The Bone Church. Swipe left. #graveyardgirl #bones #ossuary #kutnahora #thebonechurch (at Sedlec Ossuary)
EXPECTATIONS
let's talk about Bridgerton tea, my ask is open
One Nice Bug Per Day

blake kathryn

Love Begins

titsay

Product Placement
Cosmic Funnies
trying on a metaphor
NASA

gracie abrams

★
I'd rather be in outer space 🛸
untitled
official daine visual archive

PR's Tumblrdome

pixel skylines
Noah Kahan
RMH
$LAYYYTER
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@costumejinx
The Bone Church. Swipe left. #graveyardgirl #bones #ossuary #kutnahora #thebonechurch (at Sedlec Ossuary)

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Please help. This is a fantastic opportunity to help those in need. Dan only needs $150 to reach his goal but we'd love to see it surpass that! If you cannot donate please pass along the word. https://www.extra-life.org/index.cfm?fuseaction=donordrive.participant&participantID=277319 #childrensmiraclenetworkhospitals and donate some 💰for a good cause. #playgameshealkids #charity #children #extralife #gamers #tabletopgaming #videogames #roleplayinggames #civilization #worldofwarcraft #supermario #dungeonsanddragons #celebritieswelove #goodcause #childrenshospitals #fundraising #givingwhereitmatters
Doublet Date:early 1620s Culture:French Medium:silk Credit Line:The Costume Institute Fund, in memory of Polaire Weissman, 1989This extraordinary doublet is one of only two surviving examples of its type from the 1620s. The only other known doublet of this kind is in the collection of the Victoria and Albert Museum in London. Made of luxurious silk embellished with pinking and decorative slits, this doublet followed a fashion that existed barely five years. Pinking, or the intentional slashing of fabric, was a popular decorative technique used to reveal colorful linings, shirts, and chemises. It is possible that this garment was constructed from silk previously pinked for another use as the pattern created does not follow the cut of the garment. #costume #costumehistory #costumedesign #cavalierera #vintagefashion #themetropolitanmuseumofart (at The Metropolitan Museum of Art, New York)
#wyoming skies after a thunderstorm. #nofilter #vsco #iphone (at Wyoming)
Aeon Flux designed by Beatrix Aruna Pasztor. A stunning dystopian world. Thank you. #costume #costumedesign #costumedesigner #film

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An original fashion sketch for a bridal party. #vintage #vintagefashion #bustledress #bustle #costume #costumedesign #costumehistory #costumedesigner
I found this white and yellow rock on my mom's property. I thought, "what if I put a light to it?" It glows!! #rocks #geodes #geology
Wind River Canyon Wyoming #home (at Wind River Canyon Whitewater)
Good job #uhaul our tire had a sheared bearing cap and lug nuts. How Dan drove over Stephen's Pass safely is beyond me. Thank you, #angels (at Flying J Truck Stop)
Evening dress Design House:House of Balenciaga (French, founded 1937) Designer:Cristobal Balenciaga (Spanish, Guetaria, San Sebastian 1895–1972 Javea) Date:1951 Culture:French Medium:silk Credit Line:Gift of Gina Gerardo, 1993. #vintagefashion #costumehistory #themetropolitanmuseumofart #balenciaga #vintagefashion #fashion (at The Metropolitan Museum of Art, New York)

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#themetropolitanmuseumofart #fashion #vintagefashion #costumehistory Round gown Date:ca. 1795 Culture:Italian Medium:silk, linen Credit Line:Purchase, Irene Lewisohn Bequest, 1979 Not on view By the 1790s, the structure of clothing was undergoing dramatic change. This afternoon dress in the form of a round gown steadfastly keeps up appearances and can pass for eighteenth-century opulence, especially in its colors and textile richness. But the high-waisted dress, spencer, corset, and separate sleeves constitute a new anatomy, one that anticipates the century to come. This shape would be renewed in the 1880s and 1890s, as one fin de siècle recapitulated the preceeding fin de siècle. (at The Metropolitan Museum of Art, New York)
#sunset through our windows. One of our last here in Bellingham.
Dinner dress Designer:Alice M. Dunstan (American, active 1892–1926) Date:ca. 1895 Culture:American Medium:silk Credit Line:Purchase, Irene Lewisohn Bequest, 1981. #vintagefashion #costumedesigner #costumehistory #costumedesign #vintagefashion #clothes #themetropolitanmuseumofart (at The Metropolitan Museum of Art, New York)
Prague 2015
Frisian wedding costume that belonged to Isabelle Stinstra; Caraco and silk skirt in brocade, embroidered muslin apron, lace cap, 1782. Head element 1775-1800. Museum of Leeuwarden, Netherlands. #costumedesign #costumedesigner #vintagefashion (at Fries Museum Leeuwarden)

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Tirelli Costumi: costume design for L'innocente by Piero Tosi. Pink silk damask evening dress with floral patterns in silver laminated wire. The comb, sleeves and bow that holds, on the front, skirting the skirt are satin silk shiny and fuchsia. Traine. Setting time: 1890. Costume worn by Jennifer O'Neill. #pierotosi #tirellicostumi #costumedesigner #costumedesign (at Costumi Tirelli)
Tirelli Costumi: Purple silk costume designed by Piero Tosi, made by Sartoria Tirelli in 1972 and worn by Romy Schneider as the Empress Elisabeth of Austria in the Ludwig film by Luchino Visconti. Anthracite camouflage brooch with silver frame. @thewitchofsilenthill #costumedesign #costumedesigner #tirellicostumi #pierotosi