âHard-hitting, dark, powerful rockâ -Â âFeed the Machineâ Review: Nickelback
For over two decades, Nickelback have carved out a reputation as one of rockâs most divisive bands. For every fan of the four-piece, there is someone else who canât stand them.Â
However, they are one of the most successful bands of all time, selling over 50 million albums worldwide, as well as having several of their singles chart highly in both the UK and US.Â
Three years on from the inspired, impressive âNo Fixed Addressâ, they have returned with âFeed the Machineâ.Â
The Canadian quartet waste no time in bringing us their signature brand of heavy rock, as the album opens with the title track âFeed the Machineâ (9/10)
Daniel Adairâs drums kick off a phenomenal opening cut, joining shortly after by guitarists Ryan Peake and Mike Kroeger, and lead singer/guitarist Chad Kroeger (no relation to Mike).Â
Chadâs vocals are powerful and âgrittyâ as ever, particularly impressing as the band explode into one of their strongest choruses in years, and one that is (almost) impossible to resist.Â
The lyrics are superbly written, and conjure up dark images of dictatorship and conformity with lines such as âNo more questions, get back in line!âÂ
Track two âCoin for the Ferrymanâ (7.5/10) once again turns the volume to the max, but is let down somewhat by lacklustre lyrics - lines such as âbat out of hellâ and âa thousand fairy lightsâ stand out in particular. The bridge is also a âturn offâ, however there are good elements.Â
The band all come together in unison to deliver another raucous melody, and Kroegerâs vocals are especially impressive given his vocal chord surgery only three years ago, shortly after the release of âNo Fixed Addressâ.Â
Next up comes the albumâs undoubted stand-out track âSong on Fireâ (9.5/10). This time the band reign it in a bit to deliver a passionate, heartfelt ballad, which is another style of song they have become known for over their career.Â
The lyrics are thought to refer to Chadâs ex-wife and fellow rocker Avril Lavigne, who he divorced in 2015 after just two years of marriage. However, regardless whether that is the truth or not, it remains a superb song.Â
            âTurn the volume to the maxâÂ
The lyric video for the ballad âSong on Fireâ - all copyrights owned by the band and relevant partiesÂ
The chorus in particular is most definitely a âlighters in the airâ, sing-along moment and you can feel the frontmanâs emotion in each word throughout.Â
Adair, Peake and Kroeger flank him superbly with another catchy, but more subtle melody - it would be no surprise if this became one of their most loved tracks.Â
âMust Be Niceâ (8/10) roars into life with another hard-hitting guitar riff, and one of the most quirky, entertaining songs Iâve ever heard. The verse lyrics name-check a variety of nursery rhyme characters with lines such as âHumpty Dumpty, do your thingâ, âTinker Tailor whatcha got?â and âPretty maids all in a rowâÂ
The chorus is a hard-hitting riposte to someone whose life âis a goddamn fairy taleâ, cleverly linking to the verses. It really shouldnât work as well as it does, but you find yourself singing along to Kroegerâs bizarre wordplay.Â
Track five âAfter the Rainâ (7/10) is just about saved by itâs feel-good, emotive chorus but lacks the quality of the other impressive opening tracks. The verse lyrics are limp, and fail to match the chorus. Kroegerâs vocals are spot-on once more though - say what you will about the 42 year old, he still knows how to bring it.Â
âFor the Riverâ (7/10) is reminiscent of 2011â˛s âHere and Nowâ album with an excellent riff, a focused, âlocked in a cageâ vocal by Chad, and a KO punch of a chorus. The lyrics are solid without being too spectacular, making for a decent album track.Â
âHomeâ (7/10) sees the frontman in a contemplative mood, with lyrics such as âWhen the one to blame is standing in the mirrorâ. However, the track fails to âhit the heightsâ once more, just falling short of being as good as the title track or âSong on Fireâ. The melody and vocals are solid again, an almost constant on the album.Â
âYou find yourself singing along to Kroegerâs bizarre wordplayâÂ
âThe Betrayal - Act IIIâ (8/10) is a fantastically dark track that has a grand, almost cinematic feel to it. It certainly leaves a big impact from the very first listen, with lyrics such as âJealousy behind your maskâ, and âblood on your hands, pawn inside the master planâ echoing the thoughts and feelings behind the title track.Â
Adair drives the four-piece forward through another melody that pulls absolutely no punches and takes no prisoners - one of the strongest on the album.Â
âSilent Majorityâ (9/10) opens up with a catchy, ear-worm riff, for a track that again has Kroeger taking a wise, thoughtful outlook. Opening with lyrics âHow could this affect my life, how could I affect the outcome?â, you immediately get a sense of inner searching by the frontman, as he looks to give hope to the âsilent majorityâ of the title.Â
The chorus is another bombastic, âpedals to the metalâ affair, adding to the impressive catalogue on the album, and by the band previously.Â
It wouldnât be a surprise to see this song released as the fourth single, after âFeed the Machineâ, âSong on Fireâ and âMust Be Niceâ - it has potential to strike a chord.Â
âPulls absolutely no punches and takes no prisonersâÂ
âEvery Time Weâre Togetherâ (7.5/10) is an ode to the past, reflecting on those friends you build life-long relationships with, and when you reunite itâs like nothing has changed. It is sort of similar to âPhotographâ, however it goes for a more immediately catchy, poppier feel. A very solid track indeed - Kroegerâs charismatic vocals supported by another fantastic turn by his fellow bandmates.Â
The album somewhat surprisingly ends with an instrumental âThe Betrayal - Act Iâ, which is nowhere near as dark as the similarly titled earlier track, however it does have a mysterious, grandiose feel to it. A perfectly listenable cut, and a solid finish to the album.Â
Overall, this is a superb effort with Kroeger and co delivering a semi-political album to largely great effect. âFeed the Machineâ and âSilent Majorityâ are undoubtedly the strongest of the tracks covering this theme. âSong on Fireâ ticks the âballad boxâ and is one of their best tracks to date. âThe Betrayal - Act IIIâ is another excellent addition to the Canadiansâ catalogue.Â
However, it is not without fault, and the lyrics can be a let-down on some of the tracks - that would be one area for the band to look at going forward, as they could really deliver a five-star album if these were improved. (3.5/5)
















