Zarina Hashmi I Went on a Journey III, 1991 Bronze with patina, 10.5 x 5 x 5 in

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Self-Portrait with Hand by his face., 1919, Oskar Kokoschka

glazed ceramic

Detail of Édouard Vuillard’s The Album

Pierre Bonnard

ARNULF RAINER Titelblatt (aus Überdeckungen), 1961.

Re-assembled from the architectonic designs of milk cartons after they were printed on different surfaces, such as knitted wool or shop rags. With minimalist fascination, by the angles and planes of intersection, the cartons are translated into two-dimensional prints and sculpted objects. The removal from the carton’s function for consumption, its transference onto cloth and its three- dimensional reconfiguration out of other material, refers to some sort of intimacy, mythology, and Joseph Beuys-like aesthetic.

Paul Wonner (American, 1920-2008), Door with a Mirror, 1964. Oil on canvas, 123.82 x 81.28 cm

Paul Wonner (American, 1920-2008), White Chair in the Studio, c.1960. Watercolor, gouache and graphite on paper, 45.1 x 30.5 cm.

Paul Wonner (American, 1920-2008), The Tempest, 1969. Casein on paper, 18 x 23 in.

Paul Wonner (American, 1920-2008), Man and Bird, 1968-69. Watercolor and gouache on paper, 58.7 x 45.4 cm.

oil on board, 10” x 15”

Paul Wonner (American, 1920-2008), The Bather, 1959. Oil on canvas, 55 by 50 in. 139.7 by 127 cm

Paul Wonner: Drawing in the Studio (1964) Oil on canvas

Bay Area Figurative Movement

Private Collection .