from Chess Life (March 20, 1961)
A slightly different story is told in the January 1962 edition of the same magazine:

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from Chess Life (March 20, 1961)
A slightly different story is told in the January 1962 edition of the same magazine:

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H.G. Wells' haunting essay on chess
CONCERNING CHESS
The passion for playing chess is one of the most unaccountable in the world. It slaps the theory of natural selection in the face. It is the most absorbing of occupations, the least satisfying of desires, an aimless excrescence upon life. It annihilates a man. You have, let us say, a promising politician, a rising artist, that you wish to destroy. Dagger or bomb are archaic, clumsy, and unreliable—but teach him, inoculate him with chess! It is well, perhaps, that the right way of teaching chess is so little known, that consequently in most cases the plot fails in the performance, the dagger turns aside. Else we should all be chess-players—there would be none left to do the business of the world. Our statesmen would sit with pocket boards while the country went to the devil, our army would bury itself in chequered contemplation, our bread-winners would forget their wives in seeking after impossible mates. The whole world would be disorganised. I can fancy this abominable hypnotism so wrought into the constitution of men that the cabmen would go trying to drive their horses in Knights' moves up and down Charing Cross Road. And now and again a suicide would come to hand with the pathetic inscription pinned to his chest: "I checked with my Queen too soon. I cannot bear the thought of it." There is no remorse like the remorse of chess.
A Grand Ayatollah on chess
first two screenshots from Ali al-Sistani's website
third screenshot from Chess Curiosities #275
A silly study by the legend, Gady Costeff
White to play.
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White wins by retreating every piece to it's starting square!
It seems Costeff later revised this study:
photo of Costeff from ChessBase
first two screenshots from Costeff's website
latter two screenshots from Chess Curiosities #289
Bogoljubow ten days before his death
"I had a conversation with him then of rare seriousness. As if conscious of the nearness of his end, he spoke, on this last occasion, about – Chess Immortality. I discovered at this late hour in his life, and I pass it on as his closing thought, that Bogoljubow wanted his chess to be regarded as an art and himself as an artist. He feared, he said, that not one of his games, even from the great tournament at Moscow in 1925, the zenith of his career, would be deemed worthy of inscription in the scrolls of immortality. So high did he set his ideals. And so sceptically did he look back over his 40 years of masterly endeavour. Luckily the chess world will not share his pessimism. Countless masterpieces of play remain to assure him the immortality he sought."
extract from page 221 of the August 1952Â CHESS, by E.J. Diemer
quote and photo taken from Chess Notes

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Tim Krabbé's take on the infamous Curaçao 1962 Candidates Tournament
from Chess Curiosities
Lasker responds to remarks on his style
I've always been doubtful of the oft-regurgitated quip that Lasker became so dominant by playing according to his opponents' personalities. Here, in a letter written in 1936, he gives his own opinion on the matter.
Tarrasch (left) and Emanuel Lasker (right) during their 1908 world championship match in Munich.
"Réti’s alleged remark that my conception of chess as a fight is fully in accordance with my philosophy to fight against my opponent not only intellectually but “with the whole of my personality” is astounding. [...] My writings deal only with the laws and principles governing the struggle between perfect strategians. These do not exist in the flesh, because no-one, in any respect whatever, is perfect. Perfect strategians are instincts personified and idealized, for instance the perfect strategian at chess is the perfect chess instinct (usually called judgement). My books do not deal with mistakes or human foibles. Only my latest manuscript goes further than that, in that it deals with the erring and blundering creature, his psychology, his ethos and his drama. But it was never known to Réti. In fact, only a few persons know it, because, as the world at present runs, it has, as yet, not found its publisher. But did Réti make the above remark in sober earnest? I think not. I have examined what he said of my style in his Lehrbuch (1930) page 123 e.g. and in the sentences cited by Fred Reinfeld and Reuben Fine in their Dr Lasker’s Chess Career page 12. In the former book Réti explains my style in that I strive to take advantage of the shortcomings of my opponent (but everybody does that) and in the latter by “my boundless faith in common sense”, which is much more to the point. Probably, after mature deliberation, Réti preferred to express his real views as in these two places, and the remark you quote was uttered as a mere casual and only half-serious conjecture. [...] A collection of judgements on my style would be quite interesting and instructive. As the years passed I came across many of them. He who judges another, judges himself. However, I cannot go into this question at present. But I have repeatedly explained my conception of a contest between masters, i.e. between creative minds representative of their period."
from a letter (written in Moscow on 23 April 1936), published on pages 357-358 of the May 14, 1936 issue of CHESS (bolding mine)
quote and photo taken from Chess Notes
Lasker on...Fischer?
"To have a worthy opponent is a boon. He is short-sighted who strives for indisputable supremacy in his domain, whether at chess or other creative work. If, by ill-chance, he succeeds in approaching his stupid goal, he is blinded to his defects and deteriorates. When the outcome of tournaments is most uncertain and incalculable, as at present, then is chess passing through its most fertile periods."
Emanuel Lasker, from a letter (written in Moscow on 23 April 1936), published on pages 357-358 of the May 14, 1936 issue of CHESS (bolding mine)
taken from Chess Notes
photo source
Richard Réti's hot take on Capablanca-Alekhine
from Chess Notes
Mate in three--a fringe case
William Shinkman, 1882
White to play.
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Black's rooks must remain on the a-file and eighth rank, respectively, in order to prevent Ra7#/Rb8#. So White's queen should be able to fork them easily, as she would be immune to capture. Right now, she could do so by capturing the h5-pawn, but ...Rxh5 would come with check.
1.Kh1! The only move for a mate in three.
Now, Black can either play h5, allowing the Qh5 fork, or move a rook. As it turns out, no matter where the rooks move the queen is able to fork them!
Other first moves for White allow Black to avoid the mate for another move. It's fun to try them out and see how Black could delay things.

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Kasparov and baby Naroditsky (taken from the Kasparov Chess Foundation website)
William Hazlitt, Table-Talk (London, 1821), page 198
This idea has haunted me since long before I knew how to play chess.
A cute little study by Velimir Kalandadze, 1965
White to play.
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photo of Kalandadze from ARVES
Reactions to Deep Blue-Kasparov, 1997
Chess Life, July 1997
Computer chess predictions from 1963
from Chess Notes

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A lyrical chess poem from 1884
source
Conel Hugh O'Donel Alexander, foreword to King, Queen and Knight by N. Knight and W. Guy (London, 1975), page vi