Ruins of the Oybin Monastery, Caspar David Friedrich.
Cathedral in winter (1821), Ernst Ferdinand Oehme.
will byers stan first human second
tumblr dot com

pixel skylines

izzy's playlists!
Cosimo Galluzzi
macklin celebrini has autism
One Nice Bug Per Day
DEAR READER
occasionally subtle

#extradirty

if i look back, i am lost
Misplaced Lens Cap

oozey mess
we're not kids anymore.
Xuebing Du
Sweet Seals For You, Always

blake kathryn
Peter Solarz
TVSTRANGERTHINGS
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@creabird
Ruins of the Oybin Monastery, Caspar David Friedrich.
Cathedral in winter (1821), Ernst Ferdinand Oehme.

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Vintage outdoor bookshop spotted in Madrid, Spain.
“Dawns have broken my heart,”
— Arthur Rimbaud, Drunken Boat
A little Gothic Revival cottage

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By Knud Baade.
Pembroke College Chapel, Oxford
Jean-Joseph Benjamin-Constant - Empress Theodora, 1887 (detail), oil on canvas
Throwback to last year at the Louvre when I saw a little girl sitting on the ground looking up to the statue of the goddess Athena. Probably the most Renaissance-like and powerful picture I ever took.
Sculpture of Episteme, symbolizing Science, at the Celsus Library in Ephesus, Anatolia. The third largest library in the ancient world, it was built in honor of a Roman Senator and completed between 114-117 AD. It had the capacity to hold 12,000 scrolls.
Instagram: instagram.com/ancient_archives

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jungkook icons
connections between the humane, the monstrous, and the divine:
1. “Wanna make a monster? Take the parts of yourself that make you uncomfortable–your weaknesses, bad thoughts, vanities, and hungers–and pretend they’re across the room. It’s too ugly to be human. It’s too ugly to be you. Children are afraid of the dark because they have nothing real to work with. Adults are afraid of themselves.” (richard siken, from editor’s pages: black telephone)
2. “Who has not asked himself at some time or other: am I a monster or is this what it means to be a person?” (clarice lispector, the hour of the star)
3. “This beast, this angel is both you and I.” (adrienne rich, from the complete poems: this beast, this angel)
4. “Frankenstein not only gives form to the dialetic of monstrosity itself and raises questions about the pleasures and dangers of textual production, it also demands a rethinking of the entire Gothic genre in terms of who rather than what is the object of terror. By focusing upon the body as the locus of fear, Shelley’s novel suggests that it is people (or at least bodies) who terrify people, not ghosts or gods, devils or monks, windswept castles or labyrinthine monasteries.” (j. halberstam, skin shows: gothic horror and the technology of monsters)
5. “Monsters exist because they are part of the divine plan, and in the horrible features of those same monsters the power of the creator is revealed.” (umberto eco, the name of the rose)
6. “But girls contain multitudes. We are made up of so many odd parts. The reason that the monster in Frankenstein is so memorable is that, when it opens its mouth, out comes the voice of an alienated teenage girl.” (heather o’neill, portrait of the artist as a young corpse)
7. “God should have made girls lethal when he made monsters of men.” (elisabeth hewer, wishing for birds)
8. “I think the devil doesn’t exist, but man has created him, he has created him in his own image and likeness.” (fyodor dostoevsky, the brothers karamazov)
bitches be healing and learning ancient languages
jungkook 190410;; moodboard
𝒍𝒊𝒌𝒆 𝒐𝒓 𝒓𝒆𝒃𝒍𝒐𝒈, 𝒊𝒇 𝒚𝒐𝒖 𝒔𝒂𝒗𝒆

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⠀⠀▬ ᴀɴᴅʀᴏᴍᴇᴅᴀ • ᴛᴀᴇʜʏᴜɴɢ : * ✧ · ゚: ⠀⠀♡ ʟɪᴋᴇ ᴏʀ ʀᴇʙʟᴏɢ ɪғ ʏᴏᴜ ᴜsᴇ/sᴀᴠᴇ。 ⠀⠀♡ ᴘʟᴇᴀsᴇ ᴅᴏ ɴᴏᴛ ʀᴇᴘᴏsᴛ ᴍʏ ᴇᴅɪᴛs。
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