“Suntrust” (2016) by Shani Crowe

JVL
almost home

blake kathryn
YOU ARE THE REASON
i don't do bad sauce passes

❣ Chile in a Photography ❣
Cosimo Galluzzi
Keni

pixel skylines
sheepfilms
Cosmic Funnies
RMH
TVSTRANGERTHINGS

Andulka

Kiana Khansmith
Xuebing Du
Game of Thrones Daily

"I'm Dorothy Gale from Kansas"

seen from United States

seen from Serbia
seen from United States
seen from Türkiye
seen from Australia
seen from United States
seen from Australia

seen from United States

seen from Singapore
seen from Germany

seen from Indonesia

seen from United States

seen from Malaysia

seen from Canada
seen from United Kingdom

seen from Singapore

seen from United States

seen from United Kingdom

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@columbiamoda
“Suntrust” (2016) by Shani Crowe

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The online version of the Jill Magid’s evidence locker where one can access the video clips after registering on her website.
Hanne Darboven, Kulturgeschichte 1880–1983 [Cultural History 1880–1983], 1980–83 (detail)
‘1978-88′ by Lorna Simpson (1990) owned by MoMA
Gelatin silver print and plastic plaques
Total Picture Control (II) 27 Books 75.2 x 22.9 x 17.1 cm / 29 5/8 x 9 x 6 3/4 in

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Still from Lillian Schwartz’s Pixillation, 1970
Crystal structures composed via microphotography
Permission is a material and changes the work’s consistency.
Jill Magid
“Shekere” (2016) by Shani Crowe
Stan Brakhage, Mothlight, 1963
Evidence Locker, Day 24, Saturday, February 21, 2004
We were connected, and it was invisible. I told you: I have an idea. I will close my eyes now, and you will walk me there like this. At first I kept going to my left, although I felt I was going straight. This happens to me in swimming pool lanes. My body has a tendency. To your right, Jill. To your right, Jill.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Evidence Locker, Day 23, February 20, 2004
And then I stopped, near your feet, you are almost directly above me, in the middle of Lord Street. I closed my eyes and everything changed. The people around me kept going, I could hear them, but they were muffled. I felt only you. You held me with your eyes and I was safe. After a minute- was it more?- I opened them again.
Hanne Darboven, Kulturgeschichte 1880–1983 [Cultural History 1880–1983], 1980–83 (detail)
Hanne Darboven, Kulturgeschichte 1880–1983 [Cultural History 1880–1983], 1980–83 (detail)
Evidence Locker prologue email
"A text’s unity lies not in its origin but in its destination.”
—Roland Barthes, “The Death of the Author”

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
“Knowledge and power are simply two sides of the same question: who decides what knowledge is, and who knows what needs to be decided?”
—Jean-François Lyotard, The Postmodern Condition: A Report on Knowledge
Jill Magid, Evidence Locker, 2004