Woke to a warm darkness, the grey waterlight barely filtering through the dense green pines.
Sylvia Plath, from a diary entry featured in The Unabridged Journals Of Sylvia Plath (via violentwavesofemotion)

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@chilpaian
Woke to a warm darkness, the grey waterlight barely filtering through the dense green pines.
Sylvia Plath, from a diary entry featured in The Unabridged Journals Of Sylvia Plath (via violentwavesofemotion)

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Suffering expresses itself as the activity of resisting what is present and seeking what is not present. The separate self is made of that activity.
Rupert Spira (via lazyyogi)
When someone tells you, “I love you,” and then you feel, “Oh, I must be worthy after all,” that’s an illusion. That’s not true. Or someone says, “I hate you,” and you think, “Oh, God, I knew it; I’m not very worthy,” that’s not true either. Neither one of these thoughts hold any intrinsic reality. They are an overlay. When someone says, “I love you,” he is telling you about himself, not you. When someone says, “I hate you,” she is telling you about herself, not you. World views are self views—literally.
Adyashanti (via thelovejournals)
I like my body when it is with your body. It is so quite new a thing. Muscles better and nerves more. I like your body. I like what it does, I like its hows. I like to feel the spine of your body and its bones,and the trembling -firm-smooth ness and which I will again and again and again kiss, I like kissing this and that of you, I like, slowly stroking the, shocking fuzz of your electric furr,and what-is-it comes over parting flesh….And eyes big love-crumbs, and possibly I like the thrill of under me you so quite new of under me you so quite new
E.E. Cummings, I like my body when it is with your (via thelovejournals)
Keira Knightley in Jane Austen’s “Pride and Prejudice”

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Someone asked me what home was and all I could think of were the stars on the tip of your tongue, the flowers sprouting from your mouth, the roots entwined in the gaps between your fingers, the ocean echoing inside of your ribcage.
E.E. Cummings (via floriental)
Landscape, Nice by Henri Matisse
La fenêtre ouverte by Henri Matisse
Study of Flowers, 1720
Hyacinthe Rigaud

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Make your mistakes, take your chances, look silly, but keep on going. Don’t freeze up.
Thomas Wolfe, You Can’t Go Home Again (via books-n-quotes)
Ingrid Bergman photographed by David Seymour on the set of ‘Europa 51 (1952)
Arizona Muse in “Cut to the Chase” for Harper’s Bazaar UK January 2018 photographed by Agata Pospieszynska
“Illuminated Leaf”. Iran, 16th century.

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No work or love will flourish out of guilt, fear, or hollowness of heart, just as no valid plans for the future can be made by those who have no capacity for living now.
Alan Watts (via lazyyogi)
James Ivory Talking About Writing CALL ME BY YOUR NAME