Organized by session. I’m pretty sure the songs are organized as they appear in the episodes, and, just FYI, I may have missed a song or two from an episode. If I did, comment and I’ll be sure to add it! I also included the movie.
Opening Song (Sessions 1-25): Tank!
Closing Song (Sessions 1-12 and 14-25): The Real Folk Blues
Session 1: Asteroid Blues
Memory
Spokey Dokey
Spike Whistle (ad libbed by Koichi Tamadera)
Felt Tip Pen
Don’t Bother None
Elm
Rush
Road to the West
Session 2: Stray Dog Strut
American Money (Big Shots Intro)
Cat Blues (commercial break)
Want it All Back
Bindy (commericial break)
Bad Dog No Biscuits
Session 3: Honky Tonk Women
Spy
Piano Bar
Slipper Sleaze
Fe
Bindy (commercial break)
Piano Black
Black Coffee
NY Rush
Session 4: Gateway Shuffle
Sax Quartet
March of the Koala
Vitamin B (commercial break)
Encore un Verre
Too Good Too Bad
Piano Bar
Session 5: Ballad of Fallen Angels
Slipper Sleaze
Ave Maria
Waltz for Zizi
Rain (ft. Mai Yamane)
Green Bird
Session 6: Sympathy for the Devil
Digging My Potato
Don’t Bother None
Spokey Dokey
Meteor
Session 7: Heavy Metal Queen
LIVE in Baghdad
Doggy Dog II
Vitamin C
Doggy Dog III
Piano Bar
Session 8: Waltz for Venus
Slipper Sleaze
Felt Tip Pen
Don’t Bother None (Opening)
Farewell Blues (music box)
Odd Ones
Stella by Moor
Session 9: Jamming With Edward
Kabutagani
Egg and I
Cats on Mars
Adieu
Car 24
Session 10: Ganymede Elegy
Cat Blues
The Singing Sea
Forever Broke
Waltz for Zizi
Elm
Session 11: Toys in the Attic
Parts of 23 Hanashi (maybe?)
Waltz of the Flowers (from The Nutcracker)
Session 12: Jupiter Jazz Part I
Running Bull song
Goodnight Julia
Adieu
Session 13: Jupiter Jazz Part II
Goodnight Julia
Space Lion (orgel version)
Words That We Couldn’t Say
Wasteland
Space Lion
Session 14: Bohemian Rhapsody
Doggy Dog
Pot City
Piano Black
Kabutogani
Session 15: My Funny Valentine
Flying Teapot
Slipper Sleaze
Bindy
Session 16: Black Dog Serenade
Farewell Blues
The Real Man
Session 17: Mushroom Samba
Chicken Bone
You Make Me Cool
Give and Take
Mushroom Hunting
Session 18: Speak Like a Child
Adieu
The Egg and I
Session 19: Wild Horses
Forever Broke
Felt Tip Pen
NY Rush
Odd Ones
Session 20: Pierrot Le Fou
Eyeball
Amusement Park
On the Run
Session 21: Boogie-Woogie Feng-Shui
Autumn in Ganymede
Piano Bar I
Watz for Zizi
Session 22: Cowboy Funk
Go Go Cactus Man
Slipper Sleaze
Adieu
Cowboy Bebop: The Movie (Knockin’ on Heaven’s Door)
Ask DNA
Cosmic Dare
Old School Game
Diggin
Musawe
No Money
SF Game Center
Clutch
Time to Know- Be Waltz
Powder
Dijurido
3.14
Hamduche
Is It Real?
Rouya
Fingers
7 Minutes
What Planet is This?
Yo Pumpkin Head
Pushing the Sky
Gotta Knock a Little Harder
No Reply (ft. Steve Conte)
Session 23: Brain Scratch
23 Hanashi
Telephone Shopping
The Egg and You
Session 24: Hard Luck Woman
Papa Plastic
Waltz for Zizi
We Qui Non Coin (short version)
Kawaisou na Faye (High Socks)
Don’t Bother None (long version)
Call Me Call Me
Session 25: The Real Folk Blues Part I
Adieu
Waltz for Zizi
Road to the West
Memory
Session 26: The Real Folk Blues Part II
Adieu
Don’t Bother None (long version)
See You Space Cowboy (Not Final Mix Mountain Root)
Blue (End song)
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Director - Shinichirō Watanabe, Cinematography - Yōichi Ōgami
"No one can draw a clear line between sane and insane. You move that line as you see fit for yourself. No one else can. You'll understand soon... that the one that's insane is this world. Do you want to come with me? The only ones left will be you and me."
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I finished the Netflix Cowboy Bebop series, and I have some thoughts. I probably need the series to marinate a bit more, but these were the things that I took note of in my head as I watched it:
Some Pros
1. The Bebop crew cast had really great chemistry, and the actors embodied their characters really well.
2. I liked the reference to the movie in the first episode and the allusions found throughout the series. They did good on the stained glass window Spike/Vicious moment.
3. I LOVED that they brought back Yoko Kanno and the Seatbelts for the music.
4. I liked that they leaned into the campiness of the series without going too overboard. I could tell they were trying to honor the original series while putting their own stamp on the story.
5. The Pierrot le Fou episode definitely captured the feel of the original episode and was done well. And I liked how they integrated Vicious— it fit.
6. I liked that they added more female characters and cast some male characters with female actors instead.
7. Ein.
Some Cons
1. I didn’t like that Spike’s real(?) name is Fearless. Just no.
2. We see the old men once, but I would have liked to have seen them in as many episodes as possible (unless I missed them). A lot of the fun minor characters were missing…like Cowboy Andy.
3. Some of the music in some scenes felt a little off.
4. The fight choreography wasn’t the best, but it did improve as the series went on.
5. I didn’t like how much they extended Vicious’ and Julia’s characters and stories. I found myself tuning out whenever their scenes came up. Vicious and Julia were whispers from Spike’s past, which is what made them so intriguing and interesting.
5. That ending. Whoever approved that ending…we need to talk.
Neutral
They made Jet an actual father, which fit.
They changed Annie and Gren a bit.
Overall, I don’t think I hated most of it, and I went into watching it with very low expectations and just thinking that it’ll be fun, but there are definitely some glaring changes that left a bad taste in my mouth.
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