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@cronos71
A turtle in Kastellorizo!

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meirl
TRICK OR TREAT (1952)Ā - dir. Jack Hannah

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Meširl
āThe importance of seeing yourself properly represented in games and other pop culture was something I surely thought I understood, at least academically, but itās easy to miss the significance of someone stating āthis means something to meā when you canāt feel it yourself. My conversations with my friends about my reaction to Odyssey made me realize I wasnāt a bystander when it comes to representation in media; I was a part of it. I had been missing something too, but I never put it all together in my head.
I finally understood why I was getting so cheesed at movies getting āthe Greeknessā all muddled up, and I couldnāt help but think of a particular cultural albatross around my neck.
Did you see My Big Fat Greek Wedding? Did you like it?
I didnāt, although Iām not upset if you enjoyed it. It was a film by a Greek writer with the best of intentions, trying to tell a story of growing up Greek in the U.S. Itās meant to be a fun, goofy exaggeration of her experiences, and I remember the Greek community here in New York being thrilled about it for the same reasons Odyssey suddenly excited me so much: representation. It was ostensibly made by Greeks, about Greeks, but it was a farce. I didnāt feel like I was seeing myself or people like me on the screen, and I know many people who felt the same.
And the problem was that the farce is now what people think is true. Windex jokes. Bundt cake. My Big Fat Greek Wedding is the Greek version of how Crocodile Dundee treated Australians.
When these stories hit the mainstream, people outside your culture donāt know which parts are genuine and which bits are fantasy, a joke, or exaggerated. We all want the best elements of our culture to be seen, but thereās nothing wrong with being critical as well. The problem was that My Big Fat Greek Wedding didnāt make fun of anything that felt real; it set up stereotypes and then laughed at them.
Itās not even that Odyssey is incredibly accurate ā I donāt know enough about the time period to say for sure ā itās that it pulls off feeling authentic. The trappings of Greek culture, if not all the details, are handled well and with some measure of respect.
Playing Assassinās Creed Odyssey taught me a few valuable lessons, even if theyāre not about the game. I learned how to better listen when someone says something is important to them, no matter how difficult it is to perceive from my own position. After all, they are telling me itās important because I canāt see it.ā

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By: Fleur |Ā thatgirlfleur
ĪĪĻĻ Ļα ĪĻιĻĪŗĪæĻĪ®Ļ ĻĪæĻ ĪµĪ½Ļνει ĪιĻĻλοακαĻνανία και ĪĻ ĻĻ Ļανία
Episkopi Bridge, connects prefectures ofĀ Aetolia-AcarnaniaĀ & Evrytania
Journeys w/color
Slimming Mask
Article from March 2018
A photo of an old man and his cat taken by an amateur photographer in Athens touched both internet users and an Italian Vogue fashion editor who together have allowed for it to go viral.
The picture shows an elderly man with white hair holding his equally white cat in his hands. The impressive thing is that both look at the camera the same way with almost the same expression.
The snapshot was taken by Victoria Alex, an amateur photographer and writer, in the center of Athens in the early morning hours and has reached the online version of the Italian Vogue.
In her post on Facebook she describes the encounter in a poetic way that adds more sentiment to the already touching picture.
āThe passengers of Athensā midnight buses may be born in June 1921, take a pill for vaginal fibrillation, live in Ampelokipi, read a lot, not recognize the buildings of V. Sofias Avenue, have a cat that looks identical to them. I promised the passenger of X14 bus that I will leave his picture in the mailboxā, is the story that accompanies the picture.

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āWho else could use a hug??
Article from March 2018
A photo of an old man and his cat taken by an amateur photographer in Athens touched both internet users and an Italian Vogue fashion editor who together have allowed for it to go viral.
The picture shows an elderly man with white hair holding his equally white cat in his hands. The impressive thing is that both look at the camera the same way with almost the same expression.
The snapshot was taken by Victoria Alex, an amateur photographer and writer, in the center of Athens in the early morning hours and has reached the online version of the Italian Vogue.
In her post on Facebook she describes the encounter in a poetic way that adds more sentiment to the already touching picture.
āThe passengers of Athensā midnight buses may be born in June 1921, take a pill for vaginal fibrillation, live in Ampelokipi, read a lot, not recognize the buildings of V. Sofias Avenue, have a cat that looks identical to them. I promised the passenger of X14 bus that I will leave his picture in the mailboxā, is the story that accompanies the picture.