fake deep

Brett Whiteley (1939-1992), A day at Bondi, 1984. etching, black ink on white wove paper, 20 x 18 cm

Buy prints here: society6.com/tylerspangler

Nikon 35ti | Kodak Ultramax 400

National Gallery

Cilantro drawing from the other month 

thank you, light through the window more

jenny holzer × helmut lang

probably the part of my body I love the most

This post-board or mood-board of stills from Deren’s work, assembled by her in 1944, includes stills from Meshes of the Afternoon, Choreography for Camera, At Land, and Ritual in Transfigured Time. A prolific artist, dancer, choreographer, film-maker, Deren embraced the skill-set that came to represent avant-garde American film-making in the post-war period, forming a kind of archetype for the counter culture.

from the ‘lustmord’ series, jenny holzer.

So-called “Devil in the glass”, 1st half of the 17th century, glass, metal, 6.6 x 3.5 cm, Kunsthistorisches Museum Vienna, Austria

ig: xlu.tiff

Andy Warhol: Kiss (1963-64). 16mm film.

from the inhabit manifesto