Arya and Jon by Cj K
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Arya and Jon by Cj K

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Arya
wait you like jonrya??????!?!??
can't tell what tone you were going for here but yes. it's interesting that grrm can't quite let go of the original drafts when he writes jon & arya and as a result their relationship exists in this liminal space where it's not quite platonic and not straightforwardly romantic. i also feel they're his one relationship that is strongly modelled after cathy & heathcliff (there are shades of it w/ jaime & cersei obvs but it's not quite as relevant over there)
(steven vine, the wuther of the other in wuthering heights)
they're written to be jaime & cersei's foils—that relationship is about the impossibility of true self-identification with the other because of their opposing gendered fates, because they were forced to inhabit the roles of knight and maiden ("we were so much alike, i could never understand why they treated us so differently")—but i think jon & arya are playing out this romantic ideal of unity with the second self because the basis of their relationship is their mutual otherness. they are not treated differently, they have mirrored storylines wherein they're exiled because of their inability to conform. the night's watch technically functions as a way to discard societal others, the faceless men serve the same function in arya's arc. she can only be arya stark of winterfell if she subsumes patriarchal ideals and surrenders herself in marriage (to some lord of ned's choosing, to some frey, to ramsay bolton) and if she refuses to do that she's no one. part of the reason jon ends up joining the night's is because he no place at winterfell once ned goes south, narratively it works to permanently remove jon from a society that already stigmatises his existence. he is a snow and will never have a family, arya will be no one's wife and no one's daughter ("the price is all of have and all you ever hope to have" / “boy, girl… you are a sword, that is all.”) and it's really compelling to me that the only thing preventing them from that dispossession of being is the memory of their other self. arya lets the many faced god take everything from her except needle, which was jon snow's smile and her last tangible connection to her brother. jon doesn't leave the wall to avenge ned, doesn't leave to assist robb but he does it for arya. adwd is jon's duty vs love book, the news of ramsay marrying arya is supposed to call into question and then settle the question of his devotion to the watch. i think his most notable act in that book was arranging alys karstark's wedding, who was in the same plight as (jeyne)arya - threatened with the theft of property through a forced marriage. he acts less as a commander of the watch here and more warden of the north. in asos arya worries robb won't ransom her back because kings are supposed to put the realm before their sisters, jon's not a king in name but he is dany's twin in their kingship arcs and his concern for arya is what drives him take part in the wider politics of the north - when he first sends mance south to bring her back. there's actually very good thematic setup here for arya - who has unfinished business with her undead silent sister mother since she was almost a witness to the red wedding, who currently holds robb's crown - eventually (temporarily) crowning the brother that put his sister before his realm.
The wolf pup loved her, even if no one else did.
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arya’s arc is so identity focused, obviously jeyne had to impersonate her, that’s the part that belongs to jeyne is the thing. jeyne envies arya because they are both northern but jeyne is more traditionally feminine and therefore more pretty but she is still very very far beneath arya, and the place jeyne covets at sansa’s side will always be arya’s and never her own, and then she gets stolen from sansa’s side because she is not as important as sansa is, and forced to wear arya’s skin forever while being thrust into this dangerous and tenuous spot as a pretender to the seat of winterfell and the wife to a bastard and known murderer. isn’t being arya so much fun? that part, that loss of identity, belongs to jeyne. it’s like bran loving to climb and being a curious, precocious little kid then being pushed when he stumbles on a conspiracy - the world takes a thing that makes you human and punishes you for it and there’s nothing you can do to make it “fair.” but theon takes her hand and jumps with her anyway. he resents kyra for her weeping & wishes he would have left her to die but when he is faced with jeyne’s weeping, he grabs her before he leaves instead of leaving her on the battlements. i get that he’s the narrator here but her story Is here and it Is about her it is Literally about jeyne never being enough compared to arya & sansa and then being saved anyway by the exact sort of person who would have made her feel small. she suffered and it got to him, and finally jeyne was important enough to save! to theon if no one else!
the connection between the two is of course the rescue itself - it’s jon saying “bring her home mance” but when he says home he’s not talking about winterfell he’s talking about himself. jon & arya understand, much better than their darker shadows, that home is not a place but the people who live in that place with you. both of them are barred from their homes - and of course their shadows theon & jeyne get pulled back kicking & screaming into winterfell over their own objections - and both of them attempt again and again to recreate the atmosphere of winterfell-as-a-home while separated, searching for pieces of each other in others. so when jon thinks arya is now Not Home instead of “dead but don’t ever think the word dead” he openly, and with no shame on his mind breaks his vows to chase after her. Needle is Winterfell and its people. Theon & Jeyne have a story about understanding what that means from inside its walls as its captives, and Jon & Arya have a story about knowing it, and prioritizing finding each other over a place.
the part to me that belongs to arya is jeyne herself. not jeyne-as-arya. i do believe arya will hear a whole lot of disturbing rumors from the north including that she’s married to ramsay that will spur her home - but it’s not about killing her shadow self to reclaim her identity as arya stark. it’s about them finding peace with each other. she has never been no one, just as jeyne can never be arya. reclaiming her identity is about making peace with the parts of herself that do not fit her family’s vision of who arya stark is. no one is the parts of arya that her mother chided her for. no one has done things arya thinks would make her mother no longer love her. no one may believe that arya has to kill her shadow self, but when she gets home it’s going to be about exactly what it’s always been about - needle and her crooked stitches. it’s not septa mordane’s approval that arya covets, and it’s acceptance but not approval that she needs from sansa; she wants the acceptance and (To Arya - i have many opinions about Ned’s view of arya’s gender performance issues) the approval that Ned offered her, that her father offered her, that her mother did not. thoros couldn’t bring back a man with no head but beric could bring back a woman with no throat. she fixated on lady smallwood & septa mordane & sansa bc they are stand ins for her real issue which is cat and cat is still alive and actively searching for something after having made contact with harwin who knows arya is alive as well. all roads lead to winterfell the same as many waters feed into the trident, both sides of arya have to have a reckoning with each other, so that when arya goes north, she can keep in her mind the reminder that winterfell is its people & that includes the sad little shadow wearing her name in the north.
arya meeting lady stoneheart is about closure. it’s about coming full circle. its about the cycle of life and death and rebirth. it’s about family. it’s about purpose. its about mercy and justice and grief and, yes, vengeance. but i don’t think its in a “ohh arya needs to learn revenge is bad” sort of way and i seriously doubt thats the effect this meeting will have, at least from the character’s perspective.
arya already knows revenge doesn’t make her feel any better. she’s under no illusions about that. she associates the ability to kill with survival and with good reason because, for better or worse, that what it means.
Arya edged farther into the room. Joffrey’s dead. She could almost see him, with his blond curls and his mean smile and his fat soft lips. Joffrey’s dead! She knew it ought to make her happy, but somehow she still felt empty inside. Joffrey was dead, but if Robb was dead too, what did it matter? (Arya, ASOS)
arya is aware that joffrey dying didn’t bring robb back nor did it make her happy. she still feels empty. in her own way this is fairly similar to the comments made by catelyn and ellaria - grown women and mothers with a lot more life experience then her.
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I truly think d&d fucked Arya from her introduction.
The first thing we see her do in the show is use the bow to outshine Bran who is training while her parents smile indulgently when that's literally the opposite of her first chapter.
In the books, she also run off from Needlework to the disappointment Septa Mordane (fuck her specifically actually) and Cat and she explicitly is looking at boys training bellow not being able to join, just like Jon and if she would, her parents would be incredibly disapproving.
Jon is out there saying: "Girls get the arms but not the swords. Bastards get the swords but not the arms. I did not make the rules, little sister." In her first chapter and D&D read that (allegedly) and went: what if we did the opposite actually.
Also, because everyone has the Stark look,the sense that she is feeling like an outcast in her own family like Jon is gone which changes the entire dynamic.
We can also talk about "the woman is important too" vs that time they made her say the opposite but I already ranted about that.
I’m officially rebranding my long-form analysis and book discussion content. What used to live under Dragon in Winterfell is now The Loreweaver.
To mark the rebrand, I’ve released a new long-form episode:
“Why Arya Stark Will Not Sail West of Westeros”
This episode breaks down, using direct book quotes and textual evidence, why Arya’s show ending doesn’t align with her arc in A Song of Ice and Fire.
🎧 You can listen here:
• Spotify (The Loreweaver Podcast)
• YouTube

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So much of Arya’s story is about challenging the constructed and intrinsically linked ideas of gender and beauty, though maybe more importantly it is also about exposing the loss of self and individuality that happens both when you do conform to these standards but also when you try to reject them, i.e. when society doesn’t have a place for you at all. And rather than accept either of these fates that are presented to her, Arya is being set up to instead learn to carve out a space of her own.
I think this arc is foreshadowed all the way back when she first is learning water dancing with Syrio:
"Boy, girl," Syrio Forel said. "You are a sword, that is all."
(AGOT Arya II)
Throughout Arya’s journey, it becomes clear that she doesn’t really fit either the description of being a boy or a girl, and being unable to find acceptance for who she truly is, she then instead ends up with The Faceless Men, where she will be stripped of her identity entirely, becoming “no one”, simply an instrument (a sword) in the hands of others.
But even when Syrio first puts forth this notion, Arya also refutes him or at least makes her own addition to the idea:
He clicked his teeth together. "Just so, that is the grip. You are not holding a battle-axe, you are holding a—"
"—needle," Arya finished for him, fiercely.
(AGOT Arya II)
She isn’t just any nameless sword, she is Needle.
And when she reaches The Faceless Men and is asked to give up every one of the last few possessions that remain to her, Needle is the one thing she can’t let go of:
She stood on the end of the dock, pale and goosefleshed and shivering in the fog. In her hand, Needle seemed to whisper to her. Stick them with the pointy end, it said, and, don't tell Sansa! Mikken's mark was on the blade. It's just a sword. If she needed a sword, there were a hundred under the temple. Needle was too small to be a proper sword, it was hardly more than a toy. She'd been a stupid little girl when Jon had it made for her. "It's just a sword," she said, aloud this time . . .
. . . but it wasn't.
Needle was Robb and Bran and Rickon, her mother and her father, even Sansa. Needle was Winterfell's grey walls, and the laughter of its people. Needle was the summer snows, Old Nan's stories, the heart tree with its red leaves and scary face, the warm earthy smell of the glass gardens, the sound of the north wind rattling the shutters of her room. Needle was Jon Snow's smile. He used to mess my hair and call me "little sister," she remembered, and suddenly there were tears in her eyes.
(AFFC Arya II)
It represents the true core of her identity, her history, her family and allegiances, her home, her sense of justice. And though she is inching closer every day towards becoming “no one”, Needle still remains hidden away in a crack in the wall, waiting for her to come back and claim it.
Older Edric & Arya
He’s asking for a dance and she’s asking to spar 🥰!
Arya Stark - Game of Thrones by Allegro97
The Stranger was neither male nor female, yet both, ever the outcast, the wanderer from far places, less and more than human, unknown and unknowable. - ACOK, Catelyn IV
Arya as the Stranger of the Seven
Sansa as the Maiden
Catelyn as the Mother
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I fundamentally don't trust anyone who looks at Arya's character and decides to analyze it by boxing her as "masculine" "feminine" or "tomboy". screw the gender dichotomy. what about justice and mercy. moon and water. valar morghulis and valar dohaeris. lone wolf vs. pack. the whole point of Arya is that her girlhood can and will never conform to what Westeros's patriarchal society wants it to be. Arya as a character transcends the simplistic labels, she exists as something beyond. she is so integrated within every single ideological conflict that asoiaf grapples with to an extent that practically no other character is; there's a reason why valar morghulis and valar dohaeris are in her chapters and applies to her life out of all the POV characters and why she's the one with the nickname "Arya underfoot" because she was always listening to her father's stories + advice under the table and how even now, all the men are rallying behind "valiant ned's precious little girl"; there's a reason why she's the one who offers the suffering men water, because she's rage and vengeance but she's also mercy and compassion--she's the one who didn't want to take a bath because she felt bad for the fleas. she's the one who parallels lyanna, the woman who haunts the narrative, who looks and acts exactly like her and most importantly shares her wildness and refusal to conform. Arya's girlhood is so important to her identity but it will never be "does she like dresses? is she a lady? does she conform to beauty standards? is she the masculine to Sansa's feminine?" because Arya isn't one half to Sansa's other--she contains both halves of almost every major dichotomy presented in the series, and if we're to have a conversation about her character, we need to start with that.
I drew Arya Stark for a college competition.