
ellievsbear
PUT YOUR BEARD IN MY MOUTH
sheepfilms
Not today Justin
Sade Olutola
Jules of Nature
One Nice Bug Per Day
Peter Solarz
let's talk about Bridgerton tea, my ask is open
Sweet Seals For You, Always


Origami Around
DEAR READER
I'd rather be in outer space 🛸
we're not kids anymore.
todays bird

★

⁂
Aqua Utopia|海の底で記憶を紡ぐ
Today's Document
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@cross-ur-heart

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You deserve someone who's sure about you. No sneaky links. No half love. No inconsistency. Someone who says “I love you” & means it with all of their heart, & isn't afraid to love you out loud. Someone who's proud to have you & knows you aren’t perfect but treats you like you are

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RUE & JULES
2.05 Stand Still Like a Hummingbird
Ono no Komachi & Izumi Shikibu, tr. by Jane Hirshfield & Mariko Aratani, The Ink Dark Moon: Love Poems by Ono no Komachi and Izumi Shikibu, Women of the Ancient Court of Japan
“Talking about someone who makes you happy actually makes you happy.”
— Elizabeth Scott, Bloom
“Don’t hurt someone who cares about you like that. You’re not the only person in the world who’s ever been hurt. Don’t be cruel. Don’t go breaking someone else’s heart in the hope that you’ll feel better. Because you won’t.”
— Alison McGhee
Marc Alcock (British, b. Blackpool, England, based San Francisco, CA, USA) - From California Topiary, Photography (Info with each photo)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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insane how like. well idk. and of course. at the end of the day
Richard Siken, from “The Dislocated Room”
ZENDAYA as RUE In Euphoria | 2x05: Stand Still Like the Hummingbird
do you think there is anywhere, in any language, / a word billowing enough / for the pleasure
that fills you, / as the sun / reaches out, / as it warms you
Mary Oliver || The Sun
“As far as words go, ‘crying’ is louder and ‘weeping’ is wetter. When people explain the difference between the two to English-language learners they say that weeping is more formal, can sound archaic in everyday speech. You can hear this in their past tenses—the plainness of ‘cried’, the velvet cloak of ‘wept’. I remember arguing once with a teacher who insisted ‘dreamt’ was incorrect, dreamed the only proper option. She was wrong, of course, in both philological and moral ways, and ever since I’ve felt a peculiar attachment to the t’s of the past: weep, wept, sleep, slept, leave, left. There’s a finality there, a quiet completion, of which ’d’ has never dreamt.”
— Heather Christle, from The Crying Book

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girl who has completely lost the plot