Ajax-Farrell's LONE EAGLE barely made room for art, with the logo eating up half the cover.
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@comicsareweird
Ajax-Farrell's LONE EAGLE barely made room for art, with the logo eating up half the cover.

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Wild RED COMET #5 cover, from the UK. 1961
He hasn't a toe.
I think we all know where this is headed.

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They promised Dave no one would ever know he was fucking the dragonflies.
There was surely a DC editor in the mid-sixties determined to prove that replacing a man's head with the right interplanetary object would sell a million copies.
From GRIPS #1 (Silverwolf Comics). 1986.
Tim Vigil art.
RAZOR 0 (London Night Studio) 1991. Everette Hartsoe story and art.
Working like hell to up the ante in the "grim and gritty" stakes. Slightly over the top. Maybe.
As a supplement to the Gus Ricca covers posted earlier, a completely mad Gus Ricca page from RED SEAL COMICS 16 (1946).
An earlier panel from this story was used in Fredric Wertham's anti-comics tract, SEDUCTION OF THE INNOCENT:

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Gus Ricca DYNAMIC COMICS covers. (Chesler Comics) 1944-1946.
Gus Ricca covers, featuring exposed brains, snakes being shot in half and giants wearing hats made out of airplanes.
THEY WERE CHOSEN TO BE SURVIVORS 1-4 (Spectrum Comic Books. 1983.
Spectrum seemed to be a publisher designed to give writer/artist Steve Woron a place to showcase his creations. His sci-fi superhero saga SURVIVORS ran for four issues here, and would pop up here and there over the next few years at a variety of publishers.
Pretty clearly a labor of love for Woron, who still seems to be active, doing serialized fiction "illustrated" with awful AI-generated women on his blog.
Sam Springer covers from MONKEYSHINES COMICS (Ace Magazines), 1944-1946.
Springer's covers presented a strange, slanted perspective, featuring convoluted gags that generally made no sense at all.
Weird.