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HENRY EMILY, CAPTAIN.

Takes the place of Grant Curly.

The similarities between Jimmy and Curly / Henry and William’s dynamics was one of the main reasons I even got this idea in the first place. Specifically, listening to the song Brutus was when I really started to see the song as both Jimmy and William, and the rest devolved from there. I’ll go into more detail about that in William’s section.

Henry’s kindness, compassion, and dedication to his craft makes him the perfect candidate for captain of the Ursine. Problem is, he never knows when to stop. He’ll work himself until he passes out, only to wake up at his station and go right back to work. He’s on top of all of his responsibilities as captain, but with all the work on his plate, he doesn’t have as much time to handle the personal issues that seem to be arising among the crew.

Henry isn’t completely sure how he got to the level he’s at now, in all honesty. He was once a simple engineer on an older ship called the Tulpar, before being transferred and promoted to Second in Command. Fazbear Express said something about how he’s “good for morale” and “gets things done”, but they didn’t really account for Henry’s introverted personality. He’d rather hide out in the cockpit handling the controls, but that puts him back into a workaholic cycle that Charlie is working to break him out of. He’s lucky he has a daughter like her, and he’ll never stop saying it to anyone who will listen.

After the crash, Henry’s completely incapacitated. Not much else to say. He can do nothing but tremble and cry in pain, trying and trying to form coherent words and sentences, but it isn’t clear enough to the people around him. He feels more alone there on that medical bed than he has in his entire life. And he can do nothing but watch as everything falls apart.

WILLIAM AFTON, SECOND IN COMMAND.

Takes the place of Jimmy Zare.

Like I said before, I got really inspired to make this crossover by the song Brutus, but that was specifically the connection between Jimmy and William. I knew when I started making the ideas for this that the borderline obsession William has with Henry was a perfect fit here. Just utterly disgusting. I hate him. He should die.

William doesn’t have time to put up any sort of front like we see in the books. He has work to do on the ship, and he plans on getting it done as soon as possible with the highest efficiency possible. He wants to look good. He doesn’t care if he looks like an asshole while doing it. After all, he sees the rest of the crew as more of a burden on him than anything, obstacles dragging him back from reaching his full potential. From climbing to the top of his ladder. And yes, that includes his own children. He sees their presence on board the Ursine as a distraction.

Just like it’s suggested in the game, William and Henry were friends before the events of the story. Childhood friends who relied on each other through thick and thin. They both went into engineering, and William followed in Henry’s footsteps. But he was eager to get ahead, to pave the footsteps his old friend would walk in instead. It didn’t help that Henry always seemed better than him. Henry didn’t even want to become a captain, but there they were, running a god damn ship. William hated it. Hated them. It was so annoying how perfect he was all the damn time.

He doesn’t really care what happened to Henry in the crash. He didn’t make them run into the cockpit as the ship ran straight into an asteroid. That was their own stupid decision, and he had to clean up after their mess. Now that he was captain, just like he wanted, he planned on doing things right. Keeping the crew together. Despite the utterly hopeless situation at hand. It doesn’t help that emotions were never his strong suit.

CHARLOTTE “CHARLIE” EMILY, MEDICAL OFFICER.

Takes the place of Anya Musume.

I don’t know if I want to keep the more serious parts of the character’s story, but I think it’s too important to the plot as a whole to remove it. As someone who’s gone through a similar situation, it was a hard decision to make, but I have to respect the importance of a character’s trauma that makes them who they are.

Like Anya in the game, Charlie did make it to medical school, but never completed it. Her poor mental state combined with the overwhelming workload and the sheer number of years she’d have to be focused on nothing but schooling was too much, and she wasn’t getting the help she needed to keep up. So instead, she dropped out and sent an application to Fazbear Express where her father worked, getting accepted as a field nurse in training. Eventually, she was promoted to medical officer, but without a degree in nursing she was prevented from becoming chief.

Most of the shit she has to do on the Ursine is just scraped knees and the occasional dislocation, all of which she can handle with ease. She’s very confident in her work, and when she first started working on her father’s ship, she wasn’t afraid to show it. But something changed. Slowly, her demeanor shifted, and she lost that lively confidence that made her her. Nobody knew for sure what happened. At least, not at first.

After the crash, Charlie was absolutely distraught. She can barely look at her father when he’s in so much pain, and her job as a nurse is compromised by the rule of not treating family members. Since they have no other nurse or doctor on board, she’s left with the responsibility, but it’s debilitating. She often has panic attacks and break downs in the back corner of the medbay, hiding behind her desk where Henry and the other crew couldn’t see her.

MICHAEL “MIKE” AFTON, ENGINEER.

Takes the place of Swansea Hotard.

When I was deciding who to put in the other character’s places, I instantly thought of Michael and David (the crying child) and the tough love Swansea gives Daisuke in the game. I wanted to take that and make it so Michael is especially cruel to David to try and get the kid to quit. He doesn’t want David to work at this dead end job, stuck the rest of his life in this monotonous lifestyle with little to no time at home on Earth.

Mike is an incredibly hard worker, but he isn’t really sure why. He doesn’t like his job. He never wanted to be a mechanical engineer, and he never wanted to work for Fazbear Express. But when times got especially rough, his father showed up out of nowhere like some kind of stupid white knight and offered to teach Michael everything he knows. With William’s experience, Michael easily got a job with the company afterwards. But he feels indebted to his father for it, which- in the Afton household- is never a good feeling.

After the crash, Henry- who often acted as a sort of father figure for the younger members of the crew- was down for the count, and people were more afraid than ever. Nobody wanted to go to William, so they came to Michael, who tries his best to offer comfort (despite not being very good at it). This is especially true for Charlie, as she relies on him and goes to him to cry, since her father is in no state to worry about her as well as himself. Mike can’t help but feel overwhelmed by the sense of obligation put on his shoulders, but nonetheless, he keeps his head high and stands tall as an anchor for the group. Completely unwavering and stoic. Despite the pain he’s feeling as well.

Tensions between Michael and William are constantly high, and the two definitely don’t get along, just like Jimmy and Swansea in the game. And I can clearly imagine the pure hatred and rage in Michael’s eyes as he screams William’s name and chases him down with the axe. If I were to make this into a fanfic, I’d beat around the bush for most of the story, avoiding Michael calling William “dad” or “father”, at least until the part with Swansea’s/Michael’s monologue. Where he’d end it with the simple line, “Fuck you, dad.”

DAVID AFTON, INTERN ENGINEER.

Takes the place of Daisuke Juarez.

Funny enough, despite sharing the same role in the story- the new kid on the block, the intern who’s still getting his ropes- Daisuke and David couldn’t be any more different. David’s weaker, more timid, usually letting others speak for him and scrambling to hide when feeling in danger in any way. And we all know how Daisuke is. A free spirit with a gentle heart and a smile that can light up a room. Despite their apparent differences though, their stories end the same.

Unlike Daisuke, David’s mother didn’t believe he was a slacker. She thought he was too timid. She thought it would do him good if he put himself out there and got himself a job outside his comfort zone. She actually didn’t want him to get a job anywhere near his father (the two are divorced, and things didn’t end on good terms), but William practically stepped in and insisted that David work under his guidance at Fazbear Express. Ironically enough, William didn’t end up even being the person to train David, it was Michael instead.

After the crash, David didn’t know what to do. He wanted things to go back to normal, but he could barely keep himself from crying every time he passed by the infirmary and heard the captain’s cries of pain. He grows more clingy to Michael and his father as time passes on, rations grow slimmer, and painkillers run low. He’s scared, and he wants to keep the rest of the crew safe like his dad and his brother, but he feels too weak and pathetic to contribute anything.

Of course, David gets stronger throughout the story, and begins to believe in himself more thanks to Mike’s tough love teaching style. But it all leads to him getting manipulated into pushing his limits and going in over his head. We all know what happens in the vents.

FREDDY THE TEDDY, FAZBEAR EXPRESS’ MASCOT.

Takes the place of Polle the Pony.

You’d think there wasn’t much to the silly little mascot of the multibillion dollar industry behind the Ursine and its crew, but little Freddy the Teddy is a reminder of everything the crew stands for. Hard work, dedication, passion for the craft. Every poster around the Ursine reminds the crew that they are only a cog in the machine. And no matter what they do, they can’t escape unless Fazbear Express lets them go.

Luckily for them, Fazbear Express indeed let them go. Let everyone go. Just like that, everyone didn’t have a job. After their last shipment was over, that was it. Donezo. I sure hope that doesn’t cause any tension on board!

I’ll finish this off with a doodle I made to celebrate Henry’s birthday!! At least, my headcanon

I thought it was especially fitting, considering the impact of the captain’s birthday party on the crew. (More specifically the events that transpired and the news that was dumped on the crew with little to no warning. Imagine!!)

I’m literally in love with how I drew all of them so much,,, my favorite part of their designs has to be the tears though, and the symbolism that comes with them

Not only are they color coordinated to the animatronics they possess, there’s also Cassidy.

All I can imagine is her, one day, coming to terms with her death. No longer sad. Just angry.

She opens her eyes, and simply states: “I won’t cry anymore.”

In fact, I never got around to finishing this art of Cassidy, but I feel like it also applies to this quote.

I’ve also made a bunch of doodles that I may or may not clean up in the future? Who knows, I’m tired