Manny Jacinto photographed by Jonny Marlow for Flaunt Magazine.
I'd rather be in outer space đ¸
RMH
tumblr dot com

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KIROKAZE
hello vonnie

Origami Around
DEAR READER
Stranger Things
wallacepolsom
noise dept.

Sade Olutola
he wasn't even looking at me and he found me

#extradirty
Lint Roller? I Barely Know Her

Love Begins
One Nice Bug Per Day
TVSTRANGERTHINGS

romaâ

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@dennen-jeans
Manny Jacinto photographed by Jonny Marlow for Flaunt Magazine.

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I donât think any piece of art has ever emotionally affected me the way this robot arm piece has affected me. Itâs called âCanât Help Myselfâ and itâs a robot arm thatâs programmed to clean up the fluid thatâs constantly leaking out of itself, that looked like a never ending flow of blood. It has programmed dance moves to make it appear to have human gestures. And at first, it seemed happy and proud of its job, dancing around when it had visitors. But three years later, it looks tired, hopeless, and like itâs living in a never ending cycle of constantly trying to put itself back together for the entertainment of other people. And when I found out that it had finally stopped working in 2019, essentially dying, I couldnât help but imagine the relief it mustâve felt and so Iâve been in here crying over a robot arm. 𼺠It was programmed this way, it truly couldnât help itself. And no one ever helped him, they just watched.
In this work commissioned for the Guggenheim Museum, Sun Yuan & Peng Yu employ an industrial robot, visual-recognition sensors, and software systems to examine our increasingly automated global reality, one in which territories are controlled mechanically and the relationship between people and machines is rapidly changing. Placed behind clear acrylic walls, their robot has one specific duty, to contain a viscous, deep-red liquid within a predetermined area. When the sensors detect that the fluid has strayed too far, the arm frenetically shovels it back into place, leaving smudges on the ground and splashes on the surrounding walls.
Sun Yuan & Peng Yu are known for using dark humor to address contentious topics, and the robotâs endless, repetitive dance presents an absurd, Sisyphean view of contemporary issues surrounding migration and sovereignty. However, the bloodstain-like marks that accumulate around it evoke the violence that results from surveilling and guarding border zones. Such visceral associations call attention to the consequences of authoritarianism guided by certain political agendas that seek to draw more borders between places and cultures and to the increasing use of technology to monitor our environment.
this really is one of my favorite modern art pieces and you cannot do it justice without a video. the speed and manner in which it moves is captivating
yes I'm at Wendy's yes my cunt is out
they ain't the only bitch with a juicy $4 baconator
tinashe photographed by jonathan weiner for notion magazine, august 2021.
This Tik Tok exudes so much chaotic energy and I can't stop watching it

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@creatorsofcolornet event 1: idols âł Power is not given to you, you have to take it. âBEYONCĂ (insp)
Shy Girl by Aidan Zamiri for Missy Magazine
Anya Taylor Joy in this green dress ... so true
Chloe X Halle, Ungodly Hour VMA performance

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8ěě íŹëŚŹě¤ë§ě¤
Rihanna for Savage x Fenty Valentine's Collection (2021)
âI only really do this for like, the queers, the girls, and non-binaries, thatâs all I care about.â â Rina Sawayama on never compromising her values or sound
I paint my kittyđ
Bend over, boy!
DEVON AOKI in 2 Fast 2 Furious (2003) dir. John Singleton

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From Olympus
Photo: Ana MartinezÂ
Styling and Creative Direction: Mario Ville (Kattaca)Â
Makeup design and make up artist: Lewis Amarante for Kryolan and Pankr0Â
Makeup and hairdressing: Sergio JimĂŠnezÂ
Models: Ricardo Nkosi, Mary Ruiz, Lewis Amarante, Aya Gueye, Juana Mum, Karina Soro, Ruben Buika, Virginia Buika, Isabella Menam, Oliver Lewis, Megane Mercury, Mendes Vieira, Claudia Duharte, Taylor Oscar Ruiz, David Durrant, Marina Gomes, Oscar Chibuike, Guille Gibbs, Lil Bambina, Elian Coiscou and Tigi.
JUSTICE FOR CASEY GOODSON
On December 4th, 2020, Casey Christian Goodson Jr. (23 years old) was shot three times in the back and murdered by a Sheriffâs Deputy as he was entering his home in Columbus, Ohio. Goodsonâs family stated that he was returning home from a dentist appointment, holding a Subway sandwich, his face mask, and his keys, when he was shot.
Two days later, the Columbus Police Department made a statement alleging that James Meade, the deputy responsible for Goodsonâs death, saw a man believed to be Goodson with a gun while driving. Meade then approached Goodson after he exited his car and walked home, where he was shot.
Hours after the shooting, the US Marshal for the Southern District of Ohio, Peter Tobin, confirmed that Goodson was not the fugitive they were searching for. However, Tobin also added that he believed that the shooting was justified, claiming that Goodson was shot after he refused to drop his âweapon.â
Yet another Black man murdered by the police.
DEMAND JUSTICE.
art credit: @alex.albadree on instagram
graphics credit: @worldawarenessassociation on instagram