Donna DeMari

if i look back, i am lost

JBB: An Artblog!
Misplaced Lens Cap

★
Sade Olutola

Product Placement
art blog(derogatory)

#extradirty

shark vs the universe
One Nice Bug Per Day
tumblr dot com
Cosimo Galluzzi
we're not kids anymore.
cherry valley forever
i don't do bad sauce passes
ojovivo
Jules of Nature

blake kathryn
Not today Justin
Stranger Things

seen from Germany

seen from Singapore
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seen from Türkiye

seen from Poland

seen from Italy
seen from Türkiye

seen from Türkiye
seen from Romania
seen from Singapore
seen from United States

seen from United Kingdom
seen from United States
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seen from United States

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@currentlythymoss
Donna DeMari

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Jet Swan
in the words of the great Elizabethan wordsmith William Shakespeare, in Hamlet Act IV Scene V, “When sorrows come, they come not single spies, but in battalions.” or, in the words of the great Twitter wordsmith @Horse_ebooks,
this is 1947 Cincinnati Enquirer erasure
please do not forget your smash mouth
The original quote is expressing a “When it rains it pours” sentiment. The rest of these quotes are expressing an “It is always endlessly and unceasingly pouring” sentiment.
These don’t actually mean the same thing.
It’s actually kind of concerning that all of you read a quote saying, “when times are hard they are really hard” and collectively chose to misinterpret that to mean “good times do not exist; pain is unrelenting and eternal.”
it might make sense to stick to like, green + gold + black + white but here's the thing: i love the SMPTE tv bars blanket and the painting lol
a whole vibe
“There’s always something relevant in clichés. If you think about it, every literary genre is a collection of clichés and commonplaces. It’s a system of expectations. The way events unfold in a fairy tale would be unacceptable in a noir novel or a science fiction story. Causal links are, to a great extent, predictable in each one of these genres. They are supposed to be predictable—even in their surprises. This is how we come to accept the reality of these worlds. And it’s so much fun to subvert those assumptions and clichés rather than to simply dismiss them, writing with one’s back turned to tradition. I should also say that these conventions usually have a heavy political load. Whenever something has calcified into a commonplace—as is the case with New York around the years of the boom and the crash—I think there is fascinating work to be done. Additionally, when I looked at the fossilized narratives from that period, I was surprised to find a void at their center: money. Even though, for obvious reasons, money is at the core of the American literature from that period, it remains a taboo—largely unquestioned and unexplored. I was unable to find many novels that talked about wealth and power in ways that were interesting to me. Class? Sure. Exploitation? Absolutely. Money? Not so much. And how bizarre is it that even though money has an almost transcendental quality in our culture it remains comparatively invisible in our literature? There are exceptions, of course—Upton Sinclair, Theodore Dreiser, and John Gaddis, for example, come to mind—but it’s easy to see a disproportion between the outsized role money plays in the American imagination and the marginal presence it has in our canon. Moreover, the novels that brush the issue without fully engaging it tend to reproduce the dynamics of the world they supposedly set out to denounce. Most of those books end up bedazzled by the excess they meant to critique, and they also perpetuate a series of exclusions that have always defined the epic of capital, beginning with the exclusion of women, who have often been erased from narratives of accumulation.”
— Writing Is a Monstrous Act: A Conversation with Hernan Diaz

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enormous documentation
Roland Barthes, A Lover’s Discourse
We Are Lady Parts (2021) dir. Nida Manzoor
“frugal” eating recipes be like
oh its SO EASY, just buy this fifty dollar item for forty-nine dollars off with a coupon that you can’t find and don’t have time to cut out at a store that doesn’t have outlets in rural areas and then you can fill in the rest with odds and ends that are SURELY already taking up space in your kitchen that you totally somehow forgot about! [photo of a table full of perfectly arranged meats and fresh vegetables] this little family secret is SO easy and delicious just looking at it will make you gain ten pounds ;) so make sure pace yourself! this right here should be enough to stock your fridge for the next ten months at LEAST so you don’t have to worry about the hassle of mealtime again for awhile!
you know what website actually has my motherfucking back? myfridgefood, put all three (3) things in ur cabinets into their site & even if it’s some stupid shit like “bread cheese and pickles“ they’ll still throw at least half a dozen Depression Meals™ your way
For my followers!
-FemaleWarrior, She/They
Also try Jack Monroe’s Cooking on a Book Strap. Basically austerity meals Jack made for themselves and their young child when they were living on benefits, everything works out at pence a meal. Sidenote: Jack Monroe is a fantastic queer person and activist and you check them out regardless.
https://cookingonabootstrap.com/
Budget Bytes -
recipes broken down by cost per recipe and per serving, meal plans, meal prep, tips on stocking a pantry and how to freeze food
Do a breathing exercise with me. It’ll calm you down. Four breaths in, four breaths out. Nice and deep.
“See, guys freak out. They hit critical mass and blast nuclear, white-hot anger out over the world like walking flamethrowers. But girls freak in. They absorb the pain and bitterness and keep right on sponging it up until they drown.””
— Laura Wiess, Leftovers (via quoted-books)

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LÉON | Sleep Deprived
Sometimes I think of us, before it all got bad It left me long ago, the kind of love we had
Models Kai Newman, Jasmine Tookes & More for Vogue Spain March 2016
Models: Kai Newman, Jasmine Tookes, Ysaunny Brito, Maria Borges, Herieth Paul, Francine James, Riley Montana.
#NowPlaying What Is Love 2016 by Lost Frequencies
#NowPlaying A Close Friend by James Newton Howard
Sad Eyes by Josh Rouse

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#NowPlaying Creep by Scott Bradlee's Postmodern Jukebox, Haley Reinhart
#NowPlaying Happy by Melissa Polinar