Danielle Koste's Inspiration and Drabble

I still remember when I was a young teen and he was playing a Nirvana song and he stopped it at this one line: “I miss the comfort of being sad”

He told me that when you start to get better, there’s a part of you that misses being sad and that if you start feeling that way you have to be extra extra aware and careful because if you indulge the feeling you’ll go down a self-destructive spiral

And even though that was years and years ago, I think about it all the time. Especially when I’m reading discourse on the idea of getting so attached to mental illness as an identity that you don’t want to improve things because you feel safe in it and don’t know who you are without it

concept: there’s an asexual character in media. they have sex with their partner. their identity isn’t erased because they had sex with their partner.

there is no neutral or innocent choice in art

that is to say, as a writer or artist or filmmaker, you should be considering the meaning of everything you choose to include or exclude.  is there a water glass in the foreground of your shot? why?  you are creating a story from scratch, which means you are defining it by every choice you make, not just the major plot points.

especially in fiction writing or poetry, the author chose to write every single word.  nothing is there “on accident”.  if an author uses a color, they had to choose the color – and they had to chose to tell you the color at all, because they weren’t required to!  when i describe a color of something in my writing, i always think about the choice.  it’s never “just red”.

can analysis sometimes yield things the author didn’t intend? sure.  but (a) the point isn’t about trying to read the author’s mind, so who cares what they intended? and (b) sometimes the author actually does subconsciously weave symbolism into things.

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