Friedrich Hechelmann - Moonlit Night

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Friedrich Hechelmann - Moonlit Night

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Cody Cobb
And yet, and yet … Denying temporal succession, denying the self, denying the astronomical universe, are apparent desperations and secret consolations. Our destiny is not frightful by being unreal; it is frightful because it is irreversible and ironclad. Time is the substance I am made of. Time is a river which sweeps me along. but I am the river; it is a tiger which destroys me, but I am the tiger; it is a fire which consumes me, but I am the fire. The world, unfortunately, is real; I, unfortunately, am Borges.
Jorge Luis Borges, “A New Refutation of Time” (via heteroglossia)
1964
I
Ya no es mágico el mundo. Te han dejado.
Ya no compartirás la clara luna
ni los lentos jardines. Ya no hay una
luna que no sea espejo del pasado,
cristal de soledad, sol de agonías.
Adiós las mutuas manos y las sienes
que acercaba el amor. Hoy sólo tienes
la fiel memoria y los desiertos días.
Nadie pierde (repites vanamente)
sino lo que no tiene y no ha tenido
nunca, pero no basta ser valiente
para aprender el arte del olvido.
Un símbolo, una rosa, te desgarra
y te puede matar una guitarra.
II
Ya no seré feliz. Tal vez no importa.
Hay tantas otras cosas en el mundo;
un instante cualquiera es más profundo
y diverso que el mar. La vida es corta
y aunque las horas son tan largas, una
oscura maravilla nos acecha,
la muerte, ese otro mar, esa otra flecha
que nos libra del sol y de la luna
y del amor. La dicha que me diste
y me quitaste debe ser borrada;
lo que era todo tiene que ser nada.
Sólo que me queda el goce de estar triste,
esa vana costumbre que me inclina
al Sur, a cierta puerta, a cierta esquina.
Jorge Luis Borges

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iconist: Cleon Peterson
I want to know about the things going on in the world, and be an educated participant in society
but psychologically and biologically I can’t live my life to a continuous background chant of “everything is awful, everything is awful, everything is awful,”
and I still don’t really know where the balance is.
Yeah.
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Helen Frankenthaler, Skywriting, 1997
color screenprint
© 2016 Helen Frankenthaler Foundation,Inc. / Artists Rights Society (ARS), New York.
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Natalia Vico
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By Anders Røkkum
More: https://www.facebook.com/AndersRokkum/
We exchanged glances, she in her turn, from the other side of the cafe table, I in mine. I didn’t like her. It was something about her nose, or her eyes, her smile, her way of speaking, her whole face verging onto sheer cheek. Apparently she didn’t like me either. We couldn’t help but look at each other, as if in each of us there were a deeply unpleasant, blind parasite, staring in fascination at its mate, guffawing and laughing, grotesquely in love, leering shamelessly up through our faces as if through a periscope (in spite or precisely because of its blindness). Luckily I managed to keep my mouth shut until I left. Or was it a mistake? It’s this kind of dilemma that gives you the feeling of a life like a little piece of lint in your pocket, unfulfilled, regardless of what you do or fail to do.
— Tor Ulven, from Fortæring (Consumption) trans. mine.

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when susan sontag said: “the aura around each thing. respect it. pause a moment before you grasp something.”
and now we return to...................................
………………… the regularly scheduled
him