Arlington Road—
screenplay by Ehren Kruger; directed by Mark Pellington
Though dated at times, it is still thrilling and excellent. Yes.
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Arlington Road—
screenplay by Ehren Kruger; directed by Mark Pellington
Though dated at times, it is still thrilling and excellent. Yes.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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The Lobster—
screenplay by Yorgos Lanthimos, Efthymis Filippou; directed by Yorgos Lanthimos
Yes, though borderline theatrical in style.
The Lady in the Van—
screenplay by Alan Bennett; directed by Nicholas Hytner
It’s nice.
Jason Bourne—
written by: Paul Greengrass, Christopher Rouse; directed by Paul Greengrass
It felt like an action film, it looked like an action film but then it finished and it was a mirage.
The Last Samurai—
screenplay by John Logan, Edward Zwick, Marshall Herskovitz; directed by Edward Zwick
Had low expectations, everyone seemed to say it was terrible. It wasn’t.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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The Curious Case of Benjamin Button—
screenplay by Eric Roth; directed by David Fincher
On second viewing and a few years in between, yeah…maybe the smaller screen helped in focusing away from the visual effects and instead on the story.
Twinsters—
written by: Samantha Futerman; directed by Samantha Futerman, Ryan Miyamoto
Captivating.
Traffic—
screenplay by Stephen Gaghan; directed by Steven Soderbergh
Yes, still—though a tad long.
Awakenings—
screenplay by Steven Zaillian; directed by Penny Marshall
Dated score, and seen too much of De Niro. Otherwise yes, still.
Brokeback Mountain—
screenplay by Larry McMurtry, Diana Ossana; directed by Ang Lee
Maybe not anymore.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Saving Private Ryan—
screenplay by Robert Rodat; directed by Steven Spielberg
Yes, still; for the first sequence and the last; especially the last for the cowardice, it was refreshingly honest…the in-between, kind of Spielbergish in its sentimentality and regurgitated patriotism.
Living on One Dollar—
directed by: Zach Ingrasci, Sean Leonard, Chris Temple
Not what I expected, and crucially first-world guilt with complete disregard for cultural differences. Bla.
Legends of the Fall—
screenplay by Susan Shilliday, William D. Whittliff; directed by Edward Zwick
Fun, always fun, but long.
Deep Web—
written and directed by Alex Winter
Played out similar to the brilliant ‘Making a Murderer.’ Loads to mull over, YES.
The Client—
screenplay by Akiva Goldsman, Robert Getchell; directed by Joel Schumacher
Nah, too gooey for today. Watched it til the end, though.

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All Work All Play—
directed by Patrick Creadon
Didn’t meet my or S.’s expectations. There will be a better documentary about this soon enough, maybe more than one.
The Necessary Death of Charlie Countryman—
screenplay by Matt Drake; directed by Fredrik Bond
I did enjoy this, but there’s a but. S. sounded like-minded.