vivian fu.

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izzy's playlists!
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Not today Justin
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"I'm Dorothy Gale from Kansas"

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Cosmic Funnies
he wasn't even looking at me and he found me
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@dearpegasus
vivian fu.

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thoughts unsaid, then forgotten. bas jan ader.
There are eyes everywhere. No blind spot left. But what shall we dream of when everything becomes visible? We’ll dream of being blind.
untitled. ren hang.
to add one meter to an anonymous mountain. zhang huan.

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LEFT FOR DEAD
Like a dead Comanche’ pony It bites the dust. Its dry tongue dragging in the sand And its eyes staring holes in the sky. The sole is torn, worm from miles Of work. Who places these mateless, forlorn Shoes in deserts? Who throws single shoes from Windows of cars to deserted shoulders Of highways? In honor of history and its marches let us Have a closet museum of dropped and discarded Shoes.
Texas, 1966
Bad cinema always goes via the ready-made circuits of the lower brain, violence and sexuality in what is represented, a mixture of gratuitous cruelty and organized stupidity. True cinema reaches another violence, another sexuality which is molecular, non-localizable: L.’s characters, for example, are capsules of static violence, all the more violent for not moving.
cats and watermellons. gabriel orozco.
lauren hillebrandt.
the resolution. sophie calle.

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performance still. mona hatoum.
experimental relationship. pixy yijun liao.
You can read a grid as the intersection of lines across empty space or the aggregation of a whole lot of evenly spaced squares. Absolute interconnection or collective isolation, and you can't see the one without the other. Sometimes the only way to perceive the dream of a complete system is through its gaps, or a fragment slipped in for the whole. The paralyzed mechanics of a model solar system remind us that the desire for omniscient perspective can be fruitless: everyone knows you shouldn't look at the sun if you want to see it.
blue curves. ellsworth kelly.
Viver segundo a minha vontade ou nĂŁo viver: Ă© o que eu quero, Ă© o que quer tambĂ©m o mais santo. Mas, oh!, terei ainda uma vontade? Terei ainda um fim? Um porto para o qual dirigir o meu barco? Um bom vento? Oh!, sĂł aquele que sabe para onde vai sabe tambĂ©m qual Ă© o seu bom vento, qual o vento propĂcio para a sua viagem. Que me ficou? Um coração cansado e atrevido, uma vontade instável, asas de borboleta, uma espinha quebrada. Esta procura da minha casa, Ăł Zaratustra, tu bem o sabes, esta procura foi a minha prova e Ă© ela que me devora. «Onde está a minha casa?» É o que pergunto e procuro, Ă© o que procurei e nĂŁo encontrei. Ă“ eterno «em toda a parte», Ăł eterno «em parte nenhuma», Ăł eterno - em vĂŁo!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
The mirror is, after all, a utopia, since it is a placeless place. In the mirror, I see myself there where I am not, in an unreal, virtual space that opens up behind the surface; I am over there, there where I am not, a sort of shadow that gives my own visibility to myself, that enables me to see myself there where I am absent: such is the utopia of the mirror.
symptom - sea body. kĹŤji enokura.