact the really aggressive vending machine is extremely funny to me.

now ceroba’s backstory is really cool and it brings up something i wanna talk about in detail about the game. ceroba, and chujin (her husband) for that matter, are the monsters in this game that are the most judgemental about humans. while she still comes around and understands that not all humans may be inherently bad, such is your case in the pacifist, it still is her duty to get your soul. monsters aren't that different from humans, that's what undertale has already established. yet, the question we're not asking is: how different are humans from monsters? she's not wrong. clover may be the best human you'll ever meet, but you can't know for sure what will happen in the surface. undertale's pacifist ending seems to imply everyone is happy in the surface, as it is what everyone has been wanting for years. but what if it's not the case? monsters need to find ways to survive. they need to do whatever they can for those they care about. boss monsters do not age, unless they have offspring. how can they make sure their children are safe once they're gone? she comes from a place of desperation. she's done something terrible that can't be fixed, getting your soul is the only way. while it's nice to be positive and hope for the best, you can never be sure. kind of makes me wonder why the monsters even want to leave the underground considering they have everything they need there, but still.

this can be solved in one of two ways, killing ceroba or sparing her. sparing her gives you one of the craziest most satisfying endings i've seen all year. you know, humans can be nice. not everyone lives just to spite monsters, a lot of them may not have even been around back when monsters got sealed. we know for a fact clover will die, there is no way to go back home. instead, he decides to do the ultimate sacrifice, and offers his soul for the monsters to keep until the next and final human falls down. otherwise, the other option is to stop her suffering once for all. hope can't fix your mistakes, right? which gives us a piece of dialogue i really liked:

once that is done, you go up to asgore and get killed by him. at least you go out with respect i suppose.

bringing us back to the start, time to kill everyone. i will always find the no mercy runs really interesting. undertale brought a sense of morbid curiosity that made you reflect on your actions. at the end of it all, it is just a game, but it's a game that means something to you. why are you killing the characters you love? can you really go back to normal after what you've done? deltarune is on completely different levels of fucked, going as far as to gaslight someone else to do the dirty work for you. yellow definitely pulls back on the "shame on you" part of undertale, as we're still talking about clover being the one doing this, not necessarily you. it even goes as far as to have clover be the one that decides on his own a lot of the times. can't argue it doesn't feel bad though, the monsters in yellow are all really nice and friendly. in the eyes of a human, why would one care about the monsters that killed all those poor children? it does definitely turn into something much more sinister however. going around in circles killing as many monsters as you can will always be messed up in undertale, unlike most other rpgs. the music shifting down as you go is always cool, alike the original game. the x showing up on new encounters when there's no one else is a nice extra detail.

martlet shows that she still has hope for even those who seem dangerous. others never stop to consider they "why" after all, right? her escaping away may seem cowardish, but i feel it can be more than that. she does genuinely have hope for you, but she still has a backup plan. she knows she's not strong enough to defeat you, she's a bit of a failure of a royal guard, even self-described as not being good at fighting. although maybe too late, she will make sure her actions are just.

as a side note, someone i haven't mentioned is mo, everyone’s favorite entrepreneur. he's funny, what can you say. there is a shift i found extremely interesting from seeing him in the pacifist route to the no mercy run. initially he seems as a clumsy yet passionate guy trying his damn hardest to get off the streets. it means a lot to him that you support his endeavors. when you're killing everyone though? his character doesn't really change, it's the perspective that does. now you get a guy pretty much willingly giving a serial killer what he needs to continue his rampage. now he's not a passionate rascal, but a scumbag narcissist. just something i found interesting.

in the dunes we also have el bailador which i liked as a character, i only hated how his theme restarts for every attack and it sounds pretty bad. this time, simply ignore his rhythm game! fuck you bitch! it fits works excellently for a no mercy route and i dig it. later, ceroba comes back as a boss, right after shooting down north star before you were even supposed to draw your gun (unless you do wait, which at least makes him die with a little bit more pride). her patterns end up being way more touhou-esque than before, really fun fight, even if tough. the yellow soul shooting as it did in undertale is cool and all, but the dash is a really great addition. even if she's supposed to be the undyne equivalent for this game's route, she ends up working as sans with the pattern order and health depletion similar to his karmic retribution. really nice stuff.

steamworks, again, not a lot to say. the roles reversing between axis and yourself throughout the entire section is sublime. you do the chase now, you are the one attacking while he defends, you are the killer robot. another standout moment was the gardener not leaving to fight. found that curious. i definitely drank the poison just to see what would happen (what did you think would happen?).

at this point in the run, i seemingly fucked up and didn't kill all the robots. whoops! you get a letter from martlet asking you to come talk to her, and there she tells you to come back with her and live peacefully. arguably weird in a genocide run. could clover suddenly be forgiven after all that? i guess martlet's just really nice. either way, this is the neutral ending. the craziest of them all.

right! flowey is here. my best friend. he's always had an undeniable presence in undertale, but having him actively help you out and follow you around (instead of stalking you like in ut) puts him in a different perspective. it's nice to see different sides of flowey, even though he may always be hiding his true intentions, and will probably betray you in the end. just like he's doing here, same as he did with asgore. he's a being of constant suffering, he lives for his own sake and uses others for his benefit, not for many reasons besides him having nothing better to do. in many ways, a reflection of the player.

the new omega flowey fight is indescribable. just go play that yourself, or watch it, i guess. an excellent rendition of your best friend / your worst nightmare that may be a bit corny when we're talking about "creepy undertale fan made songs" but works perfectly in the context of the fight. that motherfucker is just creepy. it gives off the exact same feeling the original omega flowey fight did, and i applaud them for that. the style shifts and back and forth between fight and escape. impeccable.

getting back on track and actually finishing the no mercy route. martlet appears, giving us the hardest fight in the game. by now, there's no going back. you've decided this is how you want things to go down, so she has no other option. she may be late, but she will do all she can. she will be the one doing the final judgement. she’s just fucked up. learning the dash is a must for this boss. the visuals are awesome the music is great and the bullets are really creative. i'm not sure if martlet being unpredictable with the order of her attacks is what makes her seem harder than sans, or the fact i've fought sans so many times its second nature by now makes her seem way harder. she's still up there in terms of difficulty though. being divided in two phases definitely made it more complicated though, as i’m running out of items by the end of the first one and end up with barely anything for the second one. the update adding a healing action helped a lot.

up to this point it could be argued the genocide path may be the most canon of them all. none of the monsters we meet are in undertale. all of these events are never mentioned. they're almost part of completely different worlds at times. yet, we go up against asgore and he gets completely wiped. clover gets the monster boss soul and leaves. maybe not the most impactful of the endings, but why would it be? if the goal was to kill and get out, that's what you got. pointless? not sure, that's what you decided to do.

seeing the last corridor again definitely sends shivers down my spine.

more or less, that's how i experienced undertale yellow. yellow is not the color of justice, it's the color of judgement. flowey mentioned that on his fight and i think it puts this game into words. "justice is determined by the winner" or so they say. it's not justice that ends up determining what you feel is right or wrong, but your own judgement. judgement on your actions and judgement over others.

i don't like saying "this is a love letter to x" but, yeah. undertale means a lot to me and it's no wonder yellow ended up being what it is. it knows what undertale is while following its principles and understanding it fully. i could only wish my projects are as resonant with people as undertale and, in turn, undertale yellow are. please, fans, show your passion for the things you love*. you may end up doing an undertale yellow.

as a general summary, this movie is about the owner of a local coffee shop which just so happens to discover his monitor screen and tv inside his shop are displaying the perspective of one another with a two-minute time difference. what the hell does this mean? our protagonist kato and his friends, can know what will happen two minutes into the future, if they look through that screen.

the first scene this is revealed is honestly one of the most jaw-dropping moments i’ve had in recent memory. two minutes into the movie, kato sees himself on the screen trying to explain himself he’s two minutes into the future. in the span of two minutes, he talks to himself from the future, gives himself advice and tells himself he needs to move to the other screen and do the exact same thing, now from the other side. time is essence here, as it does, in fact, take exactly two minutes for him to utter the same words the previous kato already told him, now from his perspective. through text it might not be as easy to get or understand, but i swear i stopped the movie, rewound, grabbed my phone and started a timer. exactly two minutes.

the movie goes on for another hour coming back and forth between two-minute intervals on characters interacting with their own selves from the future, trying to take advantage of this “cheat” and meeting the reality of the situation. at the same time, as i mentioned, the movie does not show evidence of making a single cut throughout all its runtime. not that big of a surprise, but it’s actually edited to look like a single cut. it is, however, absolutely convincing enough to fool anyone not looking out for it.

throughout the movie we follow a group of 5 trying to mess with time, themselves and the world. they hold a liveliness that’s infectious to anyone watching, and move the plot forward with the questions we’re all having. could we exploit these screens? how far ahead can we look? how can we profit from this? and the consequences that getting over your head can bring. the stakes are never too big, but the final scene is still one of the most climactic resolutions for what could ever happen to a regular guy running his local coffee shop that just so happens to bump into a time travelling television.

simplicity is the key word. the lighting isn't the best which makes the movie look a bit crusty. the colors feel washed out and doesn't give it the clearest look. the set doesn't vary a lot which could make things repetitive and stale. these are all perfectly valid criticisms, if you hate fun, that is. there's always an overlaying charm to everything, in the way these people act, their relationships, the little space they're in; and it feels fully lived in the short time we get to see them, in the single real-time hour we share with them.

there’re two core sides to this story, johnny truant's delusions and ongoing madness over this book he's just found, and the story this book is describing. i honestly fail to understand how people get bored of what mark danielewski has managed to concoct here, as the introduction itself was instantly gripping to me. alike johnny himself, i could not put away house of leaves until i finished it in the span of around 2 weeks. the constant back and forth between the narrators in the story could seem daunting at first, but each one adds so much more to the experience, recontextualizing characters, or scenes, or the entire book in nothing more than a couple of lines (or multiple pages for a single footnote). it's like reading through the ramblings of a crazy man, except you are actually reading through the ramblings of multiple crazy men. ticking away slowly, unveiling whatever could be at the end of the corridor.

as unreliable narrators go, never being sure on what you're reading is real or not is what constantly pushes the mystery into the words. it's what we choose to believe in that can change it all. i distinctly remember the navidson record detailing a comparison between the director of a movie called "la belle niçoise et le beau chien" and the character we've been following, will navidson. this seemingly real film, is in fact, not real. nothing more than a fabrication. layers upon layers of commentary, description, analysis and characterization forever shifting with the things we say, write and read, may all be not much more than a lie. the power of words is not to be underestimated. it is in fact the words and how they're used what make this book what it is. be it the decision to give the word house a tint of blue, purposely leaving things vague when it's most important, or driving off into completely unrelated tangents about debatably irrelevant topics. you may gather all the clues you want, yet the authenticity of the events are for you to decide. the line between reality and fiction warps the more you go and it may as well keep expanding the further you walk down those stairs.

1/4" can make the whole difference. the house represents many things. fear, uncertainty, secrecy, anxiety, suffering, peace, obsession, trauma. what goes in, may not ever leave, and what's outside, may not ever know. there's an overarching feeling of passion behind the actions the characters take. it's human nature to be curious, to solve the mysteries presented to us and to want to fix things with our own two hands. but what might look small, could very well be a lot bigger on the inside. more than you could've ever expected. "Passion has little to do with euphoria and everything to do with patience. It is not about feeling good. It is about endurance. Like patience, passion comes from the same Latin root: pati. It does not mean to flow with exuberance. It means to suffer."

there is a paragraph that i will not ever forget about, that i believe perfectly exemplifies the feeling of uncertainty of the unknown, not being in control and carrying the dread behind you:

"To get a better idea try this: focus on these words, and whatever you do don’t let your eyes wander past the perimeter of this page. Now imagine just beyond your peripheral vision, maybe behind you, maybe to the side of you, maybe even in front of you, but right where you can’t see it, something is quietly closing in on you, so quiet in fact you can only hear it as silence. Find those pockets without sound. That’s where it is. Right at this moment. But don’t look. Keep your eyes here. Now take a deep breath. Go ahead take an even deeper one. Only this time as you start to exhale try to imagine how fast it will happen, how hard it’s gonna hit you, how many times it will stab your jugular with its teeth or are they nails?, don’t worry, that particular detail doesn’t matter, because before you have time to even process that you should be moving, you should be running, you should at the very least be flinging up your arms—you sure as hell should be getting rid of this book—you won’t have time to even scream. Don’t look. I didn’t. Of course I looked. I looked so fucking fast I should of ended up wearing one of those neck braces for whiplash."

it has been argued house of leaves is a love story. i see it, and people have agreed as well, more as a story about love. family love, unrequited love, friendly love, love for small and big things, love for those and that you care about the most. the love that drives us forward to do what we do. granted it's mostly just semantics than a difference in genre, but it gives it a different meaning to me. the way words change how we perceive what surround us.

there’re three main "rehearsals" in the show, but they all manage to give us a different experience on this concept and tackle a different issue at hand. "i've been lying to my friend for 10 years", "i need my brother to understand my girlfriend isn’t a liar" and "i want to know what it's like to be a parent". these are fairly simple problems anyone could have, but it's the characters we come across that make it a bigger deal than it should be. these are just people. annoying ones? sure. racist? yep. unhealthily religious? oh boy. yet nathan likes to explore that, he's never the one taking over their decisions (most of the time), he lets people be people, and, in turn, show their most honest sides.

this "hands off" approach works to the benefit of the show as in the end, nothing feels tacked in or unrealistic. the things these people do or say will make you groan just as it would for any acquaintance you might know or meet for the first time. surely, we're still talking about a documentary (or docu-medy) so who's to say it couldn't all be actors. don't really think it matters though, as the rehearsal is all about acting as who you want to be. just probably don't follow "the fielder method" unless you're allowed to i suppose.

after all, we're talking about nathan fielder, a guy that keeps a response flowchart for his phone calls. the guy that reenacts situations he's already been in to understand how people perceive him, and how they feel. i'm no medical professional, but fielder portrays aspects of autism that you don't usually see in television that much. there's always a sense of anxiety to whatever he does, as if he doesn't ever really know what to do with the people around him. not to say he doesn't try his best, he's definitely a competent individual, he simply gives off that vibe. he's caring and understanding, and it shows on the later episodes of the show.

it may seem at first glance that the rehearsal is just about planning out the future, but it tackles multiple things at once. seeking acceptance from others, understanding social ques, not understanding them, overthinking what we do and giving up before trying; as some of the main actions we could take in life. all going alongside concepts of acceptance (and not accepting others), people portraying different versions of themselves, some touches of racism and politics, egocentrism and obsessiveness over your principles (specially related to religion), the television and movie industry and its use of child actors, and the idea that's present the most throughout its runtime, parenthood.

being a parent must be tough, and jumping into something so life changing is a challenge of its own. a single mistake could ruin your child's entire life, yet humans are mistake machines, so how to avoid this? the search for answers sometimes doesn't work to your favor either, as nathan ends up showing us. without delving into too many details as it's better to experience on your own, the last 2 episodes are simply heartbreaking pieces of content. although ending in a seemingly positive manner, you always do wonder "what could have i done different?", when perhaps the best answer may as well be tackling things head on. or not? who knows? that’s what the rehearsal is for.

i'm definitely a victim of my own delusions at times, as many of us can be. thinking too far ahead and wishing there could be a retry button in case things go bad. if we could all just have a flowchart that considers every possible scenario, maybe we could be better. maybe things could be easier, but everything has a double-edged sword.

as it turns out as a younger-ish boy i had only seen up to season 4, with a few extra episodes here and there. this means the lich was definitely a thing, but that’s kinda where it ended. re-experiencing the episodes i knew so well was definitely more fun than i was expecting. most i know by memory already, others lowkey tried gaslighting me into thinking they were different from how i remembered. so that HBO thing? you can look it up on reddit and go into detail but in general terms, some of them are kind of a mess with how they’ve been edited and censored. i believe a bunch might just be from the tv versions in some countries? but i clearly remember watching them so...

usually there’s a couple of things they want to avoid: butt stuff (so some fart jokes and grabbing-things-with-butt scenes), stuff that’s kind of gross, things like ripping off the lich's face off, deaths (?) and other extremely specific stuff. at times you will get scenes cut off that you don’t realize (ill mention one in a minute) and others that simply cut off in the middle of dialogue or battle to jump into something else. in 2023 i don’t even think this is that excusable.

two episodes stood out as a sore thumb to me. "storytelling" the 5th episode of s2, and "princess cookie" on s4 episode 13. ill refrain from explaining the entire episodes but first one has this scene where our titular "mrs cow" makes her first appearance. as she is instructed to do, she removes the bag since she also is beautiful as everyone else, only to turn out she should put it back on. pretty funny stuff, especially for a 13 year old. this little gag is completely removed. poof. gone. i almost shit myself i thought i was going crazy. i’ve been a fan of calling random shit i’m lying about part of the mandela effect now but it genuinely felt like that.

second episode is one of a tragic story, of a tragic cookie. putting aside the fact i think a he/him cookie wanting to become a princess is fucking awesome, this one just sucks. at the literal climax of the episode (spoilers!!) as they are in the middle of the exchange the episode just randomly cuts off to the following scene with princess cookie in the floor, shattered. extremely jarring. and you don’t even get to see the most important part of the episode! goddammit.

either way i could go on details like this forever but it’s mostly just a gripe i had as i watched with HBO than the show itself, as i was actually having a lot of fun as, in the end, it’s the characters that make adventure time what it is.

finn and jake are characters that are very easy to endear yourself to. i feel they’re generally the simplest ones from the cast, but that’s what makes them most malleable. they’re likable dudes, bros for life. do you not wish to have someone that will follow you to the end of the world? in life and even death? nothing can break these two. distant lands' "together again" is probably one of my favorite episodes. it was 200 episodes ago that jake established their special signal to find each other again once they’re dead, and real bros don’t forget. it’s a beautiful episode that completely wraps up these two in the best way they could’ve done.

ice king is someone i would have never been able to appreciate when i was younger. maybe for the first couple of seasons yeah okay he’s an unlikeable prick, but man. simon petrikov is such a tragedy of a man. forced to live in his delusions for the rest of his life, unable to remember his loved ones, or to be loved. forever obsessed with finding those who are important to him, without the means to do so. i gotta say, i never put two and two together before getting around watching the entire thing - but fucking tom kenny? what a legend.

alongside ice king comes marceline, and what is there not to love about marceline. she carries such a teenage angst with her that feels so passionate. every song with her is a blast to listen. "woke up" from obsidian in distant lands has to be my favorite. "i'm just your problem" is up there in the classics and how to forget the fries song. living for 1000 years has to fuck you up so bad man. she carries such weight after so long. saving people, losing them, making friends, losing them. "i remember you" from season 4 is such an emotional episode i’m pretty sure i cried watching it. every single marcie / simon flashback holds so much importance to both characters, as well as the world itself. i’m always a sucker for father & daughter stories and these episodes hit a really special spot.

with marceline, comes princess bubblegum, which i have to say is probably my favorite character in the show. your honor, she’s silly. bubblegum (fucking bonnibel? really?) shares this aspect of essentially living for 1000 years, eventually needing to put things behind. main difference with her is the fact, you know, she’s made out of candy, and candy people don’t exactly die of old age as far as i know. however, being in the spot she is, she holds great responsibilities she sometimes feels she needs to deal all on her own. she is actually such a fucked up individual, messing with people emotionally (and specially finn) just for the sake of it, and sometimes showing her apathy for people. she’s dedicated to a fault, often ignoring other's feelings or beliefs. sometimes for the better, but also for the worse. one thing that remains with me for sure is the simple fact that she’s just adorable, and i’m a big fan of them giving her different outfits and hairstyles as much as possible, which is exactly why i present my tier list of bubblegum outfits & hairstyles:

the ones that didn’t make it in are either irrelevant, spoilers or forgot about. why not marceline? because everything she puts on is a banger. extra special mention to "the star". what a fucking queen.

the last tier list will be for every character in the show in no particular order, because i need to make my opinions permanent:

except i lied obviously it’s not every character. the ones that didn’t make it in i either don’t care about enough or are so minor i don’t even have an opinion on them (or i forgot).

s tier is the people i couldn’t have put anywhere else, they just go there by default. prismo is awesome too so he goes in.

for a tier i feel the only two i need to specify about are doctor princess, which i just find really funny, and huntress wizard, which i actually like a lot. i feel she was definitely the one that would’ve been best to end up together with finn.

b tier are cool characters, i like them enough that i think about them often or have something about them that really stood out to me. james baxter actually being a mispronunciation of "games bookstore" is really fucking funny.

c has all the pups because i like them :), abraham lincoln is also really funny. martin i think i could put lower, but simply because he’s relevant to the plot he goes here. i never liked finn insisting to call him his dad when he’s such a shit person.

d is filled with weirdos that have something about them that may make them stand out a little bit more or maybe had a scene or episode that was cool. i don’t like LSP at all, but she’s the like third most important princess so yeah that’s fine, i guess.

f is filled with people i don’t give a shit about. a bit crazy how most of the princesses end up being completely irrelevant. you lost to a fire dog slime princess, how does that feel.

with that out of the way, what i want to finish off is the general plot progression of the show. there’s something really special about adventure time that i’m not too sure other cartoons do the same way. it manages to hold such a consistency throughout its run time that’s almost impressive. besides the first season where tree trunks dies on episode 4 only to reappear later on and only bring up the fact she’s "gone" on season 2, the show always makes sure to reuse characters, keep them around and stay true to its own timeline. there’s a context in this world, stuff has happened already, and things will continue to change. it might take some time to get the answers to your questions, but you will get them eventually. the past is already set in stone and the future is already on its way to happen.

most characters will make at least a second appearance at some point, and a lot of them even become more relevant for that episode, which i find really cool. no stone is left unturned and it shows that this world is fully lived in.

it was a bit hard for me to nail down what i believe the theme of adventure time is, what it all means in the end really. because no, "going on adventures is fun" is not it. it definitely is fun don’t get me wrong, its episodic in nature and most episodes end up working on their own, but is there more to it than just bros having fun? my take on it (i haven’t looked it up so no clue what other people think or even the creators) is the passage of time, and growing up.

the most relevant characters are the ones that have been around for centuries, the ones that have seen the world change and that have changed it themselves. generations move by and time keeps going. jake has a family, a new generation that will follow him. finn doesn’t have anything because he died a virgin but still, the humans are and will be around after so many years.