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2025 on Tumblr: Trends That Defined the Year
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PUT YOUR BEARD IN MY MOUTH

roma★

oozey mess

Peter Solarz
let's talk about Bridgerton tea, my ask is open
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occasionally subtle

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$LAYYYTER
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d e v o n
Aqua Utopia|海の底で記憶を紡ぐ

pixel skylines

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@dangerousmaybe-blog
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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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I love looking mean & unapproachable & pretending like I have no idea why ppl are intimidated by my aura
Sino Tibetan figure of Tara
Circa 1800 AD to 1900 AD
Dimensions 6″ (15.2cm) high
Medium Gilt Bronze
Origin Tibet
Young boys help stack bricks inside a kiln in Dhading district, Nepal. Despite a national law that bans children under the age of 14 from working, such scenes are commonplace in the country’s brick making industry. A 2012 study estimated that up to 28,000 children are working in brick kilns across Nepal, of whom half are under 14. Kiln owners and the migrant families they employee often say children want to help in their free time, denying that they’re forcing them to work. But Homraj Acharya, a children’s rights activist, says that argument is a slippery slope. “The reason we have zero tolerance is because if you allow some leeway, people will take advantage of it,” he says. “They will push the boundaries.”
Image and caption by Ann Hermes. Nepal, 2016.
For more of Ann’s reporting with journalist Michael Holtz, Fred de Sam Lazaro, and Richard Coolidge visit their project, “Brick by Brick: Reforming South Asia’s Brick Kilns.”

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Quincoces Dragò & Partners - Apartment in Rome [Italy, 2015]
Unidentified Photographer - “Eclipse” - 1929.
Kinfolk

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Raoul Dufy (1877-1953), La Plage de Sainte-Andresse, 1906.
Bernie calling out Hillary’s lies on Twitter simply by quoting her. Beautiful.
Today in Bitch, You Thought…
Someone on Bernie’s media team is a Scorpio I know it
literally no chill and i fucking love it
GOTTTTT EEEEMMMM
If I press my hands in the manner of a prayer, a hitchhiker of the spirit, will I at last arrive?
Yvonne Zipter, from “Manners of the Flesh,” Southern Humanities Review (vol. 49, no. 1, 2015)
I hope so.
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