laisse-moi

Robin Isely, Hans Memling - Man of Sorrows c.  1480.

Sol Lewitt

— Susan Sontag, from Reborn: Journals and Notebooks, 1947-1964. (via xshayarsha)

instagram.com/tougs

via jareckiworld

To create “Painted on 21st Street,” (1950-51), Frankenthaler used oil paint, sand, plaster of Paris, and coffee grounds. This is one of her early works, which reflects her looking at Abstract Expressionist painters such as Jackson Pollock, who often included non-art materials – cigarette butts or enamel house paints, for example, in Pollock’s case – in their work. It is not typical of the artist’s most recognized technique of pouring paint on unprimed canvas, which led to her being associated with Color Field artists. See this piece on view in Masterworks from the Hirshhorn Collection.

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untitled by SamAlive on Flickr.

2605; Looking Up — St. Peter’s Basilica

— Bruno Schulz, tr. by Celina Wieniewska, from “Sanatorium Under the Sign of the Hourglass,”

Arnulf Rainer (Austrian, b. 1929), Ohne Titel, 1994-95. Mixed media on cardboard on wood, 61 x 50.5 cm.

“An Annur Story”. Photographed by Elizaveta Porodina for Vogue.it

Anna Akhmatova, tr. by Judith Hemschemeyer, from Selected Poems; “Little Song,”

Hair by Franco Gobbi for KAIMIN Spring 2020

— Virginia Woolf, To the Lighthouse

Daniel Mullen, On the Brink, 2018, Acrylic on canvas, 140 x 140 cm.