Toni Morrison · Uncensored (1998)
PUT YOUR BEARD IN MY MOUTH
taylor price

blake kathryn
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if i look back, i am lost
almost home

oozey mess
hello vonnie
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Origami Around
Color Me Curious
sheepfilms

❣ Chile in a Photography ❣
untitled
NASA
Cookie Run:Kingdom Official!


Jar Jar Binks Fan Club
$LAYYYTER

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@cronicasdelpajaro
Toni Morrison · Uncensored (1998)

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カウボーイビバップ | Cowboy Bebop
Marisol Muro
Fashion girlies ready for the week 🥰
“I will love you if you don’t marry me. I will love you if you marry someone else…and I will love you if you have a child, and I will love you if you have two children, or three children, or even more…and I will love you if you never marry at all, and never have children, and spend your years wishing you had married me after all, and I must say that on late, cold nights I prefer this scenario out of all the scenarios I have mentioned…I will love you even as the world goes on its wicked way.”
— The Beatrice Letters, Lemony Snicket
Ada Bird Petyarre, Awelye, from the portfolio Crossroads 1997

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A Knight of the Seven Kingdoms 1.04
Kim Addonizio, from Wild Nights: New & Selected Poems; “Good Girl”
Armand + hands in his pockets

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Verner Panton, Swimming Pool, 1969
JACOB ANDERSON as Louis de Pointe du Lac
“Much has been made of the fact that Bucky Barnes is one of the few people to recognize the greatness in Steve Rogers before his transformation into Captain America. Much has also been made of the fact that, in The First Avenger, Bucky demonstrably feels conflicted about that transformation. Less noted, however, is how Bucky’s sense of conflict and resentment—and the way he dealt with those feelings—reveals the kind of person he truly is. The narrative motif of the man who can recognize greatness in another but not attain it himself, and who is therefore corrupted by his resentment, is a classic trope. It appears in such literary masterpieces as Dumas’ The Count of Monte Cristo, Melville’s Billy Budd, and Schaefer’s Amadeus. However, the story of Bucky Barnes is one of a man who recognizes a greatness he cannot himself achieve and is not corrupted by that recognition. Unlike the villains of the above-mentioned tales, Bucky Barnes comes to terms with the situation, choosing friendship over envy—and heroism over villainy—something that suggests a greatness within Bucky Barnes that Bucky himself is not aware of. But Steve Rogers, of course, is. Just as Bucky is one of the few people to recognize Steve’s greatness; Steve is one of the few people to recognize Bucky’s. Both of them know each other better than they know themselves, and it is that parallel knowledge that ultimately saves them both.”
— Sara Reads: Pain, Personhood, and Parity: The Depiction of Bucky Barnes in the Marvel Cinematic Universe (via planetaire)
Marcelle Loubchansky (1917-1988) — Untitled [oil on canvas, 1957]
ISABELLA WEI as POSY LI
BRIDGERTON SEASON 4 (2026)

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Japanese market novel covers for vintage cyberpunk by Bruce Sterling, Neal Stephenson and George Alex Effinger.
See more: Japanese Cyberpunk and SciFi Novel Covers at SHELLZINE.NET
The Library - Katy Serra , 2025.
French , b. 1962 -
Oil on canvas , 61 x 46 cm.