Hans Emmenegger (Swiss, 1866-1940) - Waldinneres (In the Forest) (1933)
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祝日 / Permanent Vacation
Not today Justin
Xuebing Du

@theartofmadeline

Origami Around
Sweet Seals For You, Always

tannertan36
todays bird

AnasAbdin

★
d e v o n
Claire Keane

⁂
RMH
Misplaced Lens Cap
🪼
DEAR READER
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@chromatic-snork
Hans Emmenegger (Swiss, 1866-1940) - Waldinneres (In the Forest) (1933)

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this tiktok screenshot ruined my life i need to see the serbian pigeon movie so so badly but it doesn't exist it's so foul to make this bad of a point with something so cool and then take it away from me.
Tiktok marvel fans really will be out here like "movie fan SHOCKED because i'd rather watch superhero movie #54 in blue and not a sensual 1987 french horror film about a man discovering his wife may not exist set in what is gradually revealed to be a space station" as if you're supposed to agree that superhero movie #54 is the clear winner in this comparison
Love the idea of a story about a complex issue that's told from the perspective of something that cannot comprehend or care about the issue. The way the story would be sliced up and moments that a human would consider pointless would be focused on because the pigeon happened to be there would be hype as fuck
Ok FINE I made the movie poster of it
Mališa, otherwise known as Little One, is a pet pigeon owned by a conservative butler of the Austro-Hungarian aristocracy. She is loved, and she is pampered— until her owner is murdered in cold blood, and she is left to fend for herself in Sarajevo.
In the wilds of the city, she feeds from the poor, working nationalist radicals, and the vieux riches alike.
To Mališa, there are no ethical concerns. No politics. No burgeoning nationalism.
There are only hands that feed her, and hands that do not.
This is compelling. Consider me fucking compelled.
Final shot is the bird hearing, but not seeing, the sound of a .32 ACP pistol, and flying away in shock
"From the studio that brought you Goncharov...."
yeah okay ill reblog that
”there are only the hands that feed her, and those that do not” yeah-
Don’t Make Me Laugh Bitterly
Pen and ink
2016
THE SECRET WORLD OF ARRIETTY 2010, dir. Hiromasa Yonebayashi
Can't understand if I'm in love with him or it's just gender envy

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It's not fair to cry, Miffy. You're the one that chose to end this. You're the one walking away.
Quality time in purgatory. <3
The Key to Daydreaming
18 x 13 cm, acrylic on mdf board, 2026

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White Dog (1982)
6/10
"We started to hide there something they would not be able to see." Juraj Jakubisko talking about communist censorship in CzechMate: In Search of Jiří Menzel (2018)
りゃう@ryaw_2523
William K. Hartmann

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"Nature, as Theodor Adorno insists, always remains nonidentical with the terms we use to describe it: “Objects do not go into their concepts without leaving a remainder.” This book is fundamentally interested in these remainders: in the aspects of the world that overspill the bounds of capitalist social form, that are not easily contained within capitalist labor processes, that appear as aberrations in both the physical organization of the world and the concepts used to make sense of it." —Alyssa Battistoni, Free Gifts: Capitalism and the Politics of Nature