clowndra's corner

☾ Mine - aespa

The looooooong anticipated release day of Armageddon the album was a national holiday for Synkcity. We’re seeing such bright times after all these hate trains, mismanagement from SM, the sabotage from rival companies coming to light and what-the-hell-not, honestly. After nearly three whole years and three EPs, aespa finally present their full-length debut. Needless to say, singles Supernova and Armageddon are top-notch, continuing aespa’s all-smash title track streak. However, there was an album delight that blew my damn mind, and it was Mine. Hearing the first chorus in the highlight medley was enough to keep in mind that the track would be one of the best b-sides of the album, but I regretfully have to admit I didn’t think it would be one of aespa’s biggest guns as a whole. My jaw fell harder with every. second. of this. song. Karina and Ningning’s breathy, sassy, forceful, majestic raps kickstart the track along with tambourines that feel like digital diamonds jingling up in front of you. Winter comes through with the earth-shattering second half of the prechorus, and Giselle kills it by spitting one of her most plate-shifting rap verses. A major reason why Mine is my personal favorite off of the album is because how much everyone shines in their own right. Winter and Ningning are back at being one of 4th gen’s iconic vocal duos (as well as their pleasing rap lines), Giselle retrieves her well-deserved main rapper position (SM you can still catch it), and Karina effortlessly wraps both the vocal and rap roles around her fingers as she always does. That bridge? That bridge is disgusting even for four of the bridge architects of K-pop. The girls absolutely outdid themselves on this. The instrumental track may be less maximalist than the title tracks’ or, say, Set The Tone’s, but oh boy are they vehement and so hypnotic. The drums, the synths, especially the ones in the last chorus… it all forms together to make the song nastier and nastier as it progresses. Everyone involved in this walked into the studio with a mission to change the trajectory of music. I’m afraid I’m in this MY lifestyle for long. aespa truly are unsteppable.

☾ Fácil - Empress Of*

For Your Consideration promoted Empress Of into my new favorite indie popstar, and Fácil is my chosen earworm off of it. Every song on the album is so sultry and charismatic, and Fácil has this distinguishing sharpness in its sound, courtesy of umru, to top it off. Empress Of’s ear for memorable melodies and catchy lyrics especially come in clutch here, with casual melodic beatboxing in the background and the looping “tócame aquí, tócame ya, ya, ya, ya”. The self-made hisses and snares go hand in hand with umru’s signature punchy splices. Multiple layers of vocals linger in the entire track, from panting and breathing to sensually delivered lines in the higher range. The bit I’m gonna point out next is more self-indulgent (and I’ve pointed it out on my page previously lol) but nevertheless, I felt like the casual bravado and the combined danceability and grit of the track was akin to candy bOmb by OnlyOneOf, and the more good music with similar vibes, the merrier. Can’t get enough of either.

☾ Hypertonic - TAN (+ my Soda origin story 😙)

TAN have proven themselves to be masters of old gen K-pop revivalism since they came out the gate with their 2022 debut Du Du Du. The group first came to my attention with Walking On The Moon and later in 2023 with the hit Fix You, which went multi-platinum on my personal devices. For some strange reason, I still didn’t fully open my eyes and get into them despite their almost unmatched title tracks. That is until they released the first-day diamond-certified Hypertonic. Hypertonic, as a song, is pretty much everything I could ask for from a new gen pop boyband: in-your-face electronic production, intriguing composition, high-powered vocals and raps, and a full song structure, despite the track duration falling slightly below 3 minutes. The gritty synth heavy instrumentals are robotic and over the top in the best way possible, giving you the feeling that they’re straight out of 2000-10s Japanese EDM archives. The verses, chorus, rap and bridge hit all the right spots, going with the instrumentals instead of being overshadowed by them or vice versa. The high notes in the bridge and outro couldn’t have topped off the track’s overflowing energy any better. Now, I wanna bring up how was particularly taken over by the first half of the second verse. I mean it when I say “taken over” because I was so obsessed with that particular member’s flawless line delivery that I was scrambling to learn their names. The particular member turned out to be their main vocalist Jooan, and it all made sense because he was behind the perfect vibratos (earned by his musical theater education), a good amount of high notes and runs (along with brilliant lead vocalist Hyunyeop) and bits that blew me away in previous songs I’ve heard from the group. Honestly, I was starstruck by all of TAN at first Kprofiles browsing sesh. I mean, what’s there not to love about a band of superb singers (+ superb main rapper Jiseong who’s obviously included in the “singers”), dancers, songwriters, producers (the self-production makes the music even more impressive), choreographers and overall artists who are intensely passionate and excellent at everything they do? This type of multi-skill and well-roundedness is exactly what I seek and keep up with in both K-pop and outside of it. Jooan though… you will pay for being the cause of some of my most humiliating K-pop fangirl posts. Love me a mind-blowing vocalist (duh), dancer, rapper, songwriter, producer, sound engineer, overall a true all-rounder with an irresistible face card. Please give these dudes’ music a stream or two because they really have no business not getting their flowers from K-pop fans and tasteful people.

☾ Malena - Domiziana

Somebody took “after your biggest flop comes your biggest slay” a bit too literally, and I am more than satisfied with that. After the colossal washout that was Domiziana’s previous single Katholisch Erzogen, which was merely another one of the examples of cheap blasphemy for shock factor accompanied by a fake-creepy beat straight out of the Tiktok “musician” archives, Malena turned everything around. Not only was it a massive bounce back from whatever she had going on with that disaster, but also an upgrade in her whole career in every single way. The production is arguably her most minimal but most defined and well-executed to date, with the amapiano influences and siren-like background vocals doing wonders. The vocals and lyrics are her best by a landslide as well. The whispery, high head voice stays, but this time with more emotion and variety in delivery. We listen to a story about cheating, betrayal and a lack of commitment, enriched with references to the cult classic movie Malena, the namesake of the track. The music video is set in Domiziana’s mother’s hometown, Catania, with different sets, cameras and editing. Malena ends up being an incredible audiovisual experience and the current highlight of Domiziana’s work. Maybe it’s just her highs and lows, maybe it’s her taking her career more seriously than ever, hopefully the latter. May she beat the one-hit wonder allegations (mind you, Ohne Benzin doesn’t hold a candle to this masterpiece) and continue to serve like this.

☾ Lipgloss - Terror Jr

A portion of pop music fans constantly ask for the good old 00-10s to be brought back, meanwhile some others wish to move on and focus on more future-oriented, complex sounds instead. Lipgloss masterfully combines both, delivering nostalgia yet nonetheless sounding shiny and brand new. The simple repeated chorus, casual lyrics and the vibe of the production overall feel 2016, and fans have likened the song to Terror Jr’s Bop City era’s sound. Still, the natural execution of this song makes it solid and refreshing on its own rather than a pathetic attempt at reviving what pop used to do. It took me a bit too long to find out that the experimental pop duo’s producer David Singer-Vine was ½ of The Cataracs, a producer duo behind numerous 2010s pop hits such as Like a G6 by Far East Movement and In The Dark by DEV (along with the entire The Night The Sun Came Out album). As a solo artist he produced songs such as Gold by Kiiara and Stuck With Me by Tinashe. This made the Terror Jr experience make a lot more sense: listening to their music feels like taking a trip to the present in a fancy time machine, with hosts who have a nice grasp on the past and the future. Special shoutout to that music box all over the instrumentals by the way, that scratched my brain just right.

☾ Perfect - Cosha

I didn’t call the MurMurs EP the “free therapy album” when it first dropped for no reason, you know. Alternative R&B hidden treasure Cosha returns to heal us all after her 2021 re-debut album Mt. Pleasant, with more of her sublime melodies and vocals. In the EP, Cosha keeps switching from soulful, serene and down-tempo (Fire Me Up, MurMurs Interlude) to drum-heavy, danceable and inviting (Relish, Glow). Meanwhile, Perfect pinpoints that sweet middle ground. Firstly, the beat is absolutely hooking. The drums, bass and recurring plucks pull me in the most, and Cosha’s higher-range head voice is pure magic, especially in the chorus. The second verse has this slight beat switch that brings forward the bass that I’m obsessed with, and then we’re back to that divine chorus with even more adlibs, high notes and harmonies. It’s laced. I feel like the whole project, but especially this specific song, would suit many people’s tastes, so this is especially a deep cut recommendation of mine to everybody.

Mini reviews

❥ Nasty - Tinashe: I feel so bad that this is going into the mini reviews section because the song has been on rotation since it dropped, I don’t believe I need to elaborate on its earworm factor. Obviously, Tinashe has an ear for hits, and the production is relatively simple yet so effective. So glad that it’s going viral and Tinashe is getting the hype she deserves.

❥ You know what (Hey listen) - 4s4ki: I’m afraid as long as 4s4ki keeps making music, she will keep appearing on all my favorites lists. She just can’t miss no matter what genre or sound she tries out. This one’s for the people that get their head in their hands and slide down a wall at 1AM. Give us vocals, give us guitar breakdowns, give us a REAL love song, give us everything, queen.

❥ Hard dreams - Gesaffelstein feat. Yan Wagner: Real techno’s been so back since Gamma dropped. The visuals for this album still hold their title of being the best of the year, by the way.

❥ Botoxxx - Isabella Lovestory: She SLID on that bridge. Love to see the budget in the MV. We need the sophomore album.

❥ Caught Up - FLO: The guitars? The vocals? That key switch in the bridge? FLO’s discography is still flawless. We need the debut album.