Carl Theodor Reiffenstein - Weihnachtsmarkt am Dom (1862)

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@d-earamour
Carl Theodor Reiffenstein - Weihnachtsmarkt am Dom (1862)

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Autochromes of Paris from 1923 by Jules Gervais-Courtellemont, a fascinating photographer for National Geographic, who converted to Islam in 1894, taking some of the earliest known photographs of Mecca.
Rino Stefano Tagliafierro, Untouched.
Time doth transfix the flourish set on youth And delves the parallels in beauty’s brow, Feeds on the rarities of nature’s truth, And nothing stands but for his scythe to mow:
@knittingink’s archive

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Aesthetic || Emilie Autumn
This must register on an Epic Soundtrack level.
First, download the whole album. Then open the first track: 01- Discombombulate. Galvanized, will attempt to raise volume, employ big amplificators and soundwave shot. Block mom’s coming on the left, close the door, now… locking.
Sit down with max volume.
In summary: eargasming, door locked, mom can’t enter, volume at max.
Physical recovery from orgasm: a day. Psychological recovery: a week.
Capacity to hate this music: neutralized.
—Hans Zimmer, ‘The 25 Most Influential Movie Scenes of the Past 25 Years’ (Vanity Fair)

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@boxian
“I don’t think that I accepted that I wasn’t gonna die young until I was 26 or 27. I really don’t think I fully…when I was 14, 15, 16, 17–I mean I knew as sure as I know that I am wearing green shoes that I was going to die before much happened. It was a certainty for me. And I had shaken off the directly suicidal urge by the time I was 21 or 22, but I still was pretty sure I was going to die pretty young, it really felt like an inevitability. It takes a long time to realize no, you’ve changed…if you shared those feelings with people at some point you go, ‘well, I guess we’re going to stick around.’ And it’s a funky thing to admit because there’s a part of your inner younger self that kind of judges you for that.”
John Darnielle fucking me up with the single most relatable thing he’s ever said

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https://springcottage.tumblr.com/post/188372060126