Honestly cannot abide the thought of the onslaught of the gammon-faced âRule Britannia!â wankfest that weâre going to have shoved down our throats for the rest of the year
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@clandonnachaidh
Honestly cannot abide the thought of the onslaught of the gammon-faced âRule Britannia!â wankfest that weâre going to have shoved down our throats for the rest of the year

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Light Across the Seas that Severed (Ch10)
AO3
For the first time in years, Jamie woke without the dead weight of unsaid things hanging around his neck.
He closed his eyes and savoured the memory of the previous night, Claireâs face twisting in disbelief when he told her to go to sleep after heâd kissed the life out of her, and made a promise to himself that he would keep a level head today until everything had been resolved between them. He almost laughed out loud in surprise at the idea of a resolution to the saga that had been going on for years. And now to have heard it from her lips, to know that she felt the same and that she wanted him too felt almost surreal.
His knees didnât crack with the same twinge of pain as he left his bed and quickly jumped into the shower, managing to give himself at least a cursory scrub before the hot water turned to ice against his skin which not only meant that Claire was awake but that she was already out of bed. He wondered if she was as nervous as he was and with shaky hands, Jamie quickly switched off the shower and tried not to think about Claire soaping up her body a few steps down the hall.
The thought of her naked and dripping with hot water might have put a little extra speed in his movements as he got himself dressed and made the way to her with the thin excuse of providing his guest with a fresh towel. Just as he quietly snuck into the bedroom and put the not-too-soft towel on her bed, which had already been made beautifully, pillows plumped and all, his eyes caught sight of a bundle that had been unceremoniously dumped outside the door to the en suite.
Without thinking, he scooped the garments up in his arms with the thought that doing a little bit of laundry might take one more small thing off her mind. The idea of it being a rather intimate gesture was lost on him, fingers grasping denim jeans and a linen shirt before he found himself touching lace. A lump formed in his throat as he looked down.
Pale lilac.
The exact shade of purple that he had seen all the years whenever he closed his eyes. The same delicate colour that had so prettily complimented her skin the night that she bared herself to him. The night that ruined him for anyone else.
So lost in his thoughts was Jamie that he hadnât time to try to look like he wasnât pawing at her garments when the door opened and Claire caught him red-handed.
Stay
This fell out of me just a bit ago. It has nothing to do with anything; only a short snippet of a story. Claire comes home after her motherâs died, reconnecting with an old childhood friend: Jamie. Enjoy?!?Â
ââââââ-
She was surprised to see photos of the two of them, lined up along his mantel among antique candlesticks and drawings his sister had done. One photo showed the two of them in a paddling pool in a garden - they were both sopping wet in their clothes, grinning at one another instead of the camera. Another had them standing together on a rugby pitch, he wearing his kit, she in the school uniform. And one more, right before sheâd left town for good: a dinner table at Christmas, some distance between them this time, both looking at someone else not in frame.Â
Claire remembered how unhappy heâd been that night, though he did his best to hide it. She knew, though. Knew that heâd have begged her on his hands and knees to stay if pride had allowed it. Sheâd said her goodbyes, however, and left the following morning. A flight to New York held her future; and she hadnât looked back.Â
Not until now, not until the unthinkable had brought her back home. Her mother was dead, and though they hadnât been terribly close, she was grief-stricken, unable to do much but stay inside the house sheâd grown up in, going through things, making sense of her motherâs will. It was just her, now. Her dad had passed when she was young, and with no other siblings she was left to pick up the pieces. Sadly, her first thought wasnât Jamie Fraser and his family. She had no idea if heâd speak to her again, or if he even want to.
As it was, they met in a pub - one they both went to regularly when she was home. Before all that happened. Heâd surprised her as she sipped her whisky, hoping sheâd be left alone.Â
âHey, you,â heâd said, just loudly enough for her to hear over the music.Â
Sheâd whirled around, surprised but pleased to see a familiar face, a person who wasnât only looking on with pity. She smiled at him, taking him in. He wasnât quite as thin as she remembered, and his hair had grown longer; but he was the same. The same old Jamie she remembered. He looked tired, and perhaps in need of a shower, but she threw her arms around his neck just the same.
They both held on tightly, neither of them willing to let go; finally, though, Claire sat back on her stool, gesturing for him to join her. He was nervous, slightly jumpy, and unsure about his words. They talked though; about what theyâd done since they last saw one another, about their past together, and about the possibilities of the future.
Jamie was still living at his family home, alone - his sister having moved away long ago, and both parents now passed away. Claire was shocked to hear it, apologizing profusely for not having come home to see him.Â
So, it seemed they were both alone in life, left behind by those they knew and loved.Â
Claire followed him back to his home, a large estate that had fallen into some state of disrepair. He lived simply, he explained, off the land mostly. It didnât surprise Claire in the least - Jamie had always been one for roughing it, for dragging her out into the wilderness to spend a night beneath the stars, to get drunk, talk, and fight the urge to touch one another.Â
That same urge simmered just under her skin as she walked inside - an innate need to grasp Jamieâs arm, to feel his skin against hers. Not in a deeply intimate way, but in a familiar, comforting way. Sheâd realized in her time in New York, devoid of any real personal connections, that Jamie was her home. He was more home to her than her own parents, her own home, her own things that were now boxed up in storage. She remembered spending more time here growing up than anywhere else. It still smelled the same.Â
Jamie asked her to sit on the sofa, the same one that had been here the last time Claire had been invited inside. A floral print long outdated, covered in a threadbare blanket. It was welcoming, cozy, and as Jamie held out a beer for her, she didnât hesitate to sink into the cushions.Â
âWas sorry to hear about your mam,â he said simply, talking around the bottle resting on his lips. He took a drink, then set it on the table.Â
Their hands were inches apart, though neither moved.Â
âThanks,â Claire replied, so exhausted from hearing it from everyone she saw. The eyes that would stare through her like she wasnât there, their mouths all carrying those empty words.Â
Jamie, though - he meant it. Claire could tell. It nearly made her cry. She hadnât done that yet. Instead she lifted her hand, placing it atop his. She took a drink, clutching the bottle hard in her fingers, feeling the condensation dripping down her fingers.Â
She felt his fingers move, so light and slow, but he gripped her hand in comfort.Â
âCan I stay tonight?âÂ
The words were barely audible, and when Jamie didnât answer, Claire wondered if heâd heard her. She turned her head to look at him - he was watching her carefully.Â
âCan I?â she asked again, the words now being swallowed up by the growing lump in her throat that was too big to ignore. âWe can drink, build a fire, maybe a pillow fort? I justâŚâÂ
She sniffed, afraid to continue. Jamie did instead.
âIâve wanted to see you for so long, Claire. Iâve dreamed of having you here, just like this.âÂ
Claire only nodded, eyes shut against the tears now falling.Â
âI heard you had someoneâŚsomeone over there,â he mumbled.Â
âI donât care. Iâm not going back, Jamie. I canât, not now.âÂ
Claire grasped his hand tightly now, pulling it into her lap.Â
âYou can stay, Sassenach. As long as you like. Forever, I hope.âÂ
She gave in, then. Caved to the insurmountable pressure to feel her grief, to feel her sorrow. But he was here, holding her together as heâd always done. Burying her face in his neck, the space between them closed, the years apart falling away to nothing.
She would stay, she knew. There was nothing for her anywhere else. Nothing like Jamie.
Sorry chums,
I promise that I do actually want to write the final chapter of Lights but my brain just isnât cooperating.
I open the document, I write three words, I close the document.
At this rate weâll be finished sometime in the next year or so.
(Joking. Sort of. But also nae really.)
One More Try
Chapter 10 - Trouble In Paradise
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** A wee bit of NSFW content in this one **
So Iâm throwing my hands up and posting this in the hopes that youâll enjoy it, and that this wonât be the chapter that you all abandon me over (thatâs my fear every time I post, letâs be honest!)Â Â
Thanks for reading, and commenting, and kudos, likes and reblogs. I appreciate any and all of them.Â
More to come, of course. I donât think there will be but two or three chapters left after this one.Â
Enjoy!
â-

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Love Stained, Chapter 7
A/N Thank you to everyone for all your wonderful comments, likes, reblogs and the like. Itâs made a pretty rough spring a lot more bearable. With only three chapters left in this story, itâs time to start pulling all the pieces together. In this chapter, we learn quite a bit about what sent Jamie down the path to surrogacy. Itâs also pretty explicit (by my standards, at least).  Trigger warning for references to past sexual assault.
All previously posted chapters can be found on my AO3 page.
Keep reading
I saw this on Twitter (still hate that app) and thought it could be fun here.
What is your Outlander opinion you will get canceled for sharing?
I have so many but I'll start with this one: Claire and Jamie are kinda toxic, actually.
Ready, go.
I. Hate. Roger. MacKenzie.
ONE MORE TRYÂ
Chapter 9 - Dreams
Now up to read at Ao3!Â
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Welp. I know itâs been so long, and when I first began posting this story, I thought I could knock the whole thing out in a few weeks. I was so wrong. Over Christmas, my mental health became an absolute dumpster fire and I just couldnât write a word, let alone a whole sentence. Anyway, thanks for coming back to read this new, if slightly rusty and meh new chapter. I will refrain from promising another update on any particular day, but my hopes are high that I can have another one out in the next few daysâŚ.butâŚwe will see how that goes. Please donât be mad if I totally fail!
Hope you enjoy this, and if you have any questions, please feel free to leave them in the comments. These sorts of chapters are not my favorite to write, so I never really feel I handle these well. Iâd rather write major action, or some ~event~âŚwhich weâll get to next chapter, thank goodness.
Special thanks goes to @zeya-zg for being an ever present source of support and encouragement. Couldnât do this without you, friend!Â
Thanks again, and I hope you enjoy this wee update!
A Call to Action for the Outlander Fandom
You and I both know we have a massive problem with trolling, bigotry, and homophobia in our fandom. I've seen people complain that we're not actually issuing a clear call to action. So here it is.
First, look at this:
Second, go look at the #We can do better OL tag on my blog. I even linked it for you.
These are SOME of the numerous anonymous messages I have received over the course of about two months. I am not the only one getting this, and I'm speaking up for them as much as for myself. I keep to myself, I write my stories, I do my thing, and I'm content with my little group of friends. I want to go back to this.
And when we bring the harassment and hate speech up, we get more gaslighting and more harassment. So here's the call to action, because I know for a fact the vast majority of this fandom is not like this.
STOP blaming the victims for the actions of their abusers. It's not about ships/fic/canon. It's about not blaming LGBTQ people for being targeted because they are LGBTQ.
STOP saying "victim" like it's manipulation, it's literally a legal term, and the hate speech we're getting is criminal in so much of the world.
STOP being comfortable with this hate and homophobia.
STOP the gaslighting. STOP saying that someone's interpretation of a character as bi is "controversial." It's not, it's just an opinion that takes away nothing from anyone else's opinions; bi people are real, it's a thing.
STOP permitting these few hateful people to speak for you.
Until someone else starts speaking up in opposition, those people who call me a faggot and tell me to kill myself, who threaten my friends' children, THEY are speaking for you. Your silence is aligning yourself with these people.
The heart of the Outlander universe is love. THIS? All of this? Has no place in our fandom.
We can do better.
Just wanted to reblog this for the visibility and to add my two cents.
I wouldnât really consider myself part of any âfandomâ. I donât understand the nuances of how people interact with each other, I have a very base level of knowledge when it comes to ships and canon and all that kind of stuff. Iâm not on discord, Iâm not on twitter. I just know that I love Outlander and through watching the show and reading the book, I found myself inspired to write my silly little stories and share them online. Iâve spoken to a few other writers here and there but I wouldnât consider myself as someone who really gets involved in the fandom.
That being said, I was genuinely so surprised when I started to see the homophobia and general shit-baggery that was coming from the OL community. My first reaction was shock because for my entire experience with reading and watching Outlander, I had always considered it as gay as shit.
You try and tell me that Geillis isnât hitting on Claire the first time they meet.
Something that queer people are acutely attuned to is spotting the gays in any given situation. And because we live queer lives, we are more likely to pick up on the nuances of behaviour between characters, of the things being discussed beneath the dialogue. Outlander is full of it and not just in the characters who are out.
Jamie Alexander Malcolm McKenzie Fraser displays some of the most obvious bi-panic behaviour Iâve ever come across.
I have only ever posted Jamie/Claire stories. But that doesnât mean that I havenât written Jamie/John and Jamie/Claire/John and Claire/Geillis. Iâve only ever had one comment on a chapter of Lights where someone commented that there was âso much gay Jamie fic being writtenâ and that got my back up. But now to see writers getting the abuse that Mistress Pandora is receiving is fucking vile. Hate speech is a criminal offence.
So here I am, queer as all hell, supporting the LGBTQIA+ voices in the Outlander fandom. Whether youâre part of the queer community or an ally, this shit needs to be called out when itâs witnessed. And we need to be LOUD about it.
Hey, Johnny Cope!
Last night, during the Outlander season premiere, there was a scene when the Jacobite prisoners sang a war song to rouse the British and Tom Christieâs men. This song was, Johnny Cope, which is one of my favorite Scottish folk- and Jacobite- rebel songs. Did I scream when it happened? Yes. Did I sing along at the top of my lungs? Also yes. It felt like a full circle moment of sorts because Outlander is what got me into Scottish folk music. I really appreciated it.
(Live footage of me when anyone mentions folk music.)
Anyways, if youâre like me and obsessed with old Scottish songs, or you want to get into the vast and beautiful genre that is Scottish folk music, allow me to recommend some playlists and artists and albums!
(Iâm not an expert- I canât even play an instrument or read music, and Iâm not Scottish, but I am just very enthusiastic, and that scene was probably the highlight of the season for me, so here we are!)
These three are my playlists, and each has a different purpose- the first one is for one of my original stories that takes place in the 45â Rebellion, which is the rebellion shown on Outlander. The second one is Scottish war songs- they have quite a few, like Johnny Cope, which is about the defeat of British General John Cope at the Battle of Prestonpans. The last is a work in progress, which is my favorites Scottish folk songs- the vibes are all over the place, but I wanted it that way because Scotland is a country that canât be described in a single word.
These playlists are not mine, and are compilations of the Child Ballads, which are some of the most popular and oldest folk songs from England and Scotland. A lot of these songs were brought over to America, specifically to the Appalachia region- like where Fraserâs Ridge is!
And some albums I would recommend are
Border Lands is a great place to start because itâs got 70 songs, all by different artists! This is one of my favorite songs on the album.
This album is all Jacobite Rebellion songs- the Scots may not have won the war, but they used songs as well as swords.
Lastly, some artists Iâd recommend are The Corries, Julie Fowlis, Ewan MacColl, Malinky, Jean Redpath, and Alastair McDonald. And if you want more of whatâs featured on Outlander, both Griogair Labhruidh and GillebrĂŹde MacMillan have albums that you can listen to.
And if anyone has any other recommendations, feel free to share them with me and this posts!! I love discovering new artists and songs.

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A new WIP is brewing in my head, as much as it pains me to say so. I always relax when Iâm working through something thatâs currently being posted as I donât have to think about the next idea, relishing in the slight moment where I get to ignore the pressing urgency of writing something. And then I get hit as I stand awkwardly at the bedside while my boyfriend asks me what Iâm doing and I furiously type the idea into my notes before itâs forgotten.
And then I go to sleep and do actually forget but the next time I go to make a shopping list, I see a note that ends with âby the end of it theyâre shafting each other ken fit likeâ.
And all of a sudden Iâm filled with ideas and doing research that only fuels my inspiration, even though Iâm wrangling the facts left, right and centre to get them to fit with my concept.
And I donât quite know why Iâm posting this but it makes sense to do a brain dump here whenever I feel the need.
Lights will be finished, and soon. And then something else will be on the way.
Drunk and watching season 5 before season 6 comes out and
I canât explain the fucking joy that I feel for this first episode hearing the music that I grew up dancing to and latterly playing being part of such a wide-reaching series.
I watch this episode with all of its love between Brianna and Roger and Fergus and Marsali and, of course, Jamie and Claire.
But the thing that makes me happiest is the fact that all of a sudden, regardless of the pain in my fingers, I hear the music and all of a sudden they jump to life and want to finger the patterns to music that Iâve not played in a decade.
Iâm so grateful to this series for giving me something that I can see and enjoy my history in. There are many many things that DG knows fuck all about but I like to think that there are some consultants that actually are Scottish and have a better understanding of our culture. And not for the political or nationalist stuff that folk think but just for the music and the way they speak and relate to each other.
But basically sheâs drunk and also fucking in love with the culture that sheâs been raised in.
Light Across the Seas That Severed (Ch9)
AO3
When he woke the morning after, a mere six hours later, he did so with a groan.
Heâd been having such a good dream but the more he tried to grasp at the loose threads, the more the details evaded him.
He knew that he had been surrounded by warmth and softness and closed his eyes in an attempt to chase the feeling that had enveloped him. A pair of whisky irises flooded his mindâs eye and he bolted upright in his bed, hands instinctively shielding the tent that he was making in his bedding.
âFuck sake, Fraser,â he chastised himself, refusing to give it another momentâs thought as he tore out of his bed and into the bathroom for a bitingly cold shower.
The icy water had its desired effect of pulling him from his bawdy dream but also brought with it a startling clarity that he had not had the day before. For years he had planned on what he would do and say if Claire ever stumbled back into his life and now here she was, not having stumbled at all but accepting an offer of sanctuary and he had acted like a fool. Squeezing his eyes shut as he placed his palms against the tile, he let the water beat against the back of his neck and shoulders in sufferance. He had barely said more than a handful of words to her. Now he came to think of it, Jamie couldnât even remember if heâd offered any semblance of a welcome, just mumbled about his lack of preparedness and ran off to the shops when he couldnât stand the awkwardness any longer.
When he had finally made himself presentable and firmly told himself to get a grip, he made his way downstairs into the kitchen and saw no signs of life. Confused when his dog wasnât sat dutifully beside the back door, Jamie turned to set the kettle on the stovetop and found a note attached to it.
thank you for the stir fry, it was v tasty. slept well but woke up way too early. bribed the girls with breakfast so i could collect the eggs. away for a walk, bran with me. x
Not wanting to act like a teenager, even despite his morning woodâs renewed vigor, Jamie tried not to let the fact that Claire had signed off with a kiss go to his head. After sorting himself with a coffee and switching on Radio 6, he found six large eggs in the basket on the table and set about making an omelette which he ladened with butter and cheese.
Singing along in his tone deaf voice to the latest pop hit that he had no recollection of ever learning the words to, he set down the spatula that he was wielding just as the kitchen door opened and closed. With a cold gust of air and Branâs head now neatly tucked under his palm, nose twitching at the prospect of food, his skin warmed at the sound of her voice.
âGood morning. What have you got there?â
Claireâs eyes caught the frying pan on the stovetop and ducked out of the door once again, returning in a matter of seconds with a handful of greenery which she tore roughly as she crossed to Jamie and dropped into the eggs.
Jamie startled, an expletive noise bursting from him as he looked helplessly at the breakfast Claire had just seemingly ruined.
âSorry! Do you not like chives?â
ââŚchives?â
âYou have wild chives growing outside. I just thought theyâd go well in the omelette.â
âOh. Chives, ye say?â
âChives,â she smirked. âNow is it ready to eat or shall we stand around and say chives a few more times?â
âCoffee?â he conceded as she moved to sit on the bench, folding herself neatly before planting her elbows on the table and looking closely at him.
âPlease.â
âSo ye slept well?â
âUnsurprisingly but yes. Although I think Iâm all off kilter now. I had my dinner at 3am this morning.â
âWell, if ye fancy it, we can get a takeaway tonight? Might reheat better if ye end up needing to sleep again.â
âIâm craving carbs. Is there an Italian in the village we could order from?â
âThere is but they dinna deliver. Still, if I phone Thom and ask to pick it up, Iâm sure he winna mind.â
âOh no, I donât want toââ
âSassenach, wheesht. Itâs fine.â
It was the first time heâd called her by his nickname for her since sheâd darkened his door. And he didnât miss the smile that burst onto her face at the sound of it.
âOkay then.â
Auditory neuroscientist Michael Dempster delivers a gripping presentation on how the mind reacts when we talk freely with the language we grew up with.This t...
Hereâs me, ignoring the work that I should be doing because I canât stop thinking about @faeriesfanficblogâs post this morning.
This video is a talk by Michael Dempster whoâs an auditory neuroscientist and he speaks about the Scots language. Itâs super interesting.
This is a polite request to open a conversation about the way that Lowland Scots is used within fanfic in the Outlander fandom. I donât know how to explain this in a way that will make sense to anyone outside of Scotland, but one of the common mistakes I see fanfic writers make when it comes to the way they write Scottish characters is that they try and use their own made up phonetic versions of Scots words.
Scots isnât just an accent, and it isnât a subjective decision about what an individual thinks is correct - no matter what was published in apopular book series once upon a time.
First, Lowland Scots is an actual language - or leid - in its own right with distinctive sounds, grammar and spellings that are increasingly standardised.
Second, most people who grow up in Scotland speak or at least understand Scots to some degree.
Third, the way we speak English is influenced by the Scots language, and specificially the differences in sounds. For example, Scots is a heavily rhotive language although the way the âRâ is pronounced can change - for example there are some accents around Moray and the North East where the âRâ is pronounced more like a French R rather than the rolled âRâ with the tongue that a lot of central belt Lowland Scots uses.
Scots has its own history and a parallel development to English. It is not a variant of English, it is a language that developed separately from similar roots.
Scots did not go through the great vowel shift.
Thereâs more but lets start with that. Unfortunately after the Act of Union in 1707 and from the 18th century to the late 20th century, for political reasons Scots was looked down on. Myths were created that Lowland Scots did not exist, that Lowland Scots was not a language, or that Lowland Scots was just bad English.
The way a Scottish character uses Scots shouldnât just be influenced by what an American author wrote 20 or 30 years ago thinking it sounded the way a Scottish person would talk.
This contributes to the idea that Scots as a language is not real, but simply the subjective experience of the non-Scots listener. Scotland has its own education system. However, due to internal policies where English was promoted as superior and Scots was put down as made up, fake, and bad English, what happened was Scots wasnât taught.
I am one of many Scots who for generations spoke Scots, but was told Scots didnât exist and was taught to write only in âproperâ English. There are a few consequences to this.
First of all, I very much struggle with reading and writing Scots. I can do it, but rather than my post-grad level of English comprehension, my Scots reading and writing comprehension is that of a primary school child and what comprehension I do have is largely self-taught. I see a lot of people writing modern AUâs where they try to use Scots words. But instead of looking up words using resources like the Dictionary of the Scots Language, they make up their own phonetic sounding spellings based on their knowledge of spoken English, which has a completely different sound to it than Scots because of the Great Vowel Shift. (Scots did not go through the Great Vowel Shift. Scots also makes heavy use of the glottel stop, and dropped letters).
Imagine if i came to your neighbourhood and made up my own phonetic spellings of what i thought you sounded like based on the way i talked, and then tried to tell you that that was your language written down. Imagine. The sheer audacity. You would probably - quite rightly - feel incredibly insulted and angry at the arrogance. And then imagine the gaslighting, if I then told you that you werenât allowed to be angry at me doing that, because I read something in a book written 30 years ago by someone who had never spoken or learned your language. Thereâs a point to all of this.
Scots is a minority language and we need to start treating it like that instead of treating it like a cute linguistic quirk of English. Slowly the situation is changing as regards the recognition and teaching of Scots, but there is a quandary here in terms of the experience of people who would be adults in a modern AU set now. The consequence of history is that if you are writing a modern AU adult Scottish character, chances are they wonât write in Scots. They may speak Scots, but chances are they only ever learned to write English. This means that the way we talk and the way we write are completely disconnected. We do not write English phonetically because we had it drilled in to us to only write âcorrectâ English which was completely different in its sound to the way we spoke.
Bear in mind also that some of the phonetic spellings people are coming up with are based on the attempted Scots accents of actors who are not themselves Scottish.
The result is made up spellings of words from a book written by someone who doesnât speak Scots, written in phonetic ENGLISH based on the fake accent of someone who isnât even Scottish.
For me, this is a problem.
This is a real language that real people speak. Can we please perhaps give just a little bit of thought to how treating someoneâs language in that way actually looks?
Yes, the fact that most Scots literally speak in one language and write in another creates a quandary about how to deal with this. But it makes no sense - at least in my mind - for fanfic writers to try and come up with made up phonetic spellings of Scottish things in an effort to sound âScotsâ.
For Scots like myself, of my generation, if we do write in Scots, chances are I would use the increasingly standardised spellings. Or change it to the dialect of Scots I speak. For example, â-aeâ is a much more common word ending where I am from that â-aâ which is how it sounds to a non-native listener who, often, doesnât understand the speed and subtlety of the language.
Another point is that when spoken naturally, Scots is often spoken at an incredibly fast pace. Such that when Scots is spoken for non-Scots, it tends to be vastly slowed down and the words separated rather than flowing together. Think of a music track being played super slow and it sounds all weird. Thatâs what you are basing your phonetic Scots spellings on.
Thankfully Scots as a language is making a bit of a comeback and there is now much more in the way of teaching, teaching resources, childrens books and popular support for the language.
Its great that people want to use Scots. Thatâs brilliant. I fully support that. But as language resources become increasingly accessible, I donât think it is inappropriate to ask people in general and writers in particular to pay just a little bit of thought to how the way they use my language might actually look to a native speaker.
Let me give you an example.
If someone from Edinburgh who grew up speaking the local dialect of Scots confirmed where they were from they would write something like this:
âYes, I am from Edinburgh.â If they were to say it it would sound to a Scots speaker something like this:
âAye, Ahâm fae Edinburruhâ
And it would sound to a non-native speaker something like this:
âAye, am fa Edinbra.â
You see the problem?
The Scots Leid also distinguishes between where you are from (born/raised) and where you stay/bide.Â
So if someone was from somewhere else but living in Edinburgh they might use the word âbideâ which means to stay somewhere, but youâre not from there originally.
Or they might reply by telling you where they lived as a child, or where they were raised, if thats a different place to where they live now.
The pace and subtlety of the speech and the nuanced differences to English - which is a separate language - means that often the subtleties of the specifics of Scots are not picked up. The first person singular âI amâ pronounced with a flat âAhâ sound is often mistaken for being a part of the verb âto beâ with the âIâ missing or dropped and thatâs not grammatically what is happening. Reflected vowels or vowels that are squished in, or glottel stops in place of âttâs often completely bypass the listener who is not acquainted with the subtleties of spoken Scots.
But it gets worse. Sometimes when those of us who do speak Scots - or have taken the trouble to learn Scots - sometimes when we use it in writing we then get attacked by non-native speakers who are only familiar with the inaccurate and made up book and fandom versions of our language. The correct language we actually speak, write and use is attacked for being inconsistent with the made up âScots languageâ of the fandom canon or of the original source material.
So my plea is this: please donât make shit up just to try and sound Scottish. And please stop attacking actual Scots speakers - some of whom are Scottish and some of whom are not - for actually writing and using our own language correctly. Scots is a language that can be learned just like any other language. Maya Angelou loved the poetry of Robert Burns and made the effort to learn how to pronounce the sounds correctly. You can hear this for example in the way she pronounces the letter ârâ when reciting Burns, which is different from her own natural accent.
Scots is an actual language, with actual standardised spellings that reflect the sounds made when that language is spoken. There are resources out there. If you care enough to use the language in your work, please consider going that small extra step and either reaching out to someone who is has the Scots Leid or looking online for language resources and the Dictionary of the Scots Language.
https://dsl.ac.uk - Dictionary of the Scots Leid, an online dictionary of the Scots language.
https://www.tobarandualchais.co.uk - an online archive of Scotland cultural heritage in Gaelic, Scots and English based on the Canna Collection, the School of Scottish Studies at the University of Edinburgh and the BBC Radio nan Gà idheal archive. (There are recordings in Scots on here although bear in mind that some of them will be historic and may no longer reflect current speech patterns.)
Eloquently and passionately put and echoing my own feelings about the use of our language.
When I started writing Outlander fanfiction, I really struggled with writing dialogue between the Scottish characters. I would lapse into my own dialect even though the characters werenât from my neck of the woods. As said above, a huge majority of people had the Scots trained out of them when they went to school, often being corrected to âspeak properlyâ. I remember being told by my primary three teacher that I shouldnât say âkyeâ. When I corrected myself and thought to replace it with âbeastsâ, he remarked that I should simply call them cows or cattle. Although I went to school in a suburb of the city, I grew up in the shire and was often made fun of for using âteuchter wordsâ and it brought a lot of shame.
There has been an effort to walk back some of the damage that caused Scots to be pushed down. My niece is almost 4 and has the English, Scots and Doric translations of the Grufallo. She can now practically recite all three of them and itâs amazing to watch her brain make the connection between the English word âveryâ and the Doric word âgeyâ.
Sheâs being raised in a way that we hope she doesnât even contemplate the insidious Scottish Cringe. But so many of us are still unlearning it and figuring out how we connect to our culture through language, spoken and written.
When Iâm reading or writing dialogue of Scottish characters, I can hear the way they speak in my head even though the writing may be in English. Below is an example of how I try to put that across in my writing (this is taken from chapter 7 of Lights)
He found himself instantly more comfortable the minute that she rolled her green eyes at him, âMy name is Geillis Duncan. Not exactly fae Spain, am I?â A small smile played across his lips at the sound of her last two words devolving into âahm uhâ despite her best efforts.
Even there, my use of the word âdevolvingâ brings on connotations that speaking in a highly accented way is somehow lesser, despite trying her best to stop that from happening should she be seen as less professional. It shouldnât be that way.
So please treat our language with respect. Do a tiny bit of research before you type something phonetically, listen to actual Scottish voices and notice the difference in their word choice when speaking to strangers as compared to other Scots and please, for the love of god, donât correct us. It doesnât feel good.
Itâs a beautiful language full of humour and feeling and tradition. And we need to protect it.

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Light Across the Seas That Severed (Ch8)
AO3
Jamie cursed under his breath, once again running the palms of his hands against his thighs in an attempt to wipe off the sweat.
âSeas, Fraser,â he told himself.
It had been two sleepless nights since heâd received the phone call from a widowed Claire Randall.
Or was she Beauchamp now? How long until she would claim her own name again? Ever?
His eyes were trained on the stone archway that opened into the Lallybroch courtyard, knowing that her taxi would arrive at any moment. He had offered, practically begged, to pick her up from the airport but she was adamant that she would make the journey herself.
Jamie conceded the point, wanting to grant her every and any possible allowance that she needed at the moment. But he had to admit to the joy that sparked his deadened heart at being on the receiving end of her stubbornness.
They hadnât spoken about the details since theyâd talked on the phone. He knew the day and time of her flight into Inverness but nothing more, only that she hadnât booked anywhere else to stay, at his insistence. She had been told, unequivocally, that she would spend as long as she needed at his home. He would keep her, huddled in the warmth of Lallybroch, until she said otherwise.
Jamie had experienced loss. Been beaten by it, tortured by it and then finally learned to walk with it. And now Claire was starting her journey with grief. All the tangled, confusing thoughts and emotions that came along with it. And Jamie knew that he would help her navigate it in any way he could.
He found himself pacing outside his front door, only pausing briefly to scratch the head of Bran who lurched towards him in his old age but sent a full smile as his lower jaw dropped at the sight of his master.
âYer a good boy, are ye noâ?â
The old labrador gave him a huff of agreement before his nose caught the scent of the bacon bap that sat on a plate, somewhat precariously balanced on the stone steps. Jamie had made it to offer Claire on her arrival. Heâd been brought up with the tenets of Highland culture ingrained in him, the most important being that grief was met with food.
Even though he was getting on in years, Bran could be as quick as lightening when food was on offer. Yelling bloody murder, Jamie took after his faithful companion, his feet kicking up the gravel as he sprinted into the house. The pair cleared the kitchen in record time, managed a full circuit of the living room sofas and then halfway up the stairs before Bran retraced his bounds, deciding to retreat to his favourite hiding spot under the large oak table in the dining room, having figured out years earlier that Jamie was not as quick on his hands and knees as Bran was on four legs.
âYe wee bastard, give it here!â Jamie grunted, swiping a large arm at the dog from his position on his knees. Bran was having the time of his geriatric life, wagging his tail with absolute delight at his morningâs game of chasies and forbidden food to top it all off. âSwear tae Christ, man, yer a good boy but ye can also be a wee shite!â
âAm I interrupting?â
I see the Outlander fandom is back on the âhomophobic bullshitâ train.
It has been too long.
*sharpens swords*
This shit honestly makes me want to write the most queer positive fic possible.
Triquetra was the first fic that I read that was anything other than Jamie/Claire. And as a queer person, it was so bloody affirming.
Fic is for everyone, including the LGBTQIA+ community.
Weâre here, weâre queer and we will always write fics where big auld brute Jamie Fraser allows the soft aristocratic Englishman John Gray to bloody annihilate him in the most sensual way.