Irene Chou (Zhou Lüyun, 1924-2011) — Heartbeat [ink and colour on xuan paper, hanging scroll, 1980]

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Irene Chou (Zhou Lüyun, 1924-2011) — Heartbeat [ink and colour on xuan paper, hanging scroll, 1980]

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Unknown Chinese Sculptor, Guanyin, Bodhisattva of Compassion, ca. 580 CE - Northern Zhou or early Sui Dynasty, limestone, from The Old Stone Buddha Monastery (Gu Shi-fo Si) near Xi'an, Shanxi Province, China (Museum of Fine Arts, Boston)
Standing Avalokiteshvara, the Bodhisattva of Infinite Compassion, ca. 7th century, Vietnam. This very rare and extraordinary bronze sculpture, found in Vietnam, is strongly dependent stylistically on southwestern Chinese prototypes
Sabre with scabbard (after 1800; 4th quarter of the 18th century)
Type: Sabre with scabbard
Overall length: 89.2 cm
Overall weight: 1825 g
Sabre length: 82.0 cm
Weight (sabre): 775 g
Blade length: 68.3 cm
Blade width: 4.3 cm
Blade curvature: 6.2 cm
Hilt height: 14.1 cm
Crossguard span: 10.6 cm
Scabbard length: 75.7 cm
Weight (scabbard): 1055 g
Origin: Ottoman Empire
Material: silver, gold, steel, coral
Technique: filigree, inlay, forging, engraving
“Line- An Art Study” – Edmund Joseph Sullivan (1922)

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Mask (copper alloy; 26.7 cm [10.5 in] high x 18.4 cm [7.2 in] wide x 14.0 cm [5.5 in] deep) of a bearded man with cap, made by the Yoruba artist Ali Amonikoyi ca. 1910. Born in Nigeria, Amonikoyi later emigrated and was active in present-day Ghana and Togo. He was a master metalworker who developed a technique for imitating Yoruba gelede masks, normally made of wood, in metal. The resulting masks were not used in dance performances, as was typical for their wooden cousins, but rather placed on graves as memorials.
This mask, believed to have been made at Kete Krachi in the Volta region of Ghana, is now in the Arts of Africa Collection of the Brooklyn Museum, New York City, NY, USA. Photo credit: Brooklyn Museum | Wikimedia Commons | Creative Commons Attribution 3.0 Unported
Birth of an idea (c.1920) - Norwood Hodge MacGilvary (1874-1949)
Winter Landscape by Peder Monsted, 1920.
The Abduction of the Sabine Women
Luca Giordano, 1675-1680 Oil on Canvas
Salome with the Head of Saint John the Baptist (1615) by Artemisia Gentileschi

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“Small Horned Owl on Maple Branch under Full Moon” (1832) by Utagawa Hiroshige
Beauty in the Beast's Garden
Artist: Jessie M. King (1875-1949) was a Scottish illustrator. Born into a strict family who disproved of her art as a child, she found solace in the family houskeeper, who become her second mother. She studied at the Glasgow School of Art (1892–1899). She is known for her illustrated children's books. She frequently depicted ethereal "wan haloed knights" and pale ladies draped in stars, influenced by her lifelong belief in fairies. She also designed bookplates, jewellery and fabric, and painted pottery. Jessie was one of the artists known as the Glasgow Girls. She was described in 1927 in the Aberdeen Press and Journal as "the pioneer of batik in Great Britain".
Leonora Carrington The Giantess (The Guardian of the Egg) 1947
“Angel of Death” – Tyra Kleen (1905)

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Remedios Varo (1908-1963) — El Otro Reloj (The Other Clock) [gouache on cardboard, 1957]
鰭崎英朋「蚊帳の前の幽霊」
Eihō Hirezaki, Ghost in Front of a Mosquito Net