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@dellanir
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Been thinking about saphira's cringe teenage crush on glaedr and how her feelings must have slipped through the bond with eragon... The idea of him having magical-dragon-bond induced thoughts about oromis was too intrusive to ignore LMFAOOO
Art by Art by Andrea Calisi
Thorn /Saphira is such a good ship
and i'm extremely happy paolini thinks so too
—Christopher Paolini in an interview with Mike Macauley
I’m all for #givesaphiraaharem while Murtagh and Eragon remain bitchless (gender neutral)! The potential for the dragons to be smashing nasty while their humans remain codependent, enmeshed, and romantically unfulfilled is delicious (Murtagh refused to speak to Saphira for a week when she offers unsolicited love advice) . Their dragons dating would keep putting these boys in Situations. They’d try to reverse Parent Trap the couple lmfao
ADDITIONALLY, Saphira has a *errm* history of aggressive flirting. The combination of her ramming Thorn with her snoot while going “lmfao, ur such a dork” while he looks into the abyss with a 1000 yard stare bc of flashbacks is INTERESTING!! Imagine the angst due to miscommunication and navigating boundaries before the dynamic of a draconic girlfriend saying, “My mate is showing off his hoard and you better be nice 👹” (Thorn shows off two very average boulders)
and Glaedr’s Eldunari would be in the background “~aM i A jOkE t0 yOu ?~
it’s the forbidden love, secret romance, enemies to lovers, misunderstood love interest, jock x nerd tropes all in one!! Thank you did listening to my Thophira TED talk 💕
was doing some research on dragons laying down
(eragon is doing taxes or some boring adult shit like that)

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If Eragon doesn't keep his ADHD-esque tendencies in future depictions I will cry.
Thorn /Saphira is such a good ship
and i'm extremely happy paolini thinks so too
—Christopher Paolini in an interview with Mike Macauley
I like how Eragon and Murtagh both decided to completely ignore the fact that Murtagh kinda tried to kill Eragon in the throne room
Eragon would be so completely devastated when another danger hits Alagaësia, when the peace he tried to keep shatters and he realizes that he failed
He would blame only himself for this, even if it won't be his fault, he would still think of it as of his own. When he witnesses more deaths, more destruction, he would consider that as his own failure, loss. Because he knows that he is almost as powerful as a god, with Eldunarya, with the Name of Names and Riders who could help him, yet with all these, he won't be able to save everyone
Honestly The Inheritance Cycle does have some really fucking cool worldbuilding concepts, even if the series fell short in a lot of ways. It's a very fun world to play around in.

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Truest thing ever unfortunately
imo you get the most out of engaging with media when you strike a balance between treating characters as people (reading interiority into their actions, considering the effect of various aspects of their identity, etc etc) and as vehicles for storytelling (what narrative purpose do they serve, how do their actions and personality function to convey the themes of the work, etc etc). because of course characters are literary devices but also there’s a reason we use literary devices written to embody realistic people in order to tell stories
Dragonflight by Anne McCaffrey (Dragonriders of Pern #1)
Daeron is stalwart. Clever. As adept with his lute as he is with a sword. And a feature in the fancies of many a young lady, I'll wager. He's kind.
HOUSE OF THE DRAGON S03E04 — “Tumbleton”

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tessarion hating on ormund
thought about the character too hard