The Caves of Pan
This post is a bit of an accident. My initial idea was not to write about the importance of caves in the worship of Pan. However, I soon realized that in order to write about what I had intended to, I would need to touch upon this topic first. So here we are, what was supposed to be a quick, simple post is now a series. Welcome to part One.
Last time I wrote about Pan I had briefly mentionned the topic. In hindsight, those posts were very flawed, as they were merely reading notes and did not give much context nor nuance.
Pan was indeed worshipped in caves, but he isnât alone there. In fact, he has always shared them with the Nymphs and was actually worshipped alongside them. Â Or, to be precise, the Nymphs shared their caves with him. For the most part, they were there before his cult became increasingly popular after 490 BC.
This turning point is told to us by Herodotus, as Jennifer Larson explains:
âAccording to Herodotus 6.105, the herald and trained runner Philippides was sent to the Spartans and, on his way through Arkadia, was accosted by the goat-footed god, who asked why the Athenians did not honor him, since he had often helped them before and would do so again. Afterward, the Athenians, believing that the Arkadian god had aided them at Marathon, installed Panâs cult in a cave on the north slope of the Akropolis. [âŚ] Once Pan made his entrance, he became exceedingly popular, and he was associated with the nymphs first in Attic caves, then at virtually every Greek nymph cave, with the old sanctuary at Pitsa in the area of Sikyon being a rare exception â
This is where the idea of the cave as Panâs dwelling gets interesting. The Nymphs were worshipped there for a much longer time, which leads us to the fact that in Arcadia, Panâs homeland, his worship was not linked to caves*. Seemingly, the Athenians deemed appropriate to add Pan alongside their pre-existing worship of the Nymphs, in a place that they thought was more adapted to both the wilderness of his native Arkadia and Panâs nature. In Arkadia, however, Pan had his own sanctuaries (and sometimes temples) up in the mountains and was worshipped alone. Now that this is settled, letâs take a closer look at some (3 because otherwise this will be way too long) of those caves.Â
The Phyle Cave on Mount Parnes, Attica
Luckily for us, we have literary sources for this cave through Menanderâs only (surviving) play, Dyskolus, written in the 4th century BC. The plot is set in the cave and gives us a nice description of the kind of ritual and celebrations performed there. Without going in the details of the plot, at some point, the main characterâs mother has a dream sent by Pan. She then decides to plan out a sacrifice to the cave. What we can take from the description of the religious event is that a procession to the cave is organized to bring the sacrificial animal to the shrine. They bring along baskets, cooking ustensils, wine, offerings, torches and rugs. Once there, they play music and sacrifice the animal. They proceed with offering incense, cakes and the parts of the animal that go to Pan. The other part of the meat is cooked and feasted upon by the participants, who rejoice in music and wine. Itâs honestly safe to assume that this description is pretty accurate, as archaeological evidence of worship in the cave have been found.
The Corycian Cave on Mount Parnassus, Delphi
Mount Parnassus is sacred in more ways than one. Â It is precious to Apollo, the Muses and Dionysus but Pan and the Nymphs have their dwelling in the Corycian Cave. Excavations in the cave have indicated that the worship of the Nymphs here predates Panâs, whose presence is first attested by 4th century dedications. During the Classical period, when the Corycian Nymphs were consistently associated with Apollo, the cave is thought to have been an annex to the sanctuary of Delphi, but intended for humbler people who left numerous but cheap offerings. Many of the offerings found were clay objects (vases and figurines), bronze or iron rings and astragaloi (knucklebones used for divination). It is possible that any divination that occurred in the Corycian Cave was for the benefit of rural people who had a greater connection to the Nymphs as a nature deity, just as they were tied to the land to a greater extent than city dwellers. The vases very likely held liquid offerings. Among more specific offerings found there, there was a small marble figurine of Pan and others representing satyrs. Due to its proximity to the sanctuary of Delphi, this cave has attracted pilgrims from various places, probably as far as Illyria.
The Vari Cave, Mount Hymettos, Attica
The Vari cave is truly a beautiful example of what a place of worship to Pan and the Nymphs can be. It was also shared with Apollon. This cave started being used as early as the 6th century BC and has been renovated during the 5th century. It has a staircase, several inscriptions, reliefs and a seated statue. A fragment of a relief depicting Pan is believed to have been placed above his shrine. Surprisingly, he is not shown as a satyr, but in a fully human form. However, he is recognizable by his attributes: a syrinx (panflute) and a lagobolon (hunting stick). The small shrine to Apollo was carved directly out of the rock.
So this was⌠an introductory post. In the next part I will be focusing a lot more on the Vari Cave, since there is much more to say about it, and I will be exploring Panâs relationship with music, sound and noise. When I get there, youâll understand why it was important to set the landscape first.  Still havenât written the next part. Donât know how long itâll take me, hopefully not too long. So stay tuned. Also, no bibliography for now, I will be putting the whole thing in part 2.
*I am aware that this contradicts claims I have made in the first post I made a few months (year?) back. Mistakes happen, and this one now stands corrected.

















