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http://www.debordements.fr/John-Cassavetes

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I suppose what I’m saying is not that the desire for a universal is politically defensible but, more simply, that the desire for a universal
Deleuze et Guattari, Mille Plateaux, Minuit, p. 194-197
The Los Angeles singer-songwriter explains how climate change, absurd comedy, and the Great American Songbook inspired her strangely uplifti

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‘Up-and-coming’ no longer describes Argentine-born Amalia Ulman. Her recent work– a secret Instagram photo series mimicking the online
The multidisciplinary artist on privilege, performance, and her sidekick pigeon, Bob.
Profitons de la concomitance des sorties en salles des Estivants (le 30 janvier) et d'All inclusive (le 13 février) pour reposer la questi
“Whose body is this?”
https://www.bloomberg.com/news/articles/2019-01-30/apple-is-said-to-prep-new-3-d-camera-for-2020-iphones-in-ar-push

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It gave all of us — including Alex Jones, flat-earthers, lizard-people conspiracists, even Rachel Maddow — a new way to see (or not see)
Three recent films interrogate the art, fame, and morals of women performers. They were also all directed by men.
http://curtsiesandhandgrenades.blogspot.com/2018/05/northern-star-on-twin-peaks-sheryl-lee.html?m=1
[Note: This essay is the first in a two-part series on 3D. Part 2, coming soon, will discuss the unexpected peak of 3D as an artistic form.
Stéphane Delorme, « Une France qui se tient sage », Cahiers du Cinéma 751, Janvier 2019.

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Jean-Sébastien Chauvin, « L’académie des séries », Cahiers du Cinéma 750, décembre 2018, pp. 30-31.
Laura Mulvey, “Passing time”, in Death 24x a Second : Stillness and the Moving Image, 2006, pp. 17-32.