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The Black Lives Matter Movement Is Much Older Than You Think

While it would be a mistake to reduce the Black Lives Matter movement to a mere facsimile of the Black Power movement that grew out of the Civil Rights Era, there are similarities between the movements that are difficult to ignore. Moreover, BLM did not emerge from a historical void or somehow as a response to an unprecedented set of circumstances; rather it is a continuation of the work started by organizations such as the Student Nonviolent Coordinating Committee (SNCC) and the Black Panther Party (BPP). By explicitly calling for an end to patterns of racist police brutality, BLM is also continuing the unfinished work of generations of activists like Ida B. Wells-Barnett, Stokely Carmichael, and Huey P. Newton–Men and Women of Color who have bravely spoke truth to power by calling out the racist actions (and strategic inactions) of U.S. law enforcement officials.

For instance, this news documentary, directed by Stanley Nelson, revisits the history of the Black Panther Party, which was founded by Huey P. Newton and Bobby G. Seale in October 1966. As Newton articulates in the clip, the BPP formed as a direct response to the problem of police brutality in Oakland, California, and the panther was chosen as a symbol of the organization because “The panther is a fierce animal, but he will not attack until he is backed into a corner; then he will strike out.” Much like the BLM movement of the current era, soon after its formation the BPP found itself at the vanguard of a larger struggle, which sought to redress a wide array of racial injustices. In only a few short years, local BPP chapters opened all over the country.

Just as the killing of Trayvon Martin, Rekia Boyd, Michael Brown, and countless other young Black men and women has served as a catalyst for the BLM movement, the 1965 Watts Rebellion was cited by Newton and Seale as a catalyst for founding the BPP. For BLM, handheld cameras have proven to be a pivotal tool for igniting a public discussion about racism and racist violence, but people forget that the idea of surveilling the police in order to keep them honest actually grew out of the Watts Rebellion. Following the unrest, the Community Alert Patrol formed and began conducting patrols of police in Black communities. Inspired by this tactic, the BPP organized legally armed groups of Black Panthers to patrol police officers in the performance of their duty. With their firearms in hand, Panthers would stand at a distance and observe the officers during traffic stops in Black neighborhoods.

The story of the BPP cannot be written without reference to the efforts of the FBI under J. Edgar Hoover’s leadership. Hoover successfully portrayed the BPP as a bona fide threat to U.S. national security, which was a gratuitous plank of the FBI’s propaganda platform, particularly given the U.S. involvement in Vietnam. Given this history, it is perhaps unsurprising that the BLM movement also finds itself maligned by U.S. law enforcement officials, but as with Hoover’s allegations against the BPP, the evidence that BLM members want anything more than justice is sorely lacking.

Michelle Maron

The English Cathedral Peter Marlow

Peter Marlow’s photographs depicting all 42 of the cathedrals of the Church of England are to be exhibited inside The Chapel of Christ the Servant at Coventry Cathedral. This is the first time that the work has been displayed in one of the spaces featured in the series, and the first time the project has been exhibited outside of London. The display is a continuation of Coventry Cathedral ’s tradition of, and commitment to, exhibiting work by contemporary British artists.