So this happened recentlyā¦āāšĪæĻ ĻĻονĻĪ¹Ļš
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@dearmrlawrence
So this happened recentlyā¦āāšĪæĻ ĻĻονĻĪ¹Ļš

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Made a fanvid of Hassan/HasĆ”n and Cervantes based on my headcanon that they meet each other again in the modern world (the modern version of Miguel is based on Julio PeƱaās character Roi from Berlin, and the modern version of Hassan is based on Alessandro Borghiās character Massimo from Devils). They will never escape their love for each other, even though sometimes it can be a little toxicš¤
The Captive 2025
touch
You're trembling. Is it because you desire me⦠or fear me?

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narcisos
Alessandro Borghi || El Cautivo (2025) dir. Alejandro AmenƔbar
The Captive by Adonis (tr. Samuel Hazo), from āTransformations of the Loverā
Text ID:
I feel the jailed astonishment of every butterfly that falters in a fluttering of dying wings.

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The Kiss but itās Lawrence & Ali š„¹ š¤²š [tap for HQ]
like my doodles? buy me a coffee ā
Lord Robert Vansittart was a distant cousin of T.E. Lawrence from his father's side (T.E.'s paternal grandmother was Martha Louise Vansittart, the sister of Robert Vansittart who was the grandfather of Lord Robert).
This was not talked about between them, but they met at the Paris Peace conference as Vansittart was working for the Foreign Ministery.
In his memoir "The Mist Procession", Vansittart describes his impressions of T.E.:
āSharp interviews followed with Lawrence, too big for a cherub, too small for an angel, too angry for either. He was awkward company, since his big idea ā which Milner opposed ā was to 'diddle' or "biff' the French out of the Near East despite our pledges. For this he had spurred his overrated Arabs less toward fighting than racing for Damascus. I had really believed that they were in first, only to learn that the Australians bore the brunt. Setting all store by Feisal, not always a reliable ally, Lawrence regarded perfidy to our allies as due to his protĆ©gĆ©s, and looked askance at those concerned in the dirty work of keeping our word. He had probably promised more than could be performed, and dwelled angrily on our ill-faith to 'the Arabs', who had done pretty well for themselves seeing how little they did for others. He felt too big for the pumps in which he entered my office, boasting of having torn off his British decorations. He thought that someone would mind, but the Orders of the Bath and Distinguished Service went on. He was shymaking too when he wore Emir's robes in Paris, but he loved to invest dull days with his gifts and faults, Dichtung und Wahrheit, daring and brusquerie, delicacy and cheek. A host of contradictions made him unlike anyone else. If he was a show-off he had something to show. In an age where Socialism would reduce mankind to 'parity of esteem' from youth up, it is surely pleasant to recall originalities not always pleasing. Lawrence was one of the people whom I was glad to have known and not to have known better. He was an acquaintance not a friend, a relative so distant that we never mentioned the subject. Besides I did not feel at home with his oddities and would not have ventured in those Paris days to invite the impressive little man, so young, so authoritative, to a night on the town. He seemed as hostile to sex as to the French, and his diet might have caused silence in a plush restaurant. 'I can't make him out,' Harold Nicolson repeated. Nor could Lawrence.ā
Phyllis Dalton was robbed of an Oscar for āLawrence of Arabiaā because nobody even entered her name in the competition. Her work was incredible, she designed hundreds and hundreds of costumes, went shopping in bazaars for fabrics, researched every army uniform, even found Allenbyās old tailor and had to make sure every costume was ready in time and in various variants.
Phyllis Dalton died at the age of 99 on 9 January 2025.
"If I fear him, who loves him, how must he fear himself, who hates himself?"
Iāve been reading this book recently and Iād recommend anyone whoās interested in the Middle Eastern theatre of WWI (so essentially any TEL fan) to read it as well when you have a chance. It is the English translation of the selected chapters of five Ottoman memoirs that were not previously available in English, written by five eyewitnesses to those defining events that TEL fans should be familiar with during that period. My favorite is absolutely the selected chapters of Mount of Olives (also known as Zeytindagi in Turkish), written so beautifully by Falih Rıfkı (Atay), who served as Djemal Pashaās personal secretary in Greater Syria and later became one of the most influential journalists and writers in the Turkish Republic. To me, this book provides such an important account of events from the Ottoman perspective that was arguably lacking in my previous study of the period (you donāt have to agree with all the sentiments expressed in these memoirs), and I found Falih Rıfkıās Mount of Olives to be an amazing comparative narrative after reading Seven Pillars of Wisdom. All in all, highly recommend.

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Also had dinner at this lovely spotā¦Where TE used to hang out for coffee when he was at Bovingtonā¦
This is the most beautiful effigy I have ever seen and itās not just because itās TEL.