ddba 2.04, daredevil and swordsman.

ddba 2.01, bullseye – “you’re welcome.”

“The playbook is pretty well established, so when we were writing this stuff we were like, ‘Here’s what he does.’ The anti-vigilante task force is part of the comics. We built them and costumed them based on the comics. There are a few sequences that were shot a year ago that could be off the news, and it’s weirding all of us out. Stan Lee once said that he wanted to make his comic books a reflection of the world you saw outside your window. Then I also believe that what’s fun about the genre, and definitely fun in working with superheroes, is you’re dealing with huge archetypes, almost mythological characters, and that’s fun writing.”

CHARLIE COX AND KRYSTEN RITTER as daredevil and jessica jones on the set of ‘daredevil: born again’ season two.

“It’s so great to be back, returning to Jessica after three seasons and ‘The Defenders’ and now joining the MCU. I’m so excited to bring back this iconic character, and without giving too much away, there is much more in store for Jessica Jones. This is going to be an incredible season!”

BTS S2 — new look! charlie cox and wilson bethel on the set of ddba.

“Will say there’s a very cool moment at the top of episode 9. All I’m going to say is that it has to do with Bullseye, and it’s a little wink that our directors Justin [Benson] and Aaron [Moorhead] did. And I love them for it.”

bts, spoiler alert!

this devil...

vanessa & matt. ‘you know, it’s been said that keeping secrets can make us sick.’

CHARLIE COX IN THE BLACK DAREDEVIL SUIT + HIS D’S DOUBLE ON THE SET OF ‘DAREDEVIL: BORN AGAIN’ SEASON TWO.

CHARLIE COX AT FAN EXPO CLEVELAND, PHOTOGRAPHED BY @/YOMEANG.

“I feel like it’s opened the door to getting closer to the Frank Castle that I really, really want to portray. They really brought me into the conversation. We really got specific about where Frank is psychologically, where Frank’s at physically. The story that we’ve laid out is, I think, really special. It’s the visceral, psychologically complex, unforgiving, no-holds-barred version of Frank where he’s going to turn his back to the audience. And nothing is easy and all violence has a cost, and we’re going to see that cost. I’m grateful that they’re letting me go to the places that I really want to go. Sometimes you have to be very, very clear with your intentions in this business. You can’t get confused with how much you love something, how much you love playing something, how much you want to do something. You got to make sure you’re serving it. You got to make sure you’re doing justice to the people that believe in it and doing justice to the iterations that have come before you.”