RĂGIS.
And finally, after no small effort on his part, wine still dripping, DegarĂ© gives RĂ©gis the attention he so deserves. RĂ©gis expects near applause for his theatrics, but instead gets a look of such withering intensity radiates off the shorter man that itâs near better. Attention has been drawn plenty to RĂ©gisâ sponsor as of late, but if it were a leash as DegarĂ© suggests, at least RĂ©gis would understand that it was a something meant to be severed or snapped. The dry truth is, Alain hasnât even given him that. No leashes, no restraints. And so RĂ©gis finds himself with something far more welcome, though far less expected - autonomy.Â
âOnly the barkeeps I find nice to look at.â He quips back with ease. âOr the ones I enjoy hearing say my name.âÂ
RĂ©gisâ pursuit of the Mane on behalf of Alain has familiarized him with all the idiosyncrasies of DegarĂ©, or more accurately, it has reminded him of how much of the man he already knows. Aware of it or not, RĂ©gis has haunted DegarĂ© for a lifetime. The Aveline spent a youth with Edith Lambert, an engagement turned sour not in a moment, but a rotten vessel from the start that more or less was left in the sun to decay. Heâd spent that same youth tormenting this bastard brother of his fiancĂ©e as boys do with pinned butterflies. Even now, thereâs no hatred to be spared between them when the meal is measured and divided, and in such a way RĂ©gis has become familiar with the way anger shifts DegarĂ©âs features, how it changes him into something else entirely. Once, Regis left another womanâs necklace on their bureau and Edith has been furious at the sight of it. She left CĂŽte dâOpale for a month on horse, back to House Lambert, in a stormâŠ. and for the life of him RĂ©gis canât remember the way she wore her anger. He doesnât know the way it touches her eyes in the way it touches DegarĂ©s, canât remember the exact manner a frown presses its way into her mouth and her brow. Edith was simply forgettable. DegarĂ© was not. Is not.Â
And perhaps thatâs because DegarĂ© wonât allow himself to be forgotten. Not when he chooses to wield his anger like the knife he cuts through the air (not when he literally brings a knife to a wine fight.) RĂ©gis watches the arc of it with amused interest, till it comes to a quivering halt in front of him, embedded into the wood. Can he find something admirable in the swiftness of the movement? A decision made, a decision carried through. A solid way to live. Laughter bubbles in his throat. He canât understand further damage his own property to prove a point, but he wants to. Alain had recounted his encounter with Lambertâs bastard and how heâd almost returned to tell the tale with two fingers less than which heâd left that morning. RĂ©gis had laughed for ten minutes undeterred. Heâd laughed harder when he learned it wasnât a joke.
And then, DegarĂ© turns around and leaves the knife to RĂ©gis.Â
RĂ©gis is left with a knife.Â
A knife has been placed within RĂ©gisâ reach and he has been left to his own devices, unsupervised.Â
No matter how itâs spun, thereâs no avoiding what a monumentally bad, colossally misinformed decision this is. RĂ©gis raises an eyebrow at the instrument and then at the retreating figure of DegarĂ©. Swift as ever, he snatches it up, jostles it free of the wood, and grips it with his own hand. Heâs not too bad at it really, in fact, knives are the preferred weapon of one RĂ©gis Aveline. It allows him to get personal in a way little else does. Thereâs an art to this - itâs not broadsword nor an axe. Heâd liken it to rapier if he had to, if only because he handles it with a similar elegance and finesse. How this evening wound up here, he doesnât care to dissect. But It truly is something that an evening beginning with the intentions of gathering any new whispers heard of the Widrowem ambassadors can escalate so quickly.Â
To be clear though: RĂ©gis isnât so quick to discard his plans for the evening.
Heâs on his feet in an instant, sweeping his cloak back so it doesnât drag in the wine heâs so considerately splashed all over the floor of the establishment. He catches up to DegarĂ©, practically pounces in the way he grabs him by the arm and holds him, drags him back so their frames slot together, paralleled. If DegarĂ© intends to turn around he canât, lest he come to terms with the knife pinned to the small of his back. RĂ©gis uses his cloak like a curtain to shield it from any wandering gaze. No point in a drunken patron seeing something they shouldnât and deciding this was their night to play hero.Â
And oh, it is not lost on RĂ©gis that DegarĂ© despises this - he can feel the way his touch ripples through the other. After all, what lion wants to discover a knife at their back? Thatâs fine and well, RĂ©gis thinks the time for courtesy is over. He tilts down low, allows the warmth of his breath to brush across the shell for DegarĂ©s ear. It would be easy enough to write off their silhouettes as that of two lovers exchanging a quick whisper, but even with the few kisses RĂ©gis has managed to steal over the years from DegarĂ© there has never been anything tender about them.Â
âSome would say itâs foolish to hand your enemy a weapon and then immediately turn your back on them,â RĂ©gis coos, words soft, only for DegarĂ© to hear. âSo I suppose itâs in your favor that Iâm an honorable man.â That laugh finally bubbles forward. His eyes mark out the path in front of them. There is a paneled hallway in front of them that winds deeper into the Mane, but if RĂ©gis memory serves (and it does), a loose plank opens up into a back room; one of the many secrets of the Mane. The hand on DegarĂ©âs arm grips tighter to cull the storm that threatens to spill over and RĂ©gis pushes them forward. He stands close enough that it wouldnât be difficult to press a kiss to DegarĂ©âs temple. âUnless of course you were hoping for this, mon puce?â RĂ©gis goads with another snicker. He can feel the heat radiate off DegarĂ© even from this distance. âIâd ventured into your little establishment to discuss recent affairs, but Iâm happy to engage in other activities while Iâm here.â His words carry the weight of suggestion, but RĂ©gis canât help but also call attention to the knife at his back once more, as if DegarĂ© could have forgotten, âBut you should know this about me by now DegarĂ©, I donât like to wait.âÂ
He walks the man forward. His theories on Widrowem would fare better under the shadows of the backroom anyway. âAllons-y, DegarĂ©,â He gives him a little poke with the knife. âLetâs see if we can find me another bottle.âÂ
Regis leans forward into DegarĂ©âs back, till they are flush, reaching around him to knock the panel on the wall. It opens like a maw and RĂ©gis ignores all protests. He all but drags the man over the threshold, into the darkness.
Only the barkeeps I find nice to look at. Or the ones I enjoy hearing say my name. Itâs a shameless swipe. Even if it isnât, DegarĂ© takes it as he takes all things from RĂ©gis: as an act of provocation. A guttural sound climbs up his throat.
Theyâve been like this so long, itâs a wonder heâs not grown used to RĂ©gisâ taunts. Further, the fact that heâs not yet accustomed to the smoothness of them, and doesnât rightly know what to do with them, satiny and unshaven, like something with a suede-effect, is cause for more astonishment still. He bridles at the velvet of it, just as he does now, snarling as he turns on his heel, like a swelling hidden somewhere in the muscle. He clenches his jaw; tight. RĂ©gis Aveline has always been really quite capable of drawing his hatred with unpremeditated ease. DegarĂ© has experienced a lifetime of it, intimately acquainted with all its forms: playful tricks, wanton contempt, cruel remarks and entitled demands, grim flirtations, humiliations, the mortifying faux pas in being of low and scant birth. Cheap shots, all of them, sharpened like a blade and pointed at his throat. When they were children, RĂ©gis insisted upon showing his spite as if it were his prerogative, running together, bare-footed, over the pebbles of the seafront. He would take his chin in his hand, jerking it left, right, regarding him in a harsh and frivolous sort of way. He would invite Claude and Edith to pass comment, too, casting their own aspersions on the bastard as if they hadnât done so the moment he passed over their fatherâs threshold, and then RĂ©gis would release him, sneering with something clever and cruel. It was a careless sort of cruelty; the type that was entirely without cause, and entirely without consequence. Ever since, DegarĂ© has always responded by revealing his teeth, as if daring him to put his hands on him, to find out if the wild thing bites. Such is an animalâs instinct: do not all beasts bare their teeth, biting, scratching, when they feel they are being hunted?
Just so. Degaré refuses to give him the satisfaction of having the last word, never relents or gives in, nor cedes to him the power he once held over him in their youth. Back then, he was beholden to men like Régis; forced to play by their rules. Now, they are equals. Bastards both, heirs to nothing.
Now, thatâs only half true. DegarĂ© has no inheritance of his own, has nothing to fall back upon but his name, which is only half his, in truth, but he has forged a birthright of his own. And RĂ©gis, even now, stripped of all the greatness that once made him truly great, still glimmers in the low light like something vulgar. He despises him for that, and he means nothing to him, and DegarĂ© is thinking of how pleased he is to have left him at the table having had the final word, slamming the point of a knife into the wood to illustrate his own⊠when RĂ©gis hoists him back by the arm, pulls him into him with all the force and suddenness of a man going for broke. The movement is so abrupt that, were it not for RĂ©gisâ body, slotted against his, holding him in place, DegarĂ© mightâve fallen headlong.
Thereâs a knife at the small of his back. RĂ©gisâ knife, which had been DegarĂ©âs knife mere moments ago.Â
Well, fuck.Â
RĂ©gis has always wielded the upper hand. Such is the right of patrimony, no? Esteemed heirs make quick work of sorry, pauperised bastards. Whether itâs the point of the knife in his back that causes him to realise this, or itâs in the way that RĂ©gis cants his head to the side, close enough that DegarĂ© can feel every warm breath that passes by his lips, he isnât sure. His entire body goes taut: he clenches his jaw, something sour and sharp pooling at the back of his throat, hands balled into fists at his side. He stares dead ahead. DegarĂ© isnât sure which makes him seize up more: the fact that RĂ©gis has him so entirely at his mercy, completely dispossessed, or the fact that the dog enjoys it so much. Call it intransigence, pride, the bulldog spirit of dignity and years of contempt, heâs compelled to go with the latter. In point of fact, perhaps he has never hated RĂ©gis Aveline so much as he does right now, knife pressed into his back, helpless to turn to meet him. When RĂ©gis murmurs into his ear, barely more audible than a whisper, DegarĂ© feels a shiver thrum through him. Instead of bending to it, however, allowing it to make him yield, he straightens, looks away from his attackerâs eye, blood thrumming hard beneath the flesh. He almost laughs, cruel, beggared by disbelief. It crawls from his mouth like something harsh and throaty, like the edge of a razor. âHonourable?â he near spits, a little louder than RĂ©gisâ whisper, but still conscious of the fact that heâs being held, rather compromisingly, a knifepoint in his own establishment. âOh, Aveline. You wouldnât know what honour was if it ran you through with a fucking sword.â
When RĂ©gis laughs, itâs grim and mirthful. He almost recoils at the sound of it. He titters on about nothing in particular, the blade still poised threateningly at the small of his back, and all that DegarĂ© can think is that RĂ©gisâ laugh might be among the worst sounds heâs ever heard. The bite of it is only severed by more gibes, silky as the first. Unless this was what you were hoping for, mon puce? Against his will, he bristles at it, begins to thresh in RĂ©gisâ grasp, begging releaseâas close as DegarĂ© Lambert has ever come to begging, at leastâhis blood boiling, seething, but RĂ©gis holds fast. Worse still, he tightens his grip. As RĂ©gis pushes the both of them forward, DegarĂ© makes his animus plain, grunting through the struggle.
When Régis leans forward to knock the panel on the wall, their bodies are flush, just for a moment. When Régis leans into him, he instinctively flinches away. At last, the man with the knife finally releases him, and the force with which Degaré bolts from his grasp makes it difficult to determine whether Régis shoves him into the room, or Degaré shoves himself.
Once heâs certain thereâs enough distance between them, he spins ferociously on his heel, shoulders rolled over, greeting his accoster, who leans languidly at the roomâs entrance. DegarĂ© wears a look of convulsion: brows furrowed, every muscle around his mouth clenched, bitter words held tightly at the back of his throat, as if by a noose. âGet your fucking hands off me.â The words are almost a snarl. He straightens his shoulders, then rolls his sleeves up his forearms; a distraction, a way to occupy his hands. âYou touch me again, Aveline, Iâll kill you where you stand. Iâve more than enough tools in here thatâd do the trick.â He chuckles darkly. âIâm not above getting a little creative.â
A pause.
âActually, you know what?â His anger makes no effort to subsist, but he turns his head to the side, considering. âIâd revel in the opportunity. Would make short work of you, too. So by all means,â he motions with his hand, falsely cordial, âGo ahead.â Though they donât sound it, the words are more a warning than an invitation; an effort to demonstrate just how readily heâd cut his throat, or delight in stabbing him in the back. DegarĂ© smiles cruellyâthe sort of smile that isnât a smile at all, not really, but a threat.
He shows his teeth: âWhat do you want?â













