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AnasAbdin
Game of Thrones Daily
ē„ę„ / Permanent Vacation
he wasn't even looking at me and he found me
wallacepolsom
Not today Justin
"I'm Dorothy Gale from Kansas"
titsay
if i look back, i am lost
Janaina Medeiros
Discoholic šŖ©
art blog(derogatory)
Three Goblin Art
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Origami Around
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Cosimo Galluzzi
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@cinemaguild
Watching your old films is really difficult, you donāt understand anything. After you finish a film, you are completely blind. You never have the chance to see your film objectively. But Iām the kind of person who always sees things negatively ā I always only see the mistakes ā so itās painful and I never watch my films.
Nuri Bilge Ceylan (via heidisaman)
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La Jalousie, Philippe Garrel (2013)
La Jalousie, Philippe Garrel (2013)
Once Upon a Time in Anatolia (Nuri Bilge Ceylan, 2011)
Jauja (2014) Directed by Lisandro Alonso
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Asghar Farhadi on the set of About Elly (2009).
Counting | IFC Center | Fri Jul 31, 7:25pm Director Jem Cohen in person with Q&A moderated by Laura Poitras
Darbareye Elly (2009)
Darbareye Elly (2009)
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One of the few things I can really say I love is cinema. Iāve lived a long time for cinema. I lived with it, I still like it a lot, I like doing the work. Now I think it goes a little bit beyond cinema. I was much more of a cinephile 20 years ago; I was much more a believer in all then powers ā natural, supernatural [Laughs] ā of films. Now cinema, for me, has becomeā¦ I always say, if Iām just doing a film, I think I wouldnāt bother. Thereās something else for me.
We have an extensive conversation with Pedro Costa about the mysteries of Horse Money, films about forgetting, and Bart Simpson.
35 Shots of Rum, 2008. (Claire Denis)
35 Shots of Rum, 2008. (Claire Denis)
Watch the first official trailer for Jem Cohenās documentaryĀ Counting, which premiered last February at the Berlin Film FestivalĀ and will open in New York on July 31st.
The project is made of fifteen distinct but interconnected chapters, shot in locations from New York, to Moscow, St. Petersburg, Istanbul, Porto and a city intended to remain unknown: together, they build to a reckoning at the intersection of city symphony, diary, and essay film. Ā Snapshots of places both popular and unknown and of people, striking observations of everyday life, a tender gauging of reality, snippets of voiceovers in passing.
Ne change rien (Pedro Costa, 2009)
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āI donāt want to do what others did before or replace them. Thereās no replacement for Chaplin. Ozu is great. They did it. Letās do something else. Now itās a matter of rebalancing things.ā
Two great filmmakers, Pedro Costa and Thom Andersen, met and talked for five days of the Courtisane Festival in Ghent. Read Ruben Demasureās report at Notebook.
Horse Money dir. Pedro Costa
