But he is scared. In fact, heâs now certain that heâs been scared his entire life. Regardless of Dawn of not, fear has been plated in his chest since birth and sure, heâs been given the strength to make sure he outlives that fear, but it never goes away. And now that fear lives in other people, not just his own life. Heâs fearful for Dawn, too.Â
If itâs not his love that gets her killed, it might be Blytheâs, or Twigâs, or anyone else in the goddamn country because Dawnâs a beacon of love and trust and support and he knows it could get her killed.
Because good things donât last here. They either get removed, or they donât stay good forever.
The country has tried before to steal her joy, to steal her warmth. It failed. It failed because even after being ripped from everything, she still gave him everything.Â
Maybe sheâs the most dangerous person in Panem. To love against all odds.
And her kisses feel like small gifts placed upon his face and he canât help the shiver that sends down his spine from her touches. His grip loosens on her and his fingers traces gently down her arm.Â
Her lips are gentle and they put him back together like theyâve always done. At least this time heâs more aware of it.Â
So he picks her up again. Legs around his waist and his arms grasping her tightly. He wont let her fall through now, or ever. In all the flowery metaphors and images from books, he wont let her fall to be some fluffy fiction, or some romantic tragedy. Even as he carried her to his bedroom, heâs going to do everything in his power to make sure between the two of them, sheâll never have to face being broken again.
[one spicy timeskip later]
The otherwise lifeless room feels less empty now, filled by the sounds of their slowing breaths. These living quarters are always beautiful, but it lacks any form of warmth, like most things made by the Capitol. Boring walls and boring tiles and boring furniture. Now it feels different, floors painted by clothes strewn around, sheets wrinkled around them.Â
Dawn won't pretend this fixes anything, but she can't exactly complain about the bliss still buzzing in her veins, melting her limbs into weightless laziness.
She rests her head on the pillow by his, but she stays on her side to look at him, their legs still somewhat tangled up between the sheets. The thought of moving away sounds downright painful, but she still asks, tentative, "do you want to be alone?"
They're no strangers to pillow talk and they're way past the point of kicking each other out of bed as soon as they're done, but still. She knows she has barged in here with no warning, and she knows these are difficult times. She tells herself she won't hold it against him if he wants to be alone, even if it kills her to go.
The thought of being back in her own room is daunting; everything that is to come from the next couple of weeks is. She's terrified of the Capitol now, scared to death that they're watching her every move, waiting to pin the smallest of reaction as rebellion, looking for an excuse to kill some more. And still, she needs so much more strength, knowing she'll have to support her friends as they watch their loved ones train for battle. For murder.
It's overwhelming. It's selfish, but it's easier to stay here, fingertips tracing over a familiar scar on Slate's skin, gaze flickering warmly over his features. She only feels safe here. There's a confession of her fears on the tip of her tongue, and a request that should follow, words that threaten to spill out and that sound a lot like let me stay, for the rest of the day, for the week, for however long we're in this shithole let me at least crawl into bed with you for some rest after the day is done.Â
But she doesn't. She holds it back, and just waits for his answer, because she's never learned to ask things for herself.Â