tannertan36
PR's Tumblrdome
"I'm Dorothy Gale from Kansas"
EXPECTATIONS
wallacepolsom
Today's Document
will byers stan first human second
Discoholic đŞŠ
Aqua Utopiaď˝ćľˇăŽĺşă§č¨ćśăç´Ąă
bliss lane
let's talk about Bridgerton tea, my ask is open
noise dept.
KIROKAZE
#extradirty
Claire Keane
Love Begins
NASA
PUT YOUR BEARD IN MY MOUTH
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@circumnaufragar
CANCIĂN PRIMERA
Mi vida. Mi vida no. Mi vida nunca. Mi vida nunca fue un pĂĄjaro sangrando estambre por las alas. Mi vida nunca llevĂł en el crĂĄneo una corona de astillas. Mi vida nunca fue. Mi vida no fue ni serĂĄ maĂąana una mariposa apresada en las trenzas de una chica. Mi vida no fue ni tampoco...
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De los oscuros troncos de los naranjos caen hongos, azĂşcar, azahares. Tiendo la mano y devoro; aunque mamĂĄ me tiene prohibido que tome nada fuera de lo que ella me da en casa. Tengo miedo y los dedos conďŹtados.
 Hay murciÊlagos en la heredad.
 En casa hay murciÊlagos:
                       fuman, se duermen, acostados en elÂ
aire, simplemente.
 Pero, es necesario ponerles, cerca, una tacita con sangre.
Marosa di Giorgio, poeta uruguaya (1932-2004)
Mira Schendel Tate Modern: Exhibition 25 September 2013 â 19 January 2014
Mira Schendel, Untitled (Droguinhas Series), 1972
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Mira Schendel Untitled (Disks) 1972 Letraset, graphite on paper and transparent acrylic
Hieronymus Bosch, The Epiphany or The Adoration of the Magi (detail, central panel), c. 1510. Oil on panel, 138 x 138 cm. Museo Nacional del Prado, Madrid.
León Ferrari, Planta from the Heliography series, 1980
2105/1805 by june1777 on Flickr.
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"TALKING HEADS" (GADAJACE GLOWY): a short documentary, directed by Krzysztof Kieslowski in 1980, turns a simple idea into a masterpiece: ordinary people of different age and background in Poland were asked 3 simple questions. Their spontaneous responses reveal the way they see lifeâŚ
Part 1: âWHO ARE YOU?â: A difficult question with a simple answerâŚ
Victor Ivanovski
Deleuze (1925 - 1995) and Guattari (1932 - 1990) wrote a two - volume work called Capitalism and Schizophrenia: Anti - Oedipus (1972) and A Thousand Plateaus (1980). Their masterpiece was the creation of the ârhizome,â which was a revolutionary methodology for thinking.
 The rhizome had 6 main traits:Â
[1] Connection: This refers to the linking of different thoughts in the rhizome.  Ideas are connected at  multiple points.  Any point of any one thought can be linked to any other point in a system of thought. Â
[2] Heterogeneity:Â No link among different thoughts must be linked to parts of the same nature. Â Â A piece of art could be linked to a particular social theory, which could then be linked to a political scandal. Â The ideas can be linked to each other in any way, not requiring in homogeneity in their fundamental traits.
[3] Multiplicity:Â The rhizome is not reducible to one or to multiple. Instead, it is a system of lines. Â There are not âunitsâ of the rhizome. Â It can be conceived of as a linear system of dimensions, of âdirections in motionâ. Â
[4] A signifying rupture:Â Parts of rhizome can be ruptured, or broken. Â This does have a normative meaning. Â A broken element or connection in the rhizome does not mean that that element was âbadâ or should that a link between ideas should not have existed. Â The rhizome continues to exist. Â
[5] Cartography: A person enters into the rhizome from a distinct point. Â It is not possible to re-enter from the same position many times, or for different people to approach the rhizome from the same position. Â Cartography has an intuitive meaning, drawing the understanding the links and parts of the rhizome - creating a map of it. Â This allows for a unique conception of the ideas being evaluated, linked, etc, and a formative process that contrasts to tracing.Â
[6] Tracing (decalcomania):Â Â Tracing is like tracing a drawing, there is not creation involved. Â Tracing the rhizome assumes it static and fails take account of the constantly changing nature of the structure. Â Tracing transposes a pre-existing conception of the rhizome and of thought onto elements that do not fit into that framework. Â Thus, tracing is opposed the project of conceiving of thought as a rhizomatic scheme.Â
When I desire you a part of me is gone.
Anne Carson, âEros the Bittersweetâ (via lifeinpoetry)
Alcide-Joseph Lorentz (1813-1891).
Saint Sebastian, oil on canvas, 249 x 150Â cm.
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Jean-Michel Basquiat
Self portrait, 1983
