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Final Part 2

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Final Artist Statement
This set of images was created in the flux of a worldwide pandemic, the work is a representation of events that happened during quarantine and how young students and artists have been disconnected from the world around them. I wanted to pick something highly symbolic for the representation of events we’ve survived or completely missed through this last year. Each element being earth, fire, water, and air are shown with items I could find in the comfort of my bathroom. I chose objects that could represent the elements like a mud mask, matches, my shower, and a blow dryer. All these were house-hold items and far extractions from the natural world. In comparison to these props, I researched images based on texture or world events that took place over the year 2020. Floral images and waterfalls were used for the earth and water showing new growth. Fire and singe marks were added to represent the west coast fires that ravaged the coastline. Lastly, signs and graffiti representing COVID-19 were used to signify the change of the air around us.
Inspiration for my work largely came from Laura Plageman, a modern photographer living in San Francisco. She redefines natural landscapes by physically crumpling and added texture to her photographs; surfaces and nature is a theme in a lot of her work. I kept this in mind when warping images in photoshop and deciding where to place certain pieces. I also tried to use the process as a source for inspiration. I find that being flexible as a student artist can lead to breakthroughs within the work. In conclusion my idea drastically evolved toward self-portraits, but I love how these images summarize my year and add a personal connection to the work and my experiences during quarantine.
My final project based on the isolation of an artist in quarantine. Each photo has an element of a house hold item that connects to the natural world, earth, fire, water, and air. I used a lot of adjustment layers filters in photoshop to achieve the affects seen here.
Artist Research Assigment
I chose Laura Plageman as my artist to research, she is a modern artist and someone I wanted to look at as an inspiration as how I could be working someday in the future. Her work is mainly based in landscapes and relates to new media in the way that she physically alters the image in post processing. Her work is unique and covers themes of fantasy, voyeurism, surfaces, and moments in time.
What inspired me about her work is her use of perspective and negative space which actually is something ill be looking to use in my final project. I think also her ideas of wandering and being an experience photographer is something I can relate to. She didn’t talk a lot about her own inspirations in the interviews I watched, other than her saying her working always inspires new work and re-examining old work as well. I really enjoyed looking into this artist and photographer hopefully I will stay inspired as she has throughout the years.
Final Proposal
I want to explore some studio work of different elements, I really enjoy staged narratives and surrealism so I’ll be exploring work in natural light and in studio if I have time to book one. My body of work will be addressing natural beauty and our connection to the earth for instance air, water, fire, and earth.
I think ill develop ideas based on who reaches out through my model call on Instagram. Based on who locks in a booking with me I will construct what element will be best and choose a location from there.
Roughly thinking, I’ll probably use the lake by my house for water. There’s also some fields along the trail near my house I can use on a windy day for air, and the other two fire and earth will be thought out later. I’d like to use lots of foreground and natural background elements to shape my shots. I’ll mess around a little bit with leading lines but most my work is subject based so if I can keep simple styling and natural locations to shoot I should have that consistency.
My inspirations for photographers are Seb Xavier and Zhong Lin, both work amazingly with color and portraits so i’ll be pulling from that quite a bit.

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Artist Response Videos
Joan Jonas:
       Joan Jonas is an artist that studied art history, but eventually turned her focus to film in the 1970’s when she got her first Porter Peck video camera. She describes her fascination with life and the unknown which is something I greatly relate to. In her performance Vertical Roll I see a film strip moving horizontally but it’s not film it’s a video according to her interview, it’s actually video. I scrubbed through it to see if I could make any sense of what I was seeing and hearing. I think between the loud rhythmic banging it gives me the sense of seeking to understand something but not being able to ever fully focus and see the whole picture. In modern times it could be related to the endless scrolling on social media never truly seeing people or events in full picture.
 Bill Viola:
       What struck me the most was when he talked about representing emotional passions that involved losing control and losing sense of self. I enjoyed the passion series as it’s use of extreme slow motion, it changes the way you watch a video. One of the viewers states how there really isn’t a narrative line in these performances and it makes you see these actions in a different light and understand film time is not the same as our time, which I’d never really thought of before. Bill Viola also draws much inspiration from Italian renaissance paintings which looks at the different plains of existence and simultaneity.
       Viola points out in the Passion Series why he couldn’t move his camera around was so profound, he said it’s because it would detract from the actual wave of emotion he’s trying to show in the video. The whole idea is to experience that natural wave that all humans experience whether it hits you hard or slowly and methodically, was something that I hope to do with my own work. I want people to feel something. I also really enjoyed how he is pulling these renaissance paintings apart and drawing parallels to how we story board ideas today. He mentioned how you have these stories, but it also depicts what makes up a person and even how we transcend experiences ourselves.
Passage Pt 2
https://www.youtube.com/watch?v=imlIA8x-B6Q
So my intent with this video was to show the passage of time using food. Originally I wanted to do some stop motion video of food rotting or moving around but I decided to just throw a baking video together and not over think the assignment.Â
My moving images definitely show a lot more context and style about me as an artist versus the photos. Those are more up for interpretation from the viewer. I personally enjoy both, but sometimes the use of video can be more powerful for putting more of my personal touch on a theme like this. There’s a lot more involved in making a video too, so always more of a chance to change and alter the work. The meaning of my video can show process completion or success. My photos, I hadn’t made the brownies yet sooo individually... I feel it puts off a totally different meaning. Like parts to an equation and the video is the solution.
Blog Prompt: PASSAGE
My idea for passage is going to be a baking video. I like the idea of creating something from a bunch of separate and unique elements. I might mess around with bits of stop-motion to add interest. This video can be very simple but an easy way to practice fun video transitions in the comfort of my kitchen! The expiration and enjoyment of food is the perfect way to show transition and passage of energy from the earth to humans! Also a great excuse to bake some brownies. Â
Mid Term Final Picks:
For my mid term final I wanted to pick topics that were close to my heart which is women’s rights and fashion. I used only what was available to me in my closet and created these four different looks in one sitting. I went outside and shot this all in front of my garage with my sisters help. Each look speaks to how women are painted and depicted by beauty standards and different clothing items or body modifications. In the end were always judged or made out to be different characters but were actually all the same on the inside. My looks hopefully will inspire of give the feeling of uncertainty, chaos, and constraint. Hope you all enjoy!
Glitch It!
For the glitch assignment I chose a colorful spot to go shoot with a friend of mine. There is lots of colorful graffiti in this area and a great spot for photos. I chose the RGB affect in photo shop to adjust the photo with blending modes. I cut and paste with the marquee tool and added an overlay glitch patter to add some interest. Here's the results! I'll post the original photo and other glitch renderings in next post.

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Reading Prompt 2
How did Fluxus inspire glitch art?
I believe Fluxus inspired the mix between media and real life where they embrace the imperfection and happy accidents within the art. With glitch art you are challenging the intervention of chaos into media. The interruption of real world mistakes and “accidents”.
How are these photographers or artists questioning the visual language of photographs?Â
These artists are using techniques to push a device to the point of failure for this look. Therefore, it’s not a properly focused beautifully composed image. It’s creating art based in destruction of certain pixels.Â
How do they examine  the expectations of what a photo is or provides the viewer?
It challenges the assumptions of the viewer, giving life to a new narrative where people have to look at these images exposed in a new way. It gives way to a more raw view of art, not so confined to the formal structures of design, color, and composition.
PHOTO PROMPT 2 – IDENTITY: Real or Fictitious
The pictures that I originally took for the montage assignment were done as a projector photoshoot, a friend of mine displayed patterns or landscapes over my body and I posed. I wanted to marry the idea between what other people see in me and how I project that into the world around me, many times being lost in between. I then did two self portraits in two different outfits where I lean toward either my feminine or masculine traits. I see myself balancing my identity with different friends or relationships of my past; but in the end all that matters is me being my authentic self, despite gender roles, fashion trends, or what other photographers see in me as “beautiful”. What I want a viewer to get out of my montage is that true identity comes from within and not other people’s perceptions of you.
PROMPT 2: Identities: Real of Fictitious
For my identity montage I wanted to create something that portrays how I feel when others see me. Often times, I work with other photographers who have an image or a concept in their mind that I can portray; but it’s never truly who I am. I worked with a friend of mine and we used a projector to put different wallpapers and images onto my body to show the overlay. I wanted to touch on the idea that perception of certain people and faces can be an illusion.Â
1B Perspective and Composition
Scavenger Hunt

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Photog Inspo
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Charissa Menken
Hi there, my name is Charissa! Pronounced like charisma but without the M. I’m a third year photography student who recently transferred to UTD last Fall. Photography is my focus within my visual arts degree and has been of interest since I became a broadcast/photojournalist for the Air National Guard. I learned the basic skills from a journalists point of view in the military but now, with my degree plan I’ve been able to dive deeper into my creative skill with the craft! I love creative portraits and street photography my dream is to shoot editorial and fashion work. I hope to take away from this class more skills with photo editing and manipulation with video using Adobe Programs, in five years I hope to be graduated with a masters degree preparing to teach photography or traveling abroad, perfecting my portfolio with upscale brands and businesses.