I feel her body
out like a paragraph,
but not like the ones
I teach my high school kids;
she’s no five point essay -
she’s much too advanced.
She’s not missing components,
I mean sometimes she slips
into the past tense, but hell
don’t we all every now and then?
At least she’s not misspelt.
And I swear, I swear
I’m not proofreading to show
that I have a degree in this;
This is me reading
for pleasure.
She has too much that
she’s trying to prove.
She carries herself like an apology.
I want to tell her this but I don’t
because that would mean
another apology. In silence
I observe the side glances
cast away in far away thought
that words just barely graze
the surface of. I know what
she’s trying to say in
everything she doesn’t; she
purposely fails to communicate.
The numerous fragments in her
expression are metaphors for the
brevity of human connection.
I look at her and I realize that
Atlas never shrugged but
instead relieved himself of
whelm by placing the burden
on her shoulders. Perhaps it was
that same mass which drew me
into her orbit, a most literal
worldly allure. Yet it is never
gravity which compels the pen to
meet paper. Her eyes are elegies
in the monsoon rain under the
faint glow of the moon,
marked by the perpetual grey,
and, of course, the sweet
scent of earth.
Her mind is a flower
caught in mid bloom,
and if she refuses to be
watered with conversation
it is because she would
much rather write
(be written) in silence.
(please be advised
that words spoken aloud
are, often times, the most
vile pollutants endangering
one’s health and sanity;
please be mindful of others
as you are encouraged to
exercise your own discretion)
It is the nature
of all apologies
to bear their
own justification.
“I am sure you have bled.
But you have not seen
the shade of your
own blood
until you have
bled on paper.”