Francesco Hayez (1791-1882). Consiglio alla vendetta (Vengeance is Sworn) (1851). part of the Trittico della Vendetta (Revenge Triptych). Italian. Oil on canvas
Cosmic Funnies

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One Nice Bug Per Day
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if i look back, i am lost

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Francesco Hayez (1791-1882). Consiglio alla vendetta (Vengeance is Sworn) (1851). part of the Trittico della Vendetta (Revenge Triptych). Italian. Oil on canvas

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Paolo Veronese - «Juno Showering Gifts on Venetia» , between 1554 and 1556
Doge's Palace, Venice
Ingeborg Andreasen-Lindborg, Lola, 1920, drypoint, sight 8 1⁄2 x 6 3⁄4 in. (21.6 x 17.1 cm), Smithsonian American Art Museum, Gift of Chicago Society of Etchers, 1935.13.196
La Virgen, los Santos y una Santa Mujer Taller de Bartolomé Bruyn el Viejo
Descripción general Este panel era muy probablemente el ala derecha de un díptico (una pintura compuesta por dos paneles) y probablemente fue realizado en Colonia en la década de 1530. Se desconoce la ubicación del panel izquierdo, pero lo más probable es que representara a Cristo muerto. Las figuras se agrupan y miran hacia el panel izquierdo, llorando ante la escena. Su dolor es dramático: sus rostros angustiados, sus lágrimas como perlas de cristal en sus mejillas. Los pliegues ondulantes de sus ropas de colores brillantes intensifican la emoción. La mujer que aparece al frente es la Virgen María, vestida con su manto azul tradicional, que aquí tiene forro de piel en los puños. La mujer a su izquierda es María Magdalena, reconocible por su larga cabellera suelta. Al igual que la santa que lleva el gorro detrás de ella, María Magdalena viste ropas elaboradas más propias de la época; su manga abullonada está decorada con brocado de seda. El hombre es San Juan Evangelista, conocido como el «discípulo amado», a quien Cristo, durante la Crucifixión, encomendó a su madre.
Detalles Título completo: La Virgen, San Juan, Santa María Magdalena y una Santa Mujer Artista: Taller de Bartolomé Bruyn el Viejo Fechas del artista: 1492/5 - 1555 Fecha de fabricación: 1535-40 Medio y soporte: Óleo sobre madera (roble neerlandés/alemán occidental, identificado) Dimensiones: 67,9 × 48,3 cm Crédito de adquisición: Presentado por Henry Wagner, 1924 Número de inventario: NG3903 Ubicación: No está en exhibición Recopilación: Colección principal
Información e imagen de la web de The National Gallery of London.
Claude Monet
"Les coquelicots" - 1873
Oil on canvas
Musée d'Orsay, Paris

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INSIDE #2 - corridors (INSIDE is an upcoming dark wlw zine created by me and my partner @luposlipaphobya. It explores the strange relationship between D&D characters Lieudi, a sentient mage tower, and Gilligan, the necromancer living inside her. Polychromos pencils, Luminance pencils, gel pens, alcohol markers)
David Kosakoff, Untitled, 1939, lithograph, sheet: 12 x 15 3⁄4 in. (30.5 x 40.0 cm), Smithsonian American Art Museum, Gift of the artist, 1969.27.2
I waited too long to make this parallel. I hope they have interaction in man of tomorrow.
Superman, you'll love pompompurin. I've not been doing well so i doodled this to lift my mood :>
oh to be snug as a bug in a rug

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less of a poem, more of a reminder. ( ఌ )
so soft it hurts
Billboard,
Shooting Cairo
Mirror,
Shooting Cairo
Gym Ceiling,
Shooting Cairo

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Gym in Building,
Shooting Cairo
Night Scene,
Shooting Cairo