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I am razor sharp | and double edged | Be careful not to cut yourself | Benihime RP blog written by Euca
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@crimsonprincessbenihime
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I am razor sharp | and double edged | Be careful not to cut yourself | Benihime RP blog written by Euca
Independent | Selective
Canon | Canon Divergent | AU friendly
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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Artwork by 松浦シオリ【11/10 画集『わたしを知らない』発売🐈】
@bucchibi_
Come on, come on, come on, come on Now touch me, babe Can’t you see that I am not afraid? What was that promise that you made?
@crimsonprincessbenihime
@uraharashouten from here
“Of course.” Finding his hands released of their burden, Tessai bows graciously and backs out of her presence, just as one must when attending a princess.
Once having left the room, he turns and moves with purpose in the direction of Ururu’s bedroom. It has been some time since he assisted her with this task; even before she quit the style, she had grown quite capable of doing it herself. Nevertheless, he recalls where she used to keep her bands, and hopes she has not given them away or disposed of them.
He is in luck. He finds them, after exhausting other likely places in her bedroom, in a vanity drawer. With a variety in hand, Tessai returns to where Benihime patiently awaits, and kneels in the doorway to announce himself. “I have returned.” He arises and walks forward to stand at her side.
“I have procured a most colorful assortment, should Hidenka-sama wish to try a more festive look. I do also have several that are plain black.” He holds out his open palm for her to inspect the loops in all their elastic, multicolored glory.
How curious.
She was not aware that these came in such colors. Though, using the colored ones would look quite silly on her.
“The black ones will suffice.”
She extends her free hand to her side, Tessai placing it into her upturned palm with the upmost reverence. She frees a black band from the clear packaging, pausing to expand it between her fingers to test its durability, before handing it to him. Nodding in acknowledgement, he moved to take the elastic, slipping it onto his wrist, before taking the twisted lock of hair from her and securing it in position in 3 swift but gentle loops. He steps back to let her examine his work.
The elastic tugs at the strands of hair, not an overly painful sensation, but enough that she reaches up to loosen the band a bit from her scalp. Using more hair, she obscures the band from view before further spreading out the loop and smoothing out any fly away hairs. Finally, using a small black pin, she tucked the ends of her hair to the central headpiece. She turned her head for a final look in the mirror before being satisfied.
She quickly sections another piece of hair and hands it to him.
“Care to continue?”
Hyōgo Prefecture. Photography by jan69tys

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“Miss Benihime! Miss Benihime!! Trick or treat!!”
'What an adorable costume you have there!"
Nemuri gazed sweetly up at her, her eyes practically sparkling as she held out her pumpkin shaped bucket littered with miscellaneous candy. A pair of ears, expertly fashioned with velvet, perched on top of her head.
Benihime smiles before pulling out an open crate full of candy from behind the counter, totally not the expensive candies Kisuke had ordered the other day that has just arrived, before offering Nemuri a look at the contents.
"Take your pick my dear-"
Karakuri Benihime Kaikuguri[絡繰紅姫攫い潜り]
Karakuri[絡繰]: Mechanical Doll
Benihime[紅姫]: CrimsonPrincess
Kai[攫い]: Abduction/Kidnapping
kuguri[潜り]: Side door/gate
Karakuri isn't a general term, btw. It's a specific kind of traditional Japanese puppet that became popular in Japan in the 1600s. Some were utilized as curiosities that could preform singular and at times complex tasks like serving tea, or writing simple calligraphy, or shooting a bow and arrow at a target. But more relevantly they were used in theater and in parades to act out mythic or other dramatic scenes.
More colloquially it can also refer to a general string puppetry as well, which seems to be what the design here is more referencing. This and the actual bankai both draw on Japanese balljointdolls as an aesthetic, but it should be noted that the more important aspect tying these two types of puppets together is the aspect of control, and not the doll quality itself.
The kuguri bit is also a specific reference to a kind of Japanese architecture, and not just anything fitting the the literal description. The actual etymological root is the character for "concealed"/"hidden"/"quiet" rather than "side." It's probably meant as a play on Urahara's tendency throughout the series to backdoor his way into places he's not supposed to be.
Sakae Madowashi Senkohou[逆廻惑閃光砲]
Sakae[逆廻]: Reverse + Rotation
Madowashi[惑閃]: to bewilder/perplex/puzzle/delude/ mislead/deceive (but also derived from Klesha*) + Flash
Senkohou[光砲]: Light + Cannon
Not that it's been uncommon for Bankai to change names, but it seems odd that this is now the third time from Sakanade[逆撫]: "Reverse+Pet(Irritate)", to Sakashima[逆様]: "Reverse Order," now to Sakae[逆廻]: "Reverse Rotation."
Anyway... this one's a little more straight forward...
*I was gonna try and summarize this myself but the wiki page covers it concisely enough:
Kleshas, in Buddhism, are mental states that cloud the mind and manifest in unwholesome actions. Kleshas include states of mind such as anxiety, fear, anger, jealousy, desire, depression, etc. Contemporary translators use a variety of English words to translate the term kleshas, such as: afflictions, defilements, destructive emotions, disturbing emotions, negative emotions, mind poisons, neurosis etc.
So, a flash of emotional or mental or spiritual disruption inflicted by a cannon blast of literal light. (Not as if it isn't commonly used in other kidou, but it's the same [閃]:"flash" Kubo uses for Cero[虚閃] which feels like it might be relevant to Shinji having his mask on for this.)
On the one hand the more literal take on this is that it's a blast of light that confuses the opponent, but given the rotational motif and directional reversal, in conjunction with the buddhist themes this seems to imply reversing the progress one makes toward enlightenment; a kind of regression of development. And technically that's kind of what the whole hollowization process is, a conflict with the inner self, the opposite of enlightenment.
浦原喜助 (SAFWY) - 絡繰紅姫攫い潜り
Urahara Kisuke (SAFWY) - Karakuri Benihime Kaikuguri
光明院
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Come back to me when you can speak my truth
What paranormal being are you?
The Witch
You took a look at the world you were given and said no, this is not enough. The faces around you are complacent, boring, undeserving. You know the benefits of ambition, of never settling. You have scraped together your power through blood, sweat and tears, and you can be sure that no one will take it away from you. You’ve collected the blueprints to life itself, though they desperately tried to hide from you. You scoff at those who look down at the earth and only see dirt. You know where to dig.
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tagging: anyone who wants to do it lol
“There was a last boss in Sendai.” Text and photography by Dai@m_dada_i
Bone dress made by designer Mie. Photography by Haseo
Shinjuku, Tokyo, at night. Photography by Junya Watanabe

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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cat's cradle with puppet strings. whose hands are those?
Autumn in Kyoto. Photography by Ryoko@ailes5pht