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Latin text
The Lindisfarne Gospels (Cotton MS Nero D IV) c.715-720, Northumberland.
Writer of the gospel and a lion
The Lindisfarne Gospels (Cotton MS Nero D IV) c.715-720, Northumberland.
Collections of the Cathedral school of Oslo (est. 1153): 15th century history MS, French. This section of the book relates the Fall of Troy (note Hector's decapitated body being dragged around the city behind Achilles' horse).

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PĂŠricopes des Evangiles. Introduites
Enluminure de Robinet Testard, entre 1480 et 1496, AngoulĂŞme, France
Two tailed siren, initial letter. Manuscript from Cadouin Abbey, Archives dĂŠpartementales de la Dordogne, PĂŠrigord digital library, about 1200- 1225 CE. Archives - Ms 165, folio 66.
I love how fantastically weird this image is. Yes, thatâs a fish-legged fish eating a two tailed siren. The P stands for the apostle Paul. More info from the library:
âThis word begins Paul's Epistle to the Romans in this lectionary for ordinary days, a manuscript from Cadouin Abbey. A lectionary is a liturgical book containing the texts to be read during ceremonies (Mass, baptism, etc.)â
While single tailed mermaids are popular in bestiaries, two tailed sirens are arenât as common. Oddly, thereâs a fish with legs eating a fish in this Hebrew manuscript.
Sirens in medieval Christian manuscripts
While single tailed mermaids are popular in marginalia in books in the middle ages, gracing everything from Books of Hours to Psalters, two tailed sirens arenât as common in these texts. Iâm not sure why, but it may have to do with that most two tailed sirens are in common in sculpture, in particular, Romanesque church art, and werenât common as illustrations until the 1400s. Iâve only found a couple examples of two tailed sirens in a bestiary, two examples of them in Hebrew texts, and a handful of examples in Christian texts. Letâs take a look at them.
The first is from a 12th century book about religious law, and has a pair of two tailed sirens in the margins:
Two tailed sirens, 12th century. Princeton, Princeton University Library. MS Garrett 97, fol. 127v. Full post on them here.
The book is âAn incomplete transcription of a constitution of 1251 "Cum in concilio Lugduniensi" by Pope Innocent IVâ according to Princetonâs website.
Our next siren is amazingly weird, and isnât technically marginalia, as sheâs an initial letter:
Two tailed siren, initial letter. Manuscript from Cadouin Abbey, Archives dĂŠpartementales de la Dordogne, PĂŠrigord digital library, about 1200- 1225 CE. Archives - Ms 165, folio 66.
Yes, thatâs a fish-tailed fish eating a two tailed siren. The P stands for the apostle Paul. More info from the library:
âThis word begins Paul's Epistle to the Romans in this lectionary for ordinary days, a manuscript from Cadouin Abbey. A lectionary is a liturgical book containing the texts to be read during ceremonies (Mass, baptism, etc.)â
Our next siren is crowned, in a book called Pontifical de Guillaume Durand, published 1357. Durand was a French liturgical writer, canonist, and bishop.
Pontifical de Guillaume Durand, published 1357. Page 134. Internet Archive.
Our last siren I found on Facebook, and I canât find any info about her:
If anyone knows the source of this image, or has seen more two tailed sirens in medieval manuscripts, please let me know!
For completeness' sake, I'm going to link to my post on mermaids in the Book of Kells, though the mermaids there don't have the traditional fin-to-ear pose like the ones in this post.
deeply obsessed with these guys and the haunted look in their little bunny eyes

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Two tailed siren, initial letter in Psalm 110. Troyes , BM , 0976 Psalter in Latin. Western France, 11th-12th century. The B is for: âBeati immaculati in via, qui ambulant in lege Domini. Beati qui scrutantur..."
I found a source for her :D
Emilia in the rosegarden (Teseida) by Giovanni Boccaccio
Illustrations from Augsburger Wunderzeichenbuch (Augsburg Book of Miracles)
Heinrich Vogtherr the Younger, c. 1550
"PellĂŠas and MĂŠlisande" by Carlos Schwabe, 1892
The Nigredo (Blackening) Stage.
"A skeleton wielding a scythe and arrow stands beneath the Sun eclipsed by the Moon, signifying Nigredo (blackening) phase of death, decay, and transformation. Below, a dying figure representing Mercury lies dying his caduceus abandoned, a black bird pecks at the eyes, reinforcing the corruptive yet necessary dissolution of the old self. Two skulls labelled Salt and Sulphur lie beneath a hollow tree, showing that the foundational elements of the work have perished. In the background, incense rises from a vessel, hinting at purification to come, while a bush with red and white flowers suggests the hidden potential for rebirth. This pivotal moment in the Magnum Opus symbolizes necessary dissolution before the transition to Albedo (whitening) can begin."
Art: Sammlung Alchymistischer Schriften (German MS 3) 18th century, The John Rylands Research Institute and Library
"Dissolution is the First Operation which has to take place in the Art of Alchemy, for the order of Nature requires that the Corpus, Body, or Matter, be changed into Water which is the much spoken of Mercury. The Living Silver dissolves the adjoined pure Sulphur.
This Dissolution is nothing but a killing of the moist with the dry, in fact a Putrefaction, and consequently turns the Matter black."
â Splendor solis; c. 1582, by Salomon Trismosin

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That's my younger sister. She's an excellent huntress
Leipzig, Universitätsbibliothek Leipzig, Cod. mag. 142, c. 1792